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Media influence on family values
Media portrayal of relationships
Positive effects of media on relationships
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Recommended: Media influence on family values
Most frequently, the films and shows people are exposed to shape what they value in relationships. While the focus should be on mutual trust and communication, it now rests on passionate, destructive “love”. The romanticization of unhealthy relationships continues to become more and more ridiculous as consumers buy into the deception.
The media is brainwashing our youth with unrealistic expectations for romance that poison their notions of love. At such a young impressionable age, they develop the idea that these dysfunctional, codependent relationships are ideal and are what love is supposed to be like. As a result, these adolescents are not being taught the signs of unhealthy relationships and can become unsatisfied until they find themselves in abusive disasters of companionship that could potentially be fatal. While it is not necessary to eliminate all romanticized media, it is necessary to make society aware of the reality of these dysfunctional romances and inform them on the truth and importance of healthy relationships.
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Instead of blatantly stating this argument, our satire masks our argument by portraying various films that are perceived as romantic in an obviously sarcastic light.
Additionally, the list of films is in a magazine article format, a form of media that also manipulates what young, vulnerable people perceive as the correct norm. The satire is from the perspective of the media, as we are attempting to “sell” this idea of dysfunctional relationships to young magazine readers. Naive teenaged girls who watch such romanticized films and fawn over the relationships will hopefully see the error of their perception after reading this magazine article. However, those who choose to buy into the romanticization of dysfunctional relationships may not see the ridiculousness of such ideas at all and may continue to fall for the ludicrous
behavior. Throughout the satire, flagrant ironic statements are made to develop a sarcastic tone in the film reviews. This allows for the audience to clearly recognize the foolishness of these romanticized relationships and makes the dysfunction easy to discern. Additionally, humorous hyperboles are used to convey the lack of authorial seriousness in the reviews, conveying the notion that the authors obviously do not believe what they are saying. According to the US National Library of Medicine, the impact of mass media on the psychological well being of adolescents is poignant, as they are extremely insecure and thus very vulnerable to whatever society feeds to them, whether that is through films, magazines, or any other form of media. The messages that they convey deceive teens into accepting unrealistic and unhealthy standards. Additionally, it is not uncommon to hear hundreds of screaming girls droning on forever about such “romantic” relationships and how they wish they had one for their own.
David Denby thoroughly explains the distinction between the reality of high school life to what is portrayed in movies in the article, “High-School Confidential: Notes on Teen Movies.” He argues that many of these movies are extremely predictable and all have the same story line. Denby gives numerous examples of the cliché teen movie, which entails the skinny, blonde popular girl and her jock boyfriend who, let’s face it, has his shining moments in life, in high school. Denby’s main objective throughout this article is to distinguish whether these films reflect reality, or just what we imagine to be reality. He also touches on the other side of the social spectrum which usually consists of a quiet, female outsider who is known to be smart and
In “High-School Confidential: Notes on Teen Movies” David Denby criticizes movies portraying high school. He writes “The most commercial and frivolous of genres harbor a grievance against the world” (426). In many movies starting in the early 90’s you began to see an extreme amount of disrespect to adults from teenagers. High school movies are filled with unruly
Entering a high school today, one might not see too many relationships, but one thing one might see is that the people in a relationship care about dating for a significant amount of time. The teenage culture of the 1950’s believed “going steady was a sign of popularity,” and the popular kids dated each other (Bailey 140). In Rebel Without a Cause, Judy, who is the dominant female of her group
The film Boogie Nights provides an interesting case study of the unique nature of human relationships, specifically love and friendship. It presents a crisscrossing mash-up of various combinations of traditional love categories: friendly (plutonic or nonsexual) love, family love, lust, master/servant or apprentice/teacher love, etc. Besides being entertaining, Boogie Nights presents these combinations to provoke an insight on our part into the nature of love. This insight is exemplified in Jack’s notion of the ideal pornographic film. His ideal film also serves to echo the same flaws found in Plato’s ideal forms. Boogie Nights attempts to demonstrate the false nature of a definite, meaningful love by disrupting its categorization and presenting the absurdity of its definition. Jack’s movie cannot exist by definition, and as a product of natural language neither can the common conception of love.
As many may know, television has become less cautious as to what is being showed. Television shows are now revealing certain aspects and situations that should not be displayed. One show that has grown to be a major problem is Bad Girls’ Club, created by Jonathan Murray. A blogger by the name of Bea Blessing states that, “The Bad Girls’ Club is definitely an American reality television line that parodies womanhood and follows the lives regarding seven ladies with several personalities, behavior and subconscious problems, as they live collectively in a house while in three months.” This show undermines females on many different levels, and it is indeed a show that thrives on negativity. These seven ladies live together for three months, have no job, and display immoral behavior. In fact, during a 30-minute episode, you can expect to find grown women constantly fighting, using provocative language, drinking and partying excessively, and even transporting random men from the club to in and out of their home. This type of content is a major problem because adolescents feel the need to believe that this behavior is acceptable. As a result, children show an increase in violence and a chance that they will engage in sex prematurely. Children, as well as teenagers, are receptive to what they see on television; therefore, they are more likely to mimic that type of behavior.
...ause of their own free will. The theme of love is widely portrayed in the world. Love matters because it is what ties two people together through commitment and pain. However, there are those who pervert the idea of love and treat it as if it is filled with lust and pleasure-seeking opportunities. In society, young and reckless people “go out” with each other because they are desperate for excitement in their lives. Those who “go out” fail to realize that they shouldn’t be so committed to one another. Therefore, it is a waste of time at such a young age. Those who do should be paying attention to reality instead of their own fantasy. If adolescent people have love, it is only a hindrance from being who they want to be. In conclusion, love influences people to behave irrationally and to take chances that would otherwise seem irresponsible in the eyes of the mature.
In a world where the media tells girls to be thin and sexy, to throw around their bodies and define themselves by their heterosexual relationships- no wonder teenagers are suffering more and more. The emotional health of teenagers and children is declining rapidly, perhaps we can make a link between it and the main controller of childrens' entertainment and media.
Arnett (2000) explains the nature of romantic relationships in adolescence as tentative and transient where dating has more of a social component rather than romantic. He also describes dating in adolescence as often taking place in groups, where “adolescents share recreation such as parties, dances, and hanging out” (p. 473). It is evident that romantic relationships in adolescence are unstable, short-lived, and lack the mature component seen across adult romantic relationships. Arnett conveys that exploration in love becomes more serious and intimate during emerging adulthood. As opposed to adolescent romantic relationships, dating in emerging adulthood “is more likely to take place in couples, and the focus is less on recreation and more on exploring the potential for emotional and physical intimacy” (473). For instance, an adolescent in high school may seek a romantic partner to gain some sort of social status or experience in the process of romantic exploration whereas a senior in college may seek a long-term and mature partner to build a life with in adulthood. Exploration in the area of love during emerging adulthood “tends to involve a deeper level of intimacy, and the implicit question
The film analyzes a romantic relationship that is expected to last for a day. However, the nature of emotional attachment created by the relationship proves otherwise. Interpersonal communication is an essential aspect of romance because it enhances understanding, conflict resolution, and decision making. I selected the romantic interpersonal relationship because it is an essential aspect of life as far as marriage is concerned. Marriage is sustained through constant communication to help reduce the differences and enhance the effort of the couples in developing their marriage (Burleson
“Crazy Love” is a short article that anticipates to inform the reader on the effects love has on people, and two different ways in looking for a spouse. The author subtly argues that love has caused humans to act out of the ordin...
Humboldt Journal of Social Relations 32.1, TRANSLATIONAL APPLIED SOCIOLOGY (2009): 158-83. JSTOR.Web. 11 May 2014. Chalmers, Jennifer H. "Romantic Love: Is It a Realistic Goal for Marriage Therapy?" Romantic Love: Is It a Realistic Goal for Marriage Therapy?
The romantic comedy genre, although widely seen throughout the last few decades, has existed for quite some time. Its prevalence and predictability have often been parodied but the genre’s popularity and box office success can not be denied. Some of the earliest incarnations of romantic comedy form appear in literature, Shakespeare’s Midsummer Night’s Dream for example. The genre has been prevalent in film ever since the technology’s inception. Popular examples from that time include Girl Shy (1924) and Trouble in Paradise (1932). The three films discussed in this paper all fall into the category of romantic comedy and are each unique in their own way. When Harry Met Sally... (1989) is a film that succeeded both commercially and critically despite its conventional structure. Annie Hall (1977) added an element of seriousness to the genre and experimented with the format through its non-linear storytelling. Silver Linings Playbook (2012) explored the topic of mental health through each of its main characters and the effect it has on their relationship makes the story very compelling. Each of these films are critically acclaimed with a total of nine Academy Award nominations and five wins between the three of them, including best picture. They illustrate that, in spite of the numerous failures and flaws of the romantic comedy film, there is still the possibility to innovate and excel within this multifaceted genre.
Society assumes that the romances should hold a very high role in a woman’s life. In the movie Clueless Cher sets up her teachers because she thinks it is what will make them happy. Cher also tries to set up her new friend Tai with a popular boy because she thinks that is “helping”. In “Teen Mags: How to Get a Guy, Drop 20 Pounds, and Lose Your self-Esteem” Higginbotham explains how teen magazines perpetuate societal standards. At
The film enhances our understanding of human nature, human society and how we live our lives by making strong statements about the influence of relationships on somebody’s
Today, romance is one of the most popular genres to watch on television. Unlike most, romance is a genre where the plot revolves around the love between two main characters as they experience the highs and lows of love. “Common themes that revolve around romantic movies are kissing, love at first sight, tragic love, destructive love, and sentimental love” (Taylor). These themes appear in many historical films and the pattern still continues in modern films as well. Watching romantic movies has a giant negative influence on the viewer's analysis of what love and relationships should really be like. These films give the wrong impression of reality when it comes to dating, marriage, having children, and even how to manage a relationship in the first place. Even though romantic movies are commonly watched, there are many effects on personal real-life relationships after watching these types of films.