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History of Greek Architecture, their culture
History of Greek Architecture, their culture
History of Greek Architecture, their culture
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Use of Movement and Characterisation in the Sculptures of the East and West Pediments of The Temple of Zeus at Olympia The architectural sculpture of the Temple of Zeus at Olympia dates from between 465 and 457BC. Putting the temple into historical context, this was a somewhat flourishing time in Greek history, drama, and philosophy. In 490BC, the Athenians won a great victory at Marathon against the Persians, and in 480BC the Persians sacked Athens but were eventually defeated in a naval victory for the Athenians at Salamis. Greek tragedy was thriving during the fifth century, with Aeschylus’ Oresteia being written roughly around the same time as the sculptures for the temple of Zeus were created, and fifth century philosophy was developing ideas regarding how one should act in society. This information proves to be relevant to our understanding of the development of Greek sculpture in this period, and encourages us to recognise how the sculptures on the Temple of Zeus at Olympia may reflect this prosperous time of Greek history. In this essay, I will specifically be discussing the use of movement and characterisation in the two pediments of the Temple of Zeus, and how they enhance the narrative of the two stories depicted. I will also explore how the sculpture on these pediments represent the ‘flourishing’ period of Classical Greece - a period when the Greeks were celebratory of their defeat of the Persians, and when new ideas were starting to emerge from sculptors adapting concepts from Greek drama and philosophical ideas. In his publication, E.N. Gardener argues against the lack of appreciation for the sculptures on the east and west pediments of the Temple of Zeus: ‘The r... ... middle of paper ... ...fazed by the fact that she is being carried off by a drunken half man half horse creature on her own wedding day (see fig 6). The fact that she is a female victim does not make her exempt from expressing the appropriate civilised ‘Greek’ countenance. In conclusion, the characterisation depicted on the west pediment enhances the narrative concerning the idea of civilisation vs barbarism, and the use of movement enhances the fast pace of the narrative. The philosophical concepts surrounding fifth century Greece reinforced the awareness of human emotional expression and how to conduct oneself with a manner of self-restraint, and the Lapiths on the west pediment certainly reflects this. In the east pediment, themes from Greek tragedy and the characterisation featured in figures such as the old seer heightens the tension, which in turn enhances the narrative.
Throughout the history of Ancient Greece thousands of great works of art were produced. Works were created in many different media, ranging from life-size statues to larger than life architectural structures. One type of art that can sometimes be overlooked, though, is pottery. There are many examples of great Greek pottery, but the two that will be used as a sample are Artemis Slaying Actaeon and Woman and Maid. By considering the backgrounds of these works, and comparing them directly we are able get a taste not only of the artistic styles of the time, but also a taste of ancient Greek culture.
The difference between an archaic statue such as Kroisos (fig. 5-11) and a classical statue such as Doryphoros (fig. 5-42) may not seem very great in a single glance. In fact, you may not notice any differences in that one glance. Yet, if you were to look at them closely, you can see that these two statues actually have very little in common.
Greek art is considered as a turning point for the development of all aspects of cultural art history, such as architecture, sculpture, pottery and painting. The ancient Greek civilization was famous for its mythical and aesthetic principle in the art culture. Renowned for the pottery, Greek had developed its unique painting technique called the black-figured. “Achilles and Ajax playing Dice” by Exekias is the most significant black-figure amphora for its iconography and that represents the ideal art principle and history of the ancient Greece.
...r. "Ancient Greece." Gardner's art through the ages the western perspective. 13th ed., Backpack ed. Boston, Mass.: Wadsworth Cengage Learning, 2010. 101, 123,129. Print.
"Unhandled Exception." Ancient Greece - History, Mythology, Art, War, Culture, Society, and Architecture. 2008. Web. 27 Feb. 2011. .
In Euripides’ play The Bacchae, the ideals that were the foundation of Greek culture were called into question. Until early 400B.C.E. Athens was a society founded upon rational thinking, individuals acting for the good of the populace, and the “ideal” society. This is what scholars commonly refer to as the Hellenic age of Greek culture. As Athens is besieged by Sparta, however, the citizens find themselves questioning the ideals that they had previously lived their lives by. Euripides’ play The Bacchae shows the underlying shift in ideology of the Greek people from Hellenic (or classical), to Hellenistic; the god character Dionysus will be the example that points to the shifting Greek ideology.
...ity in Classical Athens. New York, NY: Alexander S. Onassis Public Benefit Foundation (USA) in Collaboration with the National Archaeological Museum, Athens, 2008. Print.
The use of art forms and sculpture as a means of conveying a message to its viewers has been rooted deep into culture throughout human history. Imagery has carved political views and depictions of society’s circumstances into permanent marks of antiquity. From the Ancient Roman architecture and sculpture to the 1900’s emergence of media in politics, we have continued to express our views, hardships, and culture in permanent ways, and use art as an intricate form of manipulation and persuasion. In the ancient times, the Romans used sculpture to portray individuals of power, such as Augustus, to mark a political ideology by making powerful figures look more pristine and perfect on a godly level. They would portray the unattainable perfection
The Greek believed the human body was the measure of all things, therefore the artists created sculptures in a very detailed fashion which made them very life-like although the size of
"Greek artists…explored people’s experienced, interactions with the natural world,and human relations to the gods. Everyday people were represented in Greek art…" (Emory)
Possibly one of the greatest testaments to the Greeks passion for their gods is the Acropolis and Parthenon in Athens, Greece. “. . . temple after temple, each more gorgeous and more perfect than the one before, rose all over the Greek main land, to reach a final climax in the Athenian Parthenon . . .” (Hamlin 124). Here Hamlin explains the greatness of what was achieved in Athens at the Acropolis and how nothing beyond that point could compare.
During the Hellenistic period, importance shifted towards the depiction of heroes and nobility. The Judgment of Paris and Alexander mosaic are perfect examples. The Judgment of Paris describes a contest to see who is the “fairest” goddess of them all. This choice was left Paris, the prince of Troy. After he made his choice, his prize Helene was abducted, eventually leading to the Trojan War. This is just one version of the myth. A picture can bring about different interpretations. One can assume that multiple differences would lead to conflict in the everyday lives of ancient Rome and Greece. However, the variations of these myths was truly fascinating addition to history. Art has helped expand the imagination of many, helping the transfer of information for generations. The Alexander mosaic is one of the most historically influential mosaics during this time. The Alexander mosaic dates back to 100 B.C. and lays out the Battle of Issus with use of multiple textures and colors to show depth. Alexander the Great was a Roman hero admired by many during his conquest. Every young child aspired to be half the warrior he was. This child would eventually become a hero in reality, displaying the true power of a simple myth. The Alexander mosaic helps show his greatness in this heated battle. The combinations of logos and muthos aids in the mystery myths
The way her drapery falls down on the sides of her body quickly reveals her expressive stance. This was done by a skillful stone carver that came from the Cycladic Islands, where marble was plentiful, which makes it even more obvious that these sculptures were done during the 400’s BCE. Another carving that expresses heavy emotion is the Mourning Athena relief. This is considered one of the most famous sculptures from the Athena Acropolis. The way her head is bent downward is most likely to express intense inner feelings and deep thought, which is the artist's attempt to convey emotion. Because her pose seems sorrowful, many people have suggested that the pillar may represent a memorial of a dead Athenian or maybe she is remembering the many soldiers who have died in the name of her city. Another piece of work from this collection is The Borghese Dancers. This carving includes all of the things we have previously talked about, such as gentleness to it. This sculpture has no sign of warfare or danger to it. Much like all the others, it has a very calm and soft vibe to it. The drapery flowing in the air, as she twists and turns makes it seem fun and gives it a lighter mood. Unlike the Frieze sculptures that all have fairly serious depictions. It seems as though they are dancing in celebration of something, as many people believe they are supposed to be apart of a ceremony of some sort. Many other sculptures before this time were very stiff and didn't have much
Phidias was seen to be the greatest sculptor in Greek history by many sources. As stated, he was “one of the world's aesthetic masters” (Morris and Powell). Little is known about Phidias’ early life, but it was when Pericles rose to power circa 449 that he placed Phidias in charge for the building program in Athens making him responsible of all artistic undertakings (Britannica). Through this all of Phidias’ artistic contributions had a huge impact on Greek art and culture; as seen through his work in culture and material sculptures. Considering he may be called the initiator of the idealistic and classical style that distinguishes Greek are in the fifth century (Britannica).
Throughout history, there have been several significant architectural movements. The last, and perhaps most enduring movement is that of Classic Greece. Although for centuries, the architecture of ancient Greece has been admired, mimicked, and replicated, its beginnings are somewhat surprising to one unfamiliar with the history of the region. It is important to understand the history and mechanics of Classic Greek architecture in order to fully appreciate its form, function, and beauty. “Ancient Greek architects strove for the precision and excellence of workmanship that are the hallmarks of Greek art in general. The formulas they invented as early as the sixth century B.C. have influenced the architecture of the past two millennia” (metmuseum.org).