Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Literary devices used in sonnet 130
Similarities between petrarchan and shakespearean sonnet
Symbolism the sonnet 18
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Literary devices used in sonnet 130
Many refer to Shakespeare’s Sonnet 18 “Shall I compare thee to a summer’s day?” as the ultimate English love poem (Shakespeare). This sonnet is of the typical form and compares the beauty of a person to a summer’s day. However, Shakespeare’s unique Sonnet 130 is debatably more significant and insightful. Sonnet 130 “My mistress' eyes are nothing like the sun” disregards the typical placement of the “volta” in a sonnet, describes an arguably more genuine love, and derides common love poetry of the 1600s.
The Petrarchan sonnet influenced the English sonnet Shakespeare used. The Petrarchan sonnet has fourteen lines and is separated into an octet and a sestet. The English sonnet also has fourteen lines, but it is separated into three quatrains and a couplet. The Petrarchan has a turning point at line nine meaning there is a change in tone or refocus of idea that leads one to the final theme. The turning point is known as the “volta” an Italian for “turn.” Accordingly, Shakespeare’s English Sonnet 18 has a “volta” at line nine, the first line of the third quatrain. The placement of the turn at line nine is common but not mandatory for the English sonnets. For example, Sonnet 130 has a turn at line 13. Sonnet 130 expands on a metaphor for the three quatrains; it tells what the mistress is not comparable to, without hinting to theme the couplet will present. Ignoring the standard location of the “volta” makes Sonnet 130 more distinctive because it becomes more dramatic and emphasizes the importance of the statement in the couplet.
Sonnet 18 describes the person as youthful and attractive, and implies the person is perfection. Lust is associated with the perception of someone as faultless, but this image will be destroyed. Correspondin...
... middle of paper ...
...love for his mistress without equating her to objects, nature, and immortals. Shakespeare most popular poem is his Sonnet 18; however, his Sonnet 130 is more unique in form, displays a more sincere expression of love, and exposes the damaging effects of the main comparison made in Sonnet 18.
Works Cited
Hale, James. "Sonnet 130." Magill on Literature Plus JSCC Library. Masterplots II: Poetry, Revised Edition, Jan. 2002. Web. 26 Feb. 2014.
Mays, Kelly J. "Poetry." Norton Introduction to Literature. 11th ed. New York: W.W. Norton &, 2013. 810, 891. Print.
Miller, Nelson. "Basic Sonnet Forms." Basic Sonnet Forms. Writers Exchange Board, n.d. Web. 28 Feb. 2014. .
Shakespeare, William. Sonnet 18. Ed. Amanda Mabillard. Shakespeare Online. 12 Nov. 2008. Web. 26 Feb. 2014. .
Shakespeare, William. "Sonnet 73." Discovering Literature: Stories, Poems, Plays. Ed. Hans P. Guth and Gabriele L. Rico. Upper Saddle River, NJ: Prentice Hall, 568-569.
...e speaker admits she is worried and confused when she says, “The sonnet is the story of a woman’s struggle to make choices regarding love.” (14) Her mind is disturbed from the trials of love.
Sonnet 130 is Shakespeare’s harsh yet realistic tribute to his quite ordinary mistress. Conventional love poetry of his time would employ Petrarchan imagery and entertain notions of courtly love. Francis Petrarch, often noted for his perfection of the sonnet form, developed a number of techniques for describing love’s pleasures and torments as well as the beauty of the beloved. While Shakespeare adheres to this form, he undermines it as well. Through the use of deliberately subversive wordplay and exaggerated similes, ambiguous concepts, and adherence to the sonnet form, Shakespeare creates a parody of the traditional love sonnet. Although, in the end, Shakespeare embraces the overall Petrarchan theme of total and consuming love.
William Shakespeare’s “Sonnet 130”, was published in the mid-1590, and published with the rest of Shakespeare’s sonnets in 1609. The sonnet has fourteen lines, and divided into three quatrains and one couplet at the end. The rhyme scheme is cross rhyme, with the last two lines being couplets that rhyme. The sonnet compares between nature and the poets’ lover or mistress. He shows a more realistic view of his lover. Needless to say his significant other wasn’t physically attractive, yet he loved her inside beauty. Today we may use the term, “It’s not all about looks, but what’s inside”.
Lust and Love in Shakespeare’s Sonnet 130 and Campion’s There is a Garden in Her Face
This poem speaks of a love that is truer than denoting a woman's physical perfection or her "angelic voice." As those traits are all ones that will fade with time, Shakespeare exclaims his true love by revealing her personality traits that caused his love. Shakespeare suggests that the eyes of the woman he loves are not twinkling like the sun: "My mistress' eyes are nothing like the sun" (1). Her hair is compared to a wire: "If hairs be wires, black wires grow on her head" (3). These negative comparisons may sound almost unloving, however, Shakespeare proves that the mistress outdistances any goddess. This shows that the poet appreciates her human beauties unlike a Petrarchan sonnet that stresses a woman's cheek as red a rose or her face white as snow. Straying away from the dazzling rhetoric, this Shakespearean poem projects a humane and friendly impression and elicits laughter while expressing a truer love. A Petrarchan sonnet states that love must never change; this poem offers a more genuine expression of love by describing a natural woman.
Spencer, Edmund. “Amoretti: Sonnet 37”. The Norton Anthology of English Literature. Gen. ed. David Simpson. 8th ed. Vol. 1. New York: Norton, 2006. 904. Print.
Shakespeare, William. "Sonnet 15". The Broadview Anthology of British Literture. Volume A. Petersborough, Ontario: Broadview Press, 2008.
Shakespeare’s sonnet 130 is a sonnet much different than the normal love sonnets of that time. A well-known re-occurring them in Shakespeare’s sonnets is love. Shakespeare’s sonnet 130 can be interpreted many different ways. Sonnet 130 describes what love is to Shakespeare by making the poem a joke in order to mock other poets. In sonnet 130, Shakespeare spoke of a courtly love. Shakespeare goes against the usual style of courtly love writing in this sonnet. “In comparison to Petrarch’s Sonnet 90 and Shakespeare’s own Sonnets 18 and 20, Sonnet 130 is a parody of courtly love, favoring a pastoral love that is austere in its declaration, yet deep-rooted in sincerity” (Dr. Tilla Slabbert 1). Sonnet 130 mocks the men who use the traditional
Through the form of sonnet, Shakespeare and Petrarch both address the subject of love, yet there are key contrasts in their style, structure, and in the manner, each approaches their subjects. Moreover, in "Sonnet 130," Shakespeare, in fact, parodies Petrarch's style and thoughts as his storyteller describes his mistress, whose "eyes are in no way as the sun" (Shakespeare 1918). Through his English poem, Shakespeare seems to mock the exaggerated descriptions expanded throughout Petrarch’s work by portraying the speaker’s love in terms that are characteristic of a flawed woman not a goddess. On the other hand, upon a review of "Sonnet 292" from the Canzoniere, through “Introduction to Literature and Arts,” one quickly perceives that Petrarch's work is full of symbolism. However, Petrarch’s utilization of resemblance and the romanticizing of Petrarch's female subject are normal for the Petrarchan style.
This Shakespearean sonnet consisting of 14 lines can be subdivided into 3 parts. In each part, the poet uses a different voice. He uses 1st person in the first part, 3rd person in the 2nd part and 2nd person in the last part. Each section of the poem has a different theme that contributes to the whole theme of the poem.
Therefore, because William Shakespeare’s “Sonnet 18” and Edmund Spenser’s “Sonnet 75” share the idea that love is sincere and eternal, they can be looked upon as similar in theme. However, although similar in theme, Shakespeare’s intent is portraying the true everlasting beauty of his love, which is already achieved, whereas Spenser concentrates more on trying to entice his desired love, remaining optimistic throughout the entire poem.
Shakespeare, William, "Sonnet 42." The Norton Anthology of English Literature. Eds. M.H. Abrams and Stephen Greenblatt. 7th ed. 2 vols. New York: Norton, 2000. 1:1033.
Shakespeare, William. "Sonnet 18." The Longman Anthology of British Literature: compact edition. Ed. David Damrosch. Addison-Wesley, 2000. 553.
The fourteen line sonnet is constructed by three quatrains and one couplet. With the organization of the poem, Shakespeare accomplishes to work out a different idea in each of the three quatrains as he writes the sonnet to lend itself naturally. Each of the quatrain contains a pair of images that create one universal idea in the quatrain. The poem is written in a iambic pentameter with a rhyme scheme of ABAB CDCD EFEF GG. Giving the poem a smooth rhyming transition from stanza to