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Meursault in the outsider
Character of meursault in the outsider
The outsider by albert camus critical analysis
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Camus and Mulisch present that the past and present are interrelated. The authors do this through the two characters, Meursault and Anton. Through Meursault, we see that his past actions affect the outcome of his trial. Through Anton, we see that his present situation constantly brings him back to his past despite him trying to escape it. Thus the authors stylistically link the past and present to demonstrate that they are inevitably related, where certain events are unavoidable or the past is undeniable.
In ‘The Outsider’, the society continually brings back Meursault’s past actions against his will, such as his behaviour at his mother’s funeral. Under the rule of the French Colonialists, the French Algerian court is a microcosm of the society with the Roman Catholic belief, in value as in determination. Because of this, Meursault, who alienates himself from the Roman Catholic expectation in society, was condemned for murdering the Arab. He was announced to have “no place in society whose most fundamental rules [he] ignored” , which was mostly based on his emotions and behaviour in the funeral rather than the actual murder.
Opposed to this, Camus uses Meursault as a construct to demonstrate his philosophy of absurdism. Absurdism is the belief that one cannot give rational sense or purpose to life, a belief based on the inevitability of death. Because people have difficulty accepting this notion, they constantly attempt to create rational structure and meaning in their lives. The term ‘absurdity’ describes humanity’s futile attempt to find rational order where none exists. Only at Meursalt’s epiphanic revelation before death does he realize this as his comes to know the absurd world.
‘The Assault’ retraces the consequenc...
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...ppy” , getting a sense of satisfaction for completely life the way he did and finds peace with himself and the society that persecutes him, finally dropping his fantasies of escaping execution.
In conclusion, both authors demonstrate that the past and present are intertwined, but in different ways. Camus shows how each person determines their present with their past actions and how in an absurd world, the society forces connections between the two which may disadvantage us. Mulisch demonstrates in a different way that we can never flee from or deny our past. It is the past that defines us and it will always catch up with us no matter how far we run from it. In my opinion, Camus’ stylistic representation of this idea is more convincing than that of Mulisch’s because we ourselves will have this experience, of society accusing us on the basis of our past actions.
Throughout the novel, Camus presents the audience with one reason after another why Meursault should not, and in many cases cannot, be judged by "normal" standards. He also seems to say that no matter how mystifying or straightforward a person might be, there is no excuse for judging another human being. The question he finally presents to the reader is this: do we take his advice and abstain from judgment, or do we continue to judge others, often wrongly?
In the beginning of Maus the reader is thrown into a scenario of the Author, Art's, many visits to his
...iod when Camus writes this novel. Camus obviously knew the time period and explored different ideas and philosophies about pointless of life in people which comes out in his character, Meursault. In prison Meursualt also realizes that he’s trapped, and there’s no way out as he remembers what the nurse once said to him. His growth in self reflection results in unimportance of emotional values of life and help focus what’s directly ahead of him. This significant change results him in understanding himself and his voice, and figuring out his capabilities and philosophies. Time spent in prison helps Meursault finally understands himself, the meaninglessness of life, and the unimportance of time which shows the shift in the character after sent to prison.
...according to him, a man who is morally guilty of killing his mother severs himself from society in the same way as a man who raises a murderous hand against the father who begat him.” This quote is telling how society input their feelings and ideas onto Meursault. The persecutor compares Meursault emotionless and lack on remorse for his killing the same as a person killing their own father. Society believes Meursault as an emotionless killer or a stranger to society’s morality, Meursault then can’t explain why he couldn’t feel any emotion, drives, or thoughts of remorse for his murder. Lastly, when the chaplain visits Meursault against his wishes, this scene showed how society expects everyone to ask for forgiveness from god when near death. Meursault then thinks it is absurd and refused to believe in him because he says it’s ridiculous and there’s no time at all.
... his mother and the idea of God which is again supported by his close relationships. Those relationships are with people who don’t believe in a higher being or who show no true morals. Camus accommodates white with many objects and people, yet purposely excludes Meursault and refers to him as dark. All of these techniques show Meursault as a nonreligious man with potential to harm without remorse. This leads up to his interaction with light where he feels uncomfortable just as he does with God. Meursault’s history and personality lead up to the murder of the Arab, the distraction of the light, and in the end, accusing God, “the light”, for his criminal behavior. Human nature needs moral standards or the world would be as corrupt as Meursault’s life.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
Firstly, Camus juxtaposes the stories of Meursault and the Czechoslovakian man to create a presage of the denouement of Meursault. The Czechoslovakian man undergoes major life changes, and this ultimately leads to his demise. He goes to make a better life for himself, and he returns to his village with riches in wealth and in family. Unrecognizable to them, the Czechoslovakian man returns to his mother and sister, and he decides to play a simple joke “of taking a room” and “he had shown off his money” (80). This trick ends when “during the night his mother and sister had beaten him to death…in order to rob him” (80). The Czechoslovakian man’s newfound courage results in obstinacy. Contrastingly, until Meursault commits his crime of murder, his life appears nearly painfully simple. ...
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
The trial and conviction of Meursault represents the main ideals of absurdism, that truth does not exist, and life is precious. The jury’s attempt to place a proper verdict on Meursault is compared to mankind’s futile attempt to find order in an irrational universe. Because there is no real truth in the trial, the verdict was unfair and illogical. Camus uses his beliefs of truth not existing and life being precious to point out the absurdity of the judicial system, and suggest the abolishment of the death penalty.
Even when facing his trial, Meursault could not bring himself to understand life even a little bit more than he previously knew. Meursault felt the need to make an effort to defend himself, “Later on, though, I no longer saw any point to my reluctance (page 72).” Meursault could not find any sort of validation during his trial and incarceration. He even wanted to sit back and see how it would all play out. Even when facing consequences of actions, Camus shows that the thrill of getting caught is not the point of
...things, the purpose of women remains purely materialistic: to serve and satisfy others and Meursault’s superficial relationships represent this. While Marie truly loved and longed to be with Meursault after their meeting, Meursault did not share the same romantic aura. While he did want a woman’s presence, Meursault did not love Marie past that, just a woman. Not only that, but Maman, while she is a cornerstone in Meursault’s life due to her passing and role during the trial as well, she herself lacks purpose, other than dying. Each one of these points lead us to Camus’ portrayal of women as ultimately unnecessary in the book and only aid in assisting as the catalysts which push the male roles and the main character Meursault, further along throughout the story.
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
"Why do you refuse to see me?" This question was asked by the priest and was meant for Meursault. Normally, if a person is convicted to death, he will see a priest before the sentence is executed. Meursault did not do that. He profusely refused to see the priest and why should he? He "did not believe in god." Meursault did not care, as he did not care if his mother died, or if someone proposed marriage to him. This of course went totally against the rules and ethics of society, which cannot permit such kind of behaviour. But why does Camús characterize Meursault like that? Why did he create such kind of an outsider to society? Camús created such an outsider because he wanted to show people how life actually is. Society does not accept people who do not bend the truth a little and lie. Society wants to make life as easy as can be, making up lies so that everything can run smoothly because truth can hurt sometimes, and Camús knows that. Camús implements the priest not just as another character in the novel, but as a person who wants to tell Meursault how society expects him to behave. Meursault did not want to know how he has to act to make the society happy, as a matter of fact, the priest was "beginning to annoy" him.
Meursault was always indifferent. Meursault accepted death. Why? Meursault saw the purpose of life meaningless. That is “Absurdity”! Absurdity, how does that word sound? Pretty bad, eh? Absurdity when used like “that’s absurd!” gives the feeling of negative judgment and a sense of finality. The idea of the Absurd seems to attach itself with meaningless, pointless and other such words that express a destination but without the means to get there and vice versa means but no destination. So from there I inferred that Camus does not believe in God nor any high law or universal law that are associated with a divinity, which is a path in life (either the means or the destination). So what is Absurd? The Absurd is living, a quest to find the meaning of anything within a reality with no purpose. Reality has no purpose because there is no high law, a universal law nor a God. Therefore this reality must be randomness. I believe that Camus wants us to see this and begin questioning our existence. So he wants he wants us to see the Absurdity and to cope with the Absurdity.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.