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Literary analysis for frankenstein
Literary analysis for frankenstein
Analysis of the novel frankenstein
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The Function of Monstrosity in Mary Shelley's Frankenstein
'Frankenstein' is a piece of Gothic literature and was written in the
Romantic era. It was published in the 19th Century and was written by
Mary Shelley. 'Frankenstein' was considered to be one of the most evil
horror stories of its time; it shocked and surprised its readership
due the controversial issues that it addressed. It was inconceivable
that an author could engage with the idea of creating a being from
body parts and bringing it to life. This raised many issues such as,
should we have the right to play God?
In the novel Mary Shelley writes about tragedy, death and romance. It
was thought that perhaps many of the events in her life may have
influenced the events in the story as she suffered a number of
tragedies in her life, two of which where the premature deaths of her
mother and son. In relation to the novel I think that this is very
significant.
This is significant because the character of Elizabeth relates to Mary
Shelley in numerous ways: the first being that Elizabeth's mother dies
as did Mary's when both girls were still young. Secondly, Elizabeth
then assumes the maternal role with regard to William her brother, who
later dies; Mary also had a son named William who died.
Monstrosity is apparent throughout the novel in different forms.
Primarily the visual and physical appearance of the creation is
repellant, but also the reaction of the creator and the characters
encountered by the monster reflect an element of monstrosity.
At the beginning Frankenstein is extremely enthralled with the idea of
creating a being. His expectations and standards are hi...
... middle of paper ...
... walks on,
And turns no more his head;
Because he knows, a frightful fiend
Doth close behind him tread."
In the poem the 'frightful fiend' is the albatross, whereas in the
novel it is the monster. The sailors are terrified of encountering the
albatross and this line illustrates this, 'Doth close behind him
tread.' Frankenstein is also frightened as he knows that the monster
is searching for him and that he is going to have to encounter him at
some stage.
Mary Shelley has utilized different aspects of monstrosity in the
novel to substantiate the observation that monstrosity does not only
relate to the appearance of an individual, but also to his actions.
She has used monstrosity to highlight all the varied events within the
novel, such as, Justine's trial and Frankenstein's creation of the
monster.
of the dangerous plans that are being designed to take his life this day. Mid-morning arrives and
shall fare forth to find you, so far as I may, and this I say
The creature was created with the intention of goodness and purity but because of this, he wasn’t equipped to deal with the rejection of his creator. After Victor Frankenstein’s death, Robert Walton walks in to see the creature standing over his friend’s lifeless body.
When we are created into this world it’s not by the choice of our own. However, we are created most times out of love from our creator. Like a baby just newly born into this world needs to feel its mothers touch, scent, and security. The bonding makes you feel a connection to your maker of the world and without it a person may feel lost, abandoned, and unloved. From the beginning we hope to build our self-esteem through the love of our creator. Sadly, most people are not loved or accepted by their creator. This leads to a person lashing out in a number of ways that society views unconventional due to the lack of understanding that person suffers through abandonment alone. In the novel Frankenstein, Mary Shelley illustrates the theme of monstrosity
He sees a man among thousands of people who are pushing closer to him.... ... middle of paper ... ... When people realize that they are capable of knowing the truth, they are able to overcome the illusions and help others break their own boundaries.
engaged, heart and soul, in one pursuit” (32). The creature also starts out with kindness, he tells his creator, “Believe
How Mary Shelley creates a sense of horror in Frankenstein. Frankenstein Introduction In this essay, I will be writing about how Mary Shelley creates sense. of horror in Frankenstein. Horror stories are usually dark and sinister.
In Mary Shelly’s Frankenstein, Victor Frankenstein secretly creates a monster without considering the consequences. After the creation of the monster and throughout Victor’s life he and the monster suffer constantly. Because Victor keeps his monster a secret from his family, friends and society, he is alone and miserable. The monster is also alone and miserable because he is shunned by society due to his grotesque appearance.
Analysis of Mary Shelley's Frankenstein. Analyzing a book can be a killer. Especially when it contains tons of subtle little messages and hints that are not picked up unless one really dissects the material. Mary Shelley's Frankenstein is a prime example.
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Mary Shelley’s Frankenstein or; The Modern Prometheus, published in 1818, is a product of its time. Written in a world of social, political, scientific and economic upheaval it highlights human desire to uncover the scientific secrets of our universe, yet also confirms the importance of emotions and individual relationships that define us as human, in contrast to the monstrous. Here we question what is meant by the terms ‘human’ and ‘monstrous’ as defined by the novel. Yet to fully understand how Frankenstein defines these terms we must look to the etymology of them. The novel however, defines the terms through its main characters, through the themes of language, nature versus nurture, forbidden knowledge, and the doppelganger motif. Shelley also shows us, in Frankenstein, that although juxtaposing terms, the monstrous being everything human is not, they are also intertwined, in that you can not have one without the other. There is also an overwhelming desire to know the monstrous, if only temporarily and this calls into question the influence the monstrous has on the human definition.
Frankenstein by Mary Shelly is an old classic that has been enjoyed by many generations. Despite the fact that the novel was written over a hundred years ago, it is not only beautifully written but also enthralling and well composed. At the young age of eighteen, Mary Shelly raises questions about education and knowledge to which are answered through the well written characters in the novel. The Monster, who is a creation of another character, is highlighted as an individual who goes through an intellectual change.
Mary Shelley's book, Frankenstein, deals with the major dilemma of the creation of man. Rousseau deals with the topic of abandonment in Emile, which stemmed the thoughts of creation for Shelley in 1816 upon reading Rousseau's opinions. Rousseau blames the problems that children inhibit solely upon the parents shoulders (Mellor). Mary Shelley is able to relate to this statement on a personal level due to the parenting (or lack of) within her life. This in turn leads to a broader question concerning Shelley's Frankenstein; is the monster really the sole person to blame for his murderous actions? According to Rousseau's theory, the monster is not the sole problem. Victor Frankenstein is his creator or "father" figure thus giving him the responsibility of his monster.
In Frankenstein, Mary Shelley uses the motif of monstrosity to convey the theme that a person’s outward appearance is not what makes them a monster but rather their actions or inactions that classify true monstrosity. Despite the fact that the monster Victor Frankenstein creates is a literal example of monstrosity in the novel there are many parts that give meaning to monstrosity within character’s actions. Although Victor appears normal, since he is human his ambitions, secrets, selfishness, and inaction makes him a monster himself. Along with monstrous characters the pursuit of knowledge that is seen in Victor, his monster, and Walton in Frankenstein prove that knowledge can be a monstrosity. Mary Shelley’s Frankenstein is created using the life stories of different characters in the novel. The novel itself could be seen as a monster created similarly to Victor’s monster.