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Women's roles in society
Ways in which gender is socially constructed
Women's roles in society
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The basis of women’s oppression has been through sex. After being assigned female at birth, most will spend the rest of their lives socialized as girls, eventually as women. A woman is confined by her sex while a man is liberated through his. In Simone de Beauvoir’s “The Second Sex”, she argues that the subjugation of women is socially conditioned as opposed to something innate to the female sex. Instigated by men who throughout history have positioned themselves as neutral observers to the world around them, women have been relegated to the role of the “Other”. Their position as the “Other” leaves women in some sort of bizarre space where their experiences are defined by and in relation to men. This brings us to Naomi Weisstein’s “Kinder, Küche, Kirche as Scientific Law: Psychology Constructs the Female”, in which she outlines how the nature of women has been defined in psychology through the socially constructed ideas of what a woman should be. Both of these works bring to light how “woman” has been defined and the prejudices innate to such a definition that makes her experience a by-product of man’s.
De Beauvoir writes, “… in speaking of certain women, connoisseurs declare that they are not women, although they are equipped with a uterus like the rest” (Schneir, 6). Being female is not the only requirement for being a woman. “Woman” is socially defined; there are certain behaviors and actions relegated to the role of a woman that we are encouraged to learn and perform to a certain degree. Femininity is the defining characteristic of a woman. What a man is not, a woman is. To be masculine is to be forceful and brash, moving without fear of consequence. Femininity is posited as the lack of these traits; submissive, always acted ...
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...ey are and what they are supposed to do” (Schneir 224). Before we can begin to understand the true nature of women, we must take into account the roles forced on them and for what purpose. What other benefit is there to portray women as neurotic other than to make them dependent on someone else? To strip women of their autonomy is to force them into the exact roles created by men in the first place.
Both de Beauvoir and Weisstein assert that “woman” has been, and continues to be, defined by man. De Beauvoir asserts this through sex, that being female is the first strike followed by the imposition of the role as woman, conveniently framed as the antithesis to man. Weisstein takes this constructed image of the woman and criticizes psychology’s attempt to posit it woman’s true nature, as opposed to attempts to merely confirm what has been suspected by men all along.
When Simone de Beauvoir died in Paris in 1986, the wreath of obituaries almost universally spoke of her as the 'mother' of contemporary feminism and its major twentieth century theoretician. De Beauvoir, it was implied as much as stated, was the mother-figure to generations of women, a symbol of all that they could be, and a powerful demonstration of a life of freedom and autonomy (Evans 1).
This proposal will identify the social construction of gender roles for women as the “other” in the primary source writings of Simone De Beauvoir’s The Second Sex and Arrogant Beggar by Anzia Yezierska. Beauvoir’s Second Sex provides a primary source evaluation of the historical distortion of women’s role in society as the “other” through patriarchal traditions that have no basis in genetics or science. Yezierska’s experiences as a Jewish woman in New York “workhouses” define the subjective gender roles assigned to women as being submissive and “invisible” in patriarchal American culture. These two primary sources define the subjective and non-scientific distortion of women‘s roles as the “other” in patriarchal European culture as a historical
Women and men are not equal. Never have been, and it is hard to believe that they ever will be. Sexism permeates the lives of women from the day they are born. Women are either trying to fit into the “Act Like a Lady” box, they are actively resisting the same box, or sometimes both. The experience of fitting in the box and resisting the box can be observed in two plays: Lorraine Hansberry’s “A Raisin in the Sun” and Henrick Ibsen’s “A Doll House”. In Hansberry’s play, initially, Beneatha seems uncontrolled and independent, but by the end she is controlled and dependent; whereas, in Ibsen’s play Nora seems controlled and dependent at the beginning of the play, but by the end she is independent and free.
The idea and characteristics of gender, relate to the specific differences men and women deliver to society and the unique qualities and roles each demonstrate. The term ‘Femininity’ refers to the range of aspects and womanly characteristics the female represents. The foundation of femininity creates and brings forth many historical and contemporary issues. According to Mary Wollstonecraft in ‘A Vindication of the Rights of Woman’, women’s femininity is considered a flaw of nature. Throughout the paper, history indicates how women are viewed and looked upon in a male dominated world which hinders a woman’s potential, her character, her mind, her dreams, her femininity. The paper particularly stresses the idea of power, the power of man. The historical argument leans towards man’s desire to treat women as inferior to them.
According to “The American Heritage Dictionary of the English Language”, the word “feminity” is defined as “the quality or condition of being feminine or a characteristic or trait traditionally held to be female.” Further speaking, feminity is formed by various socially-defined and biologically-created gender roles played by women influenced by a number of social and cultural factors. For example, the traditional gender roles of women include nurturer, birth giver, homemaker and caregiver. However, marked by a series of women's rights movements starting from the 19th century, women’s gender roles, as well as the ways how society and men perceive women, have been largely changed. This significant change, described as a process of female awakening, was widely reflected in many contemporary literature works. This essay will specifically focus on the construction of feminity in two short stories, “Hills Like White Elephants” by Ernest Hemingway and “The Stoy of an Hour” by Kate Chopin through examining how the authors define “feminity” in their treatment of female characters.
Women have been an important role in society whether or not it is not remarked to the public eye. Oppression against women is never-ending along with violent acts constantly being pursued on them for over a century which is not only crucial but it is lessening their value worldwide. The suggestion of women’s emotions being a barrier for them to be equal to men is falsified, there is not one predicament that prevent a woman from being equal than a
explores not only the way in which patriarchal society, through its concepts of gender , its objectification of women in gender roles, and its institutionalization of marriage, constrains and oppresses women, but also the way in which it, ultimately, erases women and feminine desires. Because women are only secondary and other, they become the invisible counterparts to their husbands, with no desires, no voice, no identity. (Wohlpart 3).
As the realization of women as an exploited group increases, the similarity of their position to that of racial and ethnic groups becomes more apparent. Women are born into their sexual identity and are easily distinguished by physical and cultural characteristics. In addition, women now identify that they are all sufferers of an ideology (sexism) that tries to justify their inferior treatment.
What is within the boundaries of the feminine is always considered to have less status and power and is always subordinate and marginal—women always remain ‘other’. I perceive feminism as a part of the process of challenging the boundaries of the socially constructed role for women in our society—a process which through struggle will create for women a different notion of the normal and natural and a different tradition of being female. (Goodman, Harrop 4)
In order to understand the effects that ideas of femininity have on literary texts, we must first acknowledge what the term means. Clearly both terms derive from the original sex of the being, whether male or female, and can be similarly tied in with notions of gender, either masculine or feminine, which are said to be constructs, or labels, created by society. However `masculinity' and `femininity' become, on some levels, dislodged from the idea of the biological makeup and gender constructs, and instead tend to be described in terms of discourse. It is not just the sex and gender of a being that determines their actions, but instead their thoughts and opinions.
Women embedded with the Sisterhood wave revolted against their once confined roles to embrace themselves as intelligent, sexual, and powerful creatures of God. These were the warriors of femininity: the ones willing to lay it all on the line to feel a sense of liberation as a female community. Theses women become so frustrating with the conditioning of their bodies to be docile they ended up dooming themselves to their own inwardness. Third wave feminism is rooted in the variety of women as equals to all genders. I identify this as the Coequal wave. Woman are not placing themselves on a higher elevated scale than men but to simply be accepted as equals no matter what race, nationality, or gender differences (149-150). These three waves are still alive and thriving in our world today, however, they are far from working in a cohesive manner in a patriarchal society. Theorist Simone De Beauvoir writes in her manifesto “The Second Sex”, “Men need not bother themselves with alleviating the pains and the burdens that physiologically are women’s lot, since these are “intended by Nature”
Bias: Simone de Beauvoir was biased about the treatment that society had upon women. She believed that it was unfair to classify a woman just because of her gender to marry and have children. Women should not be considered as a sexual organism, they should be valued more than what society expects them to do. In her book The Second Sex, de Beauvoir expressed the fact that men considered women as the “other”. This was just an excuse for the men because they refused to understand women problems and suggestions. This was seen mostly in higher group of society in the higher hierarchy to the group lower in the hierarchy.
There has been a long and on going discourse on the battle of the sexes, and Simone De Beauvoir’s The Second Sex reconfigures the social relation that defines man and women, and how far women has evolved from the second position given to them. In order for us to define what a woman is, we first need to clarify what a man is, for this is said to be the point of derivation (De Beauvoir). And this notion presents to us the concept of duality, which states that women will always be treated as the second sex, the dominated and lacking one. Woman as the sexed being that differs from men, in which they are simply placed in the others category. As men treat their bodies as a concrete connection to the world that they inhabit; women are simply treated as bodies to be objectified and used for pleasure, pleasure that arise from the beauty that the bodies behold. This draws us to form the statement that beauty is a powerful means of objectification that every woman aims to attain in order to consequently attain acceptance and approval from the patriarchal society. The society that set up the vague standard of beauty based on satisfaction of sexual drives. Here, women constantly seek to be the center of attention and inevitably the medium of erection.
Traditionally, women have been subservient to men; they are still often subjugated, treated as objects, and are valued for their ability to reproduce. Since the beginning of society dating back to the Paleolithic age, in the hunter-gatherer societal system, men generally hunted and provided for the family, while the women gathered fruit and raised children at home. This brand of society has in a way persisted even until today; often women will stay at home and raise children while the man would be the one to “hunt,” or in today’s context, work and provide for the family. This puts the woman in a subordinate position as they are dependent on the man, often leading to women being treated as objects. These stereotypes contribute to the development of Lispector’s works.
Simone de Beauvoir brought about the idea that one is not born a woman, but becomes one. Other thinkers of phenomenology such as Merleau-Ponty frame the body as an historical idea rather than a natural species. In viewing the conception of the body body as different from its physiological form, the social construction of gender can be understood. This social construction is what Judith Butler discusses in her essay: “Performative Acts and Gender Constitution”