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Upon reading “The Cathedral” by Raymond Carver, the reader can immediately notice various literary elements he uses to show the shift from sight to insight in the narrator using symbolism, motifs, and theme. Carver illustrates the narrator as a somewhat racist, close-minded man towards the beginning of the story, but then evolves the character with the literary elements previously stated.
Carver’s use of symbolism is shown in the final paragraphs of the story when he uses the pen the narrator and Robert use to draw the cathedral as a tunnel into Robert’s world of insight. The perplex world of the blind man is a shock to “Bub” as he explains in the quote: “His fingers rode my fingers as my hand went over the paper. It was like nothing else in my life up to now.” Robert finally shows his perspective to the narrator which causes him to have a revelation. When asked to open his eyes to see his drawing he dismisses and remains in his state of awareness. The pen is used as a portal to this state of awareness the narrator voyages to, which allows “Bub” to figuratively open his eyes.
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Motifs are also present in the text as Carver furthers the narrator's transition and moves him closer to his “Aha” moment.
As the story goes on it is obvious that “Bub” may have a drinking problem and turns to the substance before stressful events in the story. This is shown just before the narrator’s wife was to tell him about Beulah, Robert’s wife: “I made a drink and sat at the kitchen table to listen.” At this moment the audience begins to understand that before most stressful events, the narrator makes a drink to take the edge off and distance himself from reality. This action of drinking allows him to decrease his level of insight to not think into things as much as he would
sober. Advancing along the story, Carver makes his theme more prevalent as the narrator moves towards this level of insight that the blind man is bringing him to. His progression can be seen from the quote towards the beginning of the story: “Which side of the train did you sit on” which showed him as quite a boor and lacked respect for the blind man. Nearing the conclusion of the story “Bub” goes on to say “It’s really something” when he is enlightened by the blind man’s insight; he finally understands the perspicacity he has been missing out on for the majority of his life. Ultimately then, Carver uses various literary elements to illuminate the narrator's continuous growth towards insight, which was guided by the blind man. Motifs were shown to reveal the narrator’s dismissive, substance abusing character early on in the text. Symbolism was used to concretize the path the narrator followed towards insight. Finally, the theme demonstrated was used to show the ongoing transition of “Bub” from sight to insight throughout “The Cathedral.” Towards the beginning of the story the narrator was held captive in a cocoon of ignorance and dismay, then evolves into an insightful butterfly that is able to get a brief glimpse of the blind man’s level of insight. This story still has strong relevance today as politicians are notorious for being dismissive and boorish towards people they may not personally know; Carver urges society to not judge people on outward appearance (sight), but judge on the content of their character (vision).
These audiotapes represent a distinguished type of communication that requires no visual interaction, but an interface that involves understanding and empathy instead, something the narrator has not yet learned. At this point of the story the narrator believes that Robert could not have possibly fulfilled his now deceased wife’s, Beulah’s, aspirations as seen when he states, “I found myself thinking what a pitiful life this woman must have led,” (37). The narrator bases his reason solely on the fact that the man is blind, so how could he have ever interacted or contributed in their relationship. In reality, though, it is the narrator himself, who has not fully satisfied or even begun to fully appreciate his own wife. The audiotapes symbolize this absence of appreciation and reveals to the reader that the narrator has not even considered this “harmless chitchat,” (36) as he describes it, to be of importance to his own marriage. It is not until the end, when he finishes drawing the cathedral that he is capable of understanding what his wife and Robert share. The cathedral is the other major symbol in this story, since it is the pivotal turning point for when the narrator becomes a dynamic character. Without the cathedral the narrator would not have succumbed to his new acceptance of what it means to actually see someone or something. When the narrator says, “I didn’t feel like I was inside anything,” (46) this is the indication of that epiphany coming to him. Moments before, the narrator had just explained to Robert that he did not “believe in it [religion]. In anything,” (45) however, this insightful moment now contradicts that statement, supporting the notion that the narrator has advanced as a character. Furthermore, a cathedral, which is assumed to bring solace and a new light to those in pursuit of one, offered the
The short story, “Cathedral,” by Raymond Carver, is about a blind man who changes the way the narrator views life by giving him some insight on how he sees things. The characters in this short story are constantly developing into better versions of themselves by sharing their insights with one another.
Upon reading Raymond Carver's short story of the Cathedral one will notice the literary devices used in the short story. When analyzing the story completely, one then understands the themes, motifs, metaphors, and the overall point of the piece. This leaves the reader with an appreciation of the story and a feeling of complete satisfaction.
Carver, Raymond. "Cathedral." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991. 1052-1062.
At first glance, one might assume Raymond Carver’s "Cathedral" illustrates the awakening of an insensitive and insulated husband to the world of a blind man. However, this literal awakening does not account for the fact that the husband awakens also to a world of religious insight, of which he has also been blind. The title and story structure are the first indicators of the importance of the religious thesis. It is also revealed when one examines the language and actions of the characters in the story. Finally, Carver’s previous and subsequent writings give an overall background for the argument that "Cathedral" has a significant religious import.
The narrator in Raymond Carver’s "Cathedral" is not a particularly sensitive man. I might describe him as self-centered, superficial, and egotistical. And while his actions certainly speak to these points, it is his misunderstanding of the people and the relationships presented to him in this story which show most clearly his tragic flaw: while Robert is physically blind, it is the narrator who cannot clearly see the world around him.
“Cathedral,” a short story written by Raymond Carver, presents an intriguing story of an ignorant man 's lesson. During this story, Carver 's working class characters are crushed by broken marriages, financial issues, and fulfilling jobs, but they are frequently unable to understand or communicate their own sufferings. However, the main story consists of the narrator, known as “Bub,” facing an internal conflict about a blind man named Robert staying the night in his home. Regardless of the fact that this blind man is his wife 's long time friend, the narrator cannot find himself comfortable with such an idea because of his extreme prejudices. Although, despite the narrator’s conflict he finds himself connecting to Robert on a more personal
By becoming close with Robert, the man in this story experienced what was necessary to gain an understanding of what life is like for the blind. The man began to draw the cathedral to try and help Robert visualize what one looked like. What he didn't realize at the time was that Robert was helping him to visualize what blindness felt like. Bibliography: Carver, Raymond. "Cathedral".
Raymond Carver's "Cathedral" depicted the interaction between a narrow minded husband, with a limited understanding of the world around him, and a blind visitor, named Robert, that proved to be the catalyst that dramatically changed the husband's view on the world, while they went from being strangers to becoming friends. In the beginning of the story, the husband disliked the concept of his wife bringing her blind friend over to stay since he never had met a blind person before and did not understand it. However, as the story progresses, the husband, through interaction and observation, begins to dispel his fears and misconceptions of Robert and his blindness. With the help of Robert, the husband gains a revelation that changed his view and opened his eyes to the world.
...l of open-mindedness. “Cathedral” concerns the change in one man’s understanding of himself and the world. From the start of the story the narrator is restricted in his understanding to accept the blind man just as his wife has. He cannot fully wrap around the idea of what makes Robert so special. Until, that is, that the narrator starts drawing the cathedral which starts off as a house almost, and expands into something grander. This short story allows us to realize that the world is greater and further detailed than what we consider it in our confined minds. And that in fact we should never assume that there is nothing more to what the eye can see. It simply states that we shouldn’t form an opinion on someone or something based only on what you see on the exterior, because usually after taking the time to explore, the person or thing will not be what you expected.
In Raymond Carver’s story, “Cathedral,” the story tells of how a close outside relationship can threaten a marriage by provoking insecurities, aggravating communication barriers, and creating feelings of invasion of privacy. The husband in the story is given the gift of seeing the cathedral through a blind man’s eyes. Although the title suggests that the story is about a cathedral, it is really about two men who come together and share a vision and realize it is he who is blind. As the story begins, the character of the husband has a negative personality. He lacks compassion, is narrow-minded, and is jealous of his wife’s friendship with a blind man named Robert.
The narrator in Raymond Carver's "Cathedral" has two fully functional eyes, in which he chooses never to use to their full potential. The eyes of the narrator are biased, insecure, jealous, and very limited in what they choose to see. This inability to see is made apparent when he is forced to meet and converse with a blind man. The narrator's perception of the world around him, and blurred vision, is resolved by a great irony in the story when Roger helps the narrator see past his prejudice outlook on life. The blind man teaches the narrator how to see.
... point the strong change in interaction between the two characters. The blind man diligently places his hand on that of Carver and they draw, together. The two are intently drawing the cathedral when Robert asks Carver to keep drawing but with his eyes closed too. He obeys and continues this is the climax of the story for Carver now briefly gets a glimpse of what it is like to live with the ailment of blindness. He is temporarily awed at the feeling for it is one he has obviously never experienced. “It’ really something”, he says (515)
Caldwell, Tracey. "Raymond Carver's 'Cathedral'." Literary Contents in Short Stories (2006): 1-8. Literary Reference Center. Web. 5 Nov. 2010
Have you ever been in love before? Many would say that love is hard to come by, and even harder to maintain, while some would say the opposite. In Shakespeare’s play, The Tragedy of Romeo & Juliet, he explores similar concepts related to love and infatuation. Although the reader never directly hears from Shakespeare, one could infer that his own thoughts are similarly mirrored in his characters, with the play serving as a warning tale of sorts, and the various roles echoing different dangers when it comes to love, which of there are many. More specifically, Romeo Montague and his actions in the play are very intentional, as they help explain Shakespeare’s intentions and his own personal thoughts on the topic of love and its hazards, as well