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Analysis of Emily Brontë's Wuthering Heights
Characters in wuthering heights by emily bronte
Examples of violence in wuthering heights
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Recommended: Analysis of Emily Brontë's Wuthering Heights
The Role of Violence in Wuthering Heights
Wuthering Heights was written by Emily Bronte and published in 1847.
Emily Bronte was born in Thornton, Yorkshire in 1818, but her family
moved to a nearby village called Haworth when she was eighteen months
old. This is where Bronte spent most of her life, seldom venturing
beyond the surrounding area of her village.
Emily was close to her siblings,Anne,Charlotte and Branwell, probably
because her mother had died when she was three and her father was
often busy with work.Emily and her siblings were all keen on reading
and literature.Before writing Wuthering Heights Bronte wrote poems and
stories about a fantasy world named 'Gondal'.She contributed to a book
of poetry her sisters had written using the pen name Ellis Bell. Emily
Bronte died from tuberculosis in 1848.
Wuthering Heights is the story of two families who inhabit two
separate houses, Wuthering Heights and Thrushcross Grange. Although
the houses are four miles apart on the Yorkshire moors, both families
provide significant characters to the novel.
Though some characteristics are similar, the personalities of the two
families seem to match their houses. The Earnshaws are a stormy family
and display passion, strong feelings, violence, and manipulation.
Their home, Wuthering Heights, is a remote moorland house with
'stunted firs', deeply set narrow windows and 'bare rafters'
suggesting a cold unfriendly atmosphere.
Thrushcross Grange, however, is described as 'beautiful-a splendid
place, carpeted with crimson, crimson covered chairs and a pure white
ceiling bordered by gold'. This description reflects the Lintons' who
are...
... middle of paper ...
...n't think the novel would have much impact on those who read it.
Although there is a extensive amount of violence in Wuthering Heights
it is not portrayed as anything out of the ordinary. The story is
written as though violence is acceptable and is nothing to be shocked
at.
Violence is only mentioned as something unusual once in the whole
novel by Nelly Dean in chapter in which she comments on the
'diabolical violence'
Violence is used in Wuthering Heights to convey the emotions of the
characters. The characters turn to violence when they feel anger,
grief, betrayal, passion and other strong feelings.
The use of violence in Wuthering Heights is not used to shock people.
It is an essential theme in the novel and it is vital to the
characters personalities that they use violence to express their
emotions.
Charlotte Bronte uses violence in several scenes throughout the novel. The violence in the novel is not fatal to anyone, it is just used to catch the readers eye. This novel consists of many emotional aspects. For example, the violence in the scene where Mr. Mason gets attacked. The attack really upsets Jane and Mr. Rochester. In the novel Jane Eyre Charlotte Bronte uses several acts of violence to create suspense, mystery, and characterization.
In the novel Wuthering Heights, author Emily Brontë portrays the morally ambiguous character of Heathcliff through his neglected upbringing, cruel motives, and vengeful actions.
The setting used throughout the novel Wuthering Heights, helps to set the mood to describe the characters. We find two households separated by the cold, muddy, and barren moors, one by the name of Wuthering Heights, and the other Thrushcross Grange. Each house stands alone, in the mist of the dreary land, and the atmosphere creates a mood of isolation. These two places, Wuthering Heights and Thrushcross Grange differ greatly in appearance and mood. These differences reflect the universal conflict between storm and calm that Emily Bronte develops as the theme.
Virginia Woolf and Emily Bronte possess striking similarities in their works. Both works have inanimate objects as pivotal points of the story line. For Bronte, Wuthering Heights itself plays a key role in the story. The feel of the house changes as the characters are introduced to it. Before Heathcliff, the Heights was a place of discipline but also love. The children got on well with each other and though Nelly was not a member of the family she too played and ate with them. When old Mr. Earnshaw traveled to Liverpool he asked the children what they wished for him to bring them as gifts and also promised Nelly a “pocketful of apples and pears” (WH 28). Heathcliff’s presence changed the Heights, “So, from the beginning, he had bred bad feeling in the house” (WH 30). The Heights became a place to dream of for Catherine (1) when she married Linton and moved to the Grange. For her it held the memories of Heathcliff and their love. For her daughter, Cathy, it became a dungeon; trapped in a loveless marriage in a cold stone home far away from the opulence and luxury of the home she was used to. Then, upon the death of Heathcliff, I can almost see, in my minds eye, the Heights itself relax into the warm earth around in it the knowledge that it too is once again safe from the vengeance, bitterness, and hate that has housed itself within its walls for over twenty years.
On the face of it, it would seem that the relationship between Catherine and Heathcliff is self-destructive to an extreme. Due to the lovers’ precarious circumstances, passionate personalities and class divisions, it seems that fate transpires to keep them apart and therefore the hopelessness of their situation drives them to self destruction. However, although the relationship is undeniably self-destructive, there are elements within it that suggest the pain Heathcliff and Catherine put each other through is atoned for to an extent when they share their brief moments of harmony.
Emily Bronte, on the surface, appeared to be a very withdrawn woman and is said to be reclusive throughout her entire life. She was even incredibly embarrassed when her sister, Charlotte Bronte, found her book of poetry, even though Charlotte was incredibly impressed by it. Beneath the surface lies a woman full of passion and capable of powerful emotions, though she had never felt such emotions, to write a novel that is still discussed today and is regarded as a literary classic. Novels are often regarded as a window to the souls of the authors, and Wuthering Heights is no exception. Wuthering Heights is often seen as a type of construct of Emily’s life and personality, because of the similarity of characters to people in Emily’s life, and how the events that occur at Wuthering Heights are secluded in their own right, much like Emily’s own life.
Remoteness and Loneliness in Wuthering Heights by Emily Bronte Emily Bronte loved nature and spent most of her childhood on the remote Yorkshire Moors near her home in Haworth. Emily found that the Moors were a place of peace and sanctuary where she could retreat to relax and follow one of her most favourite past times, which was writing. However she knew that in a matter of seconds the Moors could change into a wild and savage wilderness. Emily chose this ever-changing setting for her only novel "Wuthering Heights". "Wuthering Heights" tells the tale of two families living in and around the bleak Yorkshire Moors near a small village, very similar to Haworth, called Gimmerton.
The presentation of childhood is a theme that runs through two generations with the novel beginning to reveal the childhood of Catherine and Hindley Earnshaw, and with the arrival of the young Liverpudlian orphan, Heathcliff. In chapter four, Brontë presents Heathcliff’s bulling and abuse at the hands of Hindley as he grows increasingly jealous of Heathcliff for Mr. Earnshaw, his father, has favoured Heathcliff over his own son, “my arm, which is black to the shoulder” the pejorative modifier ‘black’ portrays dark and gothic associations but also shows the extent of the abuse that Heathcliff as a child suffered from his adopted brother. It is this abuse in childhood that shapes Heathcliff’s attitudes towards Hindley and his sadistic nature, as seen in chapter 17, “in rousing his rage a pitch above his malignity” there is hyperbole and melodrama as the cruelty that stemmed from his abuse in childhood has been passed onto Isabella in adulthood.
Varghese, Dr. Lata Marina. "Stylistic Analysis of Emily Brontë’s Wuthering Heights." IOSR Journal of Humanities and Social Science 2.5 (2012): 46-50. Print.
She grew up on the moors and her life revolves around the Earnshaws and the Lintons, whom she serves in more ways than one. Nelly’s devotion as well as criticism allows her to be a faithful servant throughout the years, as well as a sounding board for the other character’s problems. This allows her to narrate with some credibility because she’s witnessed and been involved in private moments between these two intertwining families all her life. Without her account of the events that took place on the Yorkshire Moors, it would all be a mystery. In Wuthering Heights, Bronte depicts Nelly as the servant, confidant and mother figure and without her narrative the story would not be as plausible.
Emily Bronte, who never had the benefit of former schooling, wrote Wuthering Heights. Bronte has been declared as a “romantic rebel” because she ignored the repressive conventions of her day and made passion part of the novelistic tradition. Unlike stereotypical novels, Wuthering Heights has no true heroes or villains.
The setting used throughout the novel Wuthering Heights helps to set the mood to describe the characters. We find two households separated by the cold, muddy, and barren moors, one by the name of Wuthering Heights, and the other by the name of Thrushcross Grange. Each house stands alone, in the mist of the dreary land, and the atmosphere creates a mood of isolation. In the novel, there are two places where virtually all of the action takes place. These two places, Wuthering Heights and Thrushcross Grange, differ greatly from each other in appearance and mood. These differences reflect the universal conflict between storm and calm that Emily Bronte develops as the theme in her novel Wuthering Heights.
Everyone goes through a time where they wish they were a different person. Many people believe that they can never change who they are. However, transformations occur every day. Emily Bronte proves this true in her novel Wuthering Heights. Throughout the entire plot, numerous characters changed, either in their appearance, their social status, or their personality. Bronte also proves that non-human things can change, such as the manner of Wuthering Heights. The idea that people and objects can transform is shown throughout the novel through many examples.
Brontë, Emily. Wuthering Heights. N.p.: Project Gutenberg, 2007. Print. Transcribed from the 1910 John Murray edition by David Price
All the family was reunited at home, in 1845. In the course of time, the Brontes gave up hope for a school of their own. Branwell, working on a novel, told his sisters of the profitable possibilities of novel writing. In the autumn of 1845 Charlotte discovered Emily’s poems and convinced her sister to collaborate on a volume of poems. One year later, the volume was titled Poems by Currer, Ellis, and Action Bell and was published. The first venture into publishing was a failure. By July, Wuthering Heights was finished, along with Agnes Grey by Anne Bronte and Jane Eyre by Charlotte Bronte. All three