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An unobstructed, bright gold sun glared down the backside of Raya. She sat in her back yard drawing clouds in the dirt with the tip of her father’s bowie knife. She hadn’t meant to take it, didn’t plan on hurting herself with it, or anyone else for that matter, but it looked nice and shiny lying on her father’s dresser, and today, she needed something like that, wanted something that gleamed against the white rust that threatened to ruin everything in the world. If she could cut it away like a soured friendship, she would.
“Raya, your thoughts are not clear,” she heard her mother scorn. Her mother was dead, but she still spoke to her, a voice in the back of her mind. “Your father will stand beside himself if he doesn’t take a layer off
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Perhaps out of fear that she would fade from her thoughts, Raya talked to her everyday. Kept her alive. She hadn’t anticipated a response, but more often than not, she knew what her mother would say, and so she would hear it in that soft, stern voice of hers.
“I know, I know,” Raya muttered.
A darkling beetle skittered past her foot, clumsy legs seemingly to tall for its stout body. Raya poised the knife over the beetle, then skewered it with the blade. Its legs kept twitching. She supposed she needed to kill something today too. Her father’s voice (not dead, and very much alive) popped into her thoughts, “If you’re gonna kill it, you should eat it too.”
But darkling beetles fed on the white rust, so eating the beetle would be like eating the rust. It might then start growing inside her—it grew every where else, why not her
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It tumbled onto its backside, legs now curled up and went still, strangely more proportionate in death. She continued sculpting clouds in the dirt. Having never seen an actual cloud, she drew them according to her mother’s pictures and stories. One she made fluffy, a circular lattice of hearts, another strung thin and wispy like a tangle web, and on her current attempt, she gave up halfway on a mushroom-shaped ball, kicked dirt over the top of it, and stabbed the knife into the earth as deep as it would go. The tip of the blade clicked against something beneath.
“Raya, please,” her mother would have said. “Stop this nonsense. Go back inside and put your father’s knife away. Hurry, he’s probably on his way home now.”
Her mother was right, her father probably was on his way home, but what lie underneath the rock engrossed her more. She dug excitedly, scratching yaw marks into the ground with the blade. She scraped around a small rock until she could lift it up. Underneath, she found a seed pod. “Mother, I’ve found another one.”
She dusted dirt from its shell and cupped it in her palm as though it were a faerie. It was shaped like a pine cone with tiny red seeds inside. “It’s a large one, maybe a tree of some sort, like Magnolia or a
Sal explains, “When my mother was there, I was like a mirror. If she was happy, I was happy. If she was sad, I was sad. For the first few days after she left, I felt numb, non-feeling. I didn’t know how to feel”(Creech 37).
...lways easy to accomplish. After getting bucked off for the first time then the second, Ray feels that she has "a connection to a power that she never knew existed (120)." This event enormously boosts Rayona's self-perception and leads her forward in life.
At the start of the novel, a general understanding of Lily’s life is explained, giving knowledge about T.Ray, Rosaleen, and her mother, Deborah. Lily describes the little she is able to remember about her mother's death as she was only four years old at the time. A nasty fight had broken out between T.Ray and Deborah, leaving a frightened Lily to be tossed around between the two. A gun had appeared on scene and in an attempt to save her mother, Lily got involved. In a remembrance of this chilling day, Lily reflects, “What is left lies in clear yet disjointed pieces in my head. The gun shining like a toy in her hand, how she snatched it away and waved it around. The gun on the floor. Bending to pick it up. The noise that exploded around us. This is what I know about myself. She was all I wanted. And I took her away” (Kidd 7-8). Through reflection, a very heartbroken Lily is able to convey what happened on that dreadful day when her mother died in her own thoughts and beliefs. As a result of this event, Lily begins to carry an immense amount of grief and guilt around as well as losing herself into these bad memories and feelings. Her self love is depleted and her mother is gone, leaving her with T.Ray and her new mother figure,
The girl's mother is associated with comfort and nurturing, embodied in a "honeyed edge of light." As she puts her daughter to bed, she doesn't shut the door, she "close[s] the door to." There are no harsh sounds, compared to the "buzz-saw whine" of the father, as the mother is portrayed in a gentle, positive figure in whom the girl finds solace. However, this "honeyed edge of li...
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
This passage reveals a personal truth because, throughout the chapter, Ray keeps repeating how she never wants to ...
...cts of the mother and the descriptions, which are presented to us from her, are very conclusive and need to be further examined to draw out any further conclusions on how she ?really? felt. The mother-daughter relationship between the narrator and her daughter bring up many questions as to their exact connection. At times it seems strong, as when the narrator is relating her childhood and recounting the good times. Other times it is very strained. All in all the connection between the two seems to be a very real and lifelike account of an actual mother-daughter relationship.
I walked into the room on New Year’s Day and felt a sudden twinge of fear. My eyes already hurt from the tears I had shed and those tears would not stop even then the last viewing before we had to leave. She lay quietly on the bed with her face as void of emotion as a sheet of paper without the writing. Slowly, I approached the cold lifeless form that was once my mother and gave her a goodbye kiss.
I had come to feel that my mother’s love for me was designed solely to make me into an echo of her; and I didn’t know why but I felt that I would rather be dead than become just an echo of someone (Page 36).
The sun “glared down” on her as she turned away from her mother’s grave (8). Even later on within the book, she describes her mother’s grave as a “blister on [her] heart” (43). Through showing personal mistakes involving burying her mother and her memory, Trethewey pulls the audience into an emotionally invested state that disapproves of her own actions.
The arrival of winter was well on its way. Colorful leaves had turned to brown and fallen from the branches of the trees. The sky opened to a new brightness with the disappearance of the leaves. As John drove down the country road he was much more aware of all his surroundings. He grew up in this small town and knew he would live there forever. He knew every landmark in this area. This place is where he grew up and experienced many adventures. The new journey of his life was exciting, but then he also had a sick feeling in the pit of his stomach of something not right.
Kaspereen was a freshman teacher at Bird’s Nest High School. As he unraveled the window blinds, the yellow shining sun started rising from the ground. It filled the sky with mighty colors of red and splashed the clouds with endless rays of pink.
The sunset was not spectacular that day. The vivid ruby and tangerine streaks that so often caressed the blue brow of the sky were sleeping, hidden behind the heavy mists. There are some days when the sunlight seems to dance, to weave and frolic with tongues of fire between the blades of grass. Not on that day. That evening, the yellow light was sickly. It diffused softly through the gray curtains with a shrouded light that just failed to illuminate. High up in the treetops, the leaves swayed, but on the ground, the grass was silent, limp and unmoving. The sun set and the earth waited.
Many poets are inspired by the impressive persona that exists in nature to influence their style of poetry. The awesome power of nature can bring about thought and provoke certain feelings the poet has towards the natural surroundings.