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How does dickens build tension and suspense in the signalman
How does dickens build tension and suspense in the signalman
Charles dickens literary criticism
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The Signalman, by Charles Dickens; The Battler by Ernest Hemingway
- In what way do the two authors create and maintain interest and
suspense in their stories?
In Charles Dickens' 'The Signalman' the story starts by introducing
the main character (a railway signalman). Another character is also
introduced: the narrator. Dickens describes the signalman as a 'dark
sallow man' and as having a 'dark beard' and 'heavy eyebrows'. It
seems that Dickens wishes to portray the signalman as a dark and
ominous figure. However, he then sheds some light on the character of
the signalman. Dickens portrays him to be very lonely and afraid of
something. This is shown in the way he 'turns himself about and looked
down the Line' when the narrator calls to him. It is as if he is
expecting something unusual. The narrator is obviously telling the
story and almost introduces himself to be a very curious and helpful
character. Dickens gives us no physical description of him, but we are
told that he is a retired man who is interested in new technology:
like the railway. So I imagined him as being of Middle Class status
and intelligent. It seems he has the time to be interested in the new
technologies of the time, almost like a hobby. From some of the things
he says and does in the story, Dickens gives the impression that he is
not a very perceptive person. For example, the very opening line is
'Halloa! Below there!' This is what the narrator calls to the
signalman. He does not understand that this may be starling to the
signalman on a solitary railway line and that is why he does not
reply.
Dickens also uses setting very well to create atmosphere, as at the
two characters first meeting. The deep railway cutting is described a...
... middle of paper ...
...se, maintain it until a point and then let it go in a climax of
excitement for the reader. However, their techniques of interesting
the reader again slightly differ. For example, Charles Dickens uses
complex metaphors when describing the setting: 'a crooked prolongation
of this great dungeon'; 'barbarous air', which was popular at the
time. Even the grammatical and linguistic usage by Dickens is far
superior to Hemingway. Dickens uses colons, semi-colons etc, whereas
Hemingway rarely uses anything like that. Hemingway draws on very few
alternative words. For example, the word 'said' is used to tell us who
is speaking: 'Nick said', 'said Ad', 'Bugs said'. This is done to
suite his audience (the working class). Although the two authors have
quite opposing styles, they both use relatively the same techniques
when it comes to creating and maintaining suspense.
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jumps around in his life, telling you things in, what I believe is, their order
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deep down inside himself and is afraid to admit. Later on in the movie he is reminded
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is searching for him and that he is going to have to encounter him at
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Camus and Mulisch present that the past and present are interrelated. The authors do this through the two characters, Meursault and Anton. Through Meursault, we see that his past actions affect the outcome of his trial. Through Anton, we see that his present situation constantly brings him back to his past despite him trying to escape it. Thus the authors stylistically link the past and present to demonstrate that they are inevitably related, where certain events are unavoidable or the past is undeniable.
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