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An essay on the birth of Christianity
Spread of Christianity in the Roman Empire
Spread of Christianity in the Roman Empire
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In 313 AD the Emperor Constantine formally recognized the Christian religion. Christianity spread throughout the Roman Empire, this event affected the way people thought and lived their lives. Had a great impact on how rulers viewed their power and used their powers. Such influence was portrayed in Christian art as we know today.
Although Christianity was initially practiced within Semitic populations of the Roman Empire, by the 4th century A.D the Christian religion had a huge impact to the Greeks and also the early Byzantine Empire. But by this time Christian communities had been established in all the important cities in the Roman Empire. In 313 the next emperor Constantine legalized Christianity throughout the empire. He also granted many privileges to the church, by this time over 1/10 of the population of Rome were Christian and the emperors who succeeded Constantine except for one were Christian. By 379 under the rule of Theodosius I Christianity became the official religion of the empire. Therefore with such power given to this new institution, we have the birth of Christian art. The early Church realized how powerful art was to the Romans at that time and they decided to use such power to inspire and teach, for such tools as visual effect could be only transmitted throw art. One of the other reasons was that at the time most of the population was illiterate. Therefore images from the bible would tell the stories of Christ and the twelve apostles.
The art became very important in the life of the church and Christians. It expressed emotions, told stories and honored the dead. A great example is "The Sarcophagus of Junius Bassus, who late 4th century. This piece shows two peacocks facing each other, symbol of the afte...
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...nd matched the style of humanitarian vision of the Franciscans. One of it best works was the frescoes painted for the Arena Chapel, Padua. Its simple designs told the stories of Christ and the Virgin Mary. Most taken from the bible and portray the simples emotion in life like love, joy, sorrow. This was the new representation of Christian art and called or many others to follow his footsteps.
In conclusion we can say that Christian art was influenced by the rise of the Christianity in different historical periods. Each period is associated by a certain style, which characterizes the very differences from each other. On the other hand the Christianity itself was portrayed through art, was the new development of art that gave birth to new developments in the church itself. This balance of powers between art and Christianity is the essence of human spirituality.
throughout time there has been a lot of artist who have shown the history of the great leaders whether it is in a religious way or political way. There are many different viewpoints an artist can represent through a painting to help the viewer understand the beliefs and thoughts throughout that specific time. They can also illustrate the followers that led them into power. I wanted to analyze the followers of Christ and see how each era brought a new outlook on the life of Christ. Being that we have learned a lot about the rise of Christianity thought out the XIV century to the XX century. Reformation was a big thing during these centuries and many people contributed in the reformation in the 16th century. Luther, Calvin, Tyndale and the Anabaptists.
From 300-600 CE The Roman Empire allowed new religions to be formed and universalized. The Religion that was associated with The Roman empire was Christianity. Christianity became the religion of Rome because of a man named Constantine who allowed Christianity to spread and flow throughout the empire create a harmony throughout the people. Constantine allowed for the Roman officials to adopt Christianity and this led to the building of the Constantinople. Christianity had basilicas which were opulent churches that were open to all which meant any person could go there allowing Christianity to be very universal. Christianity was also very appealing because the worshiped deity walked on land with the people. Christianity split and became the Roman Catholic church which consisted
The rise of Christianity in Rome did not come easily. It came with much destruction and death. The spark of Christianity in Rome came from an appearance of Martyrs in Rome. Martyrs were people that were executed for going against the common beliefs of pagan (polytheistic) ways. (Tignor, 2011, p. 286) Because of these awful executions, Christianity is said to be based off of “the blood of martyrs.” One of their main ways of spreading Christianity was through the sharing of their writings and by 300 CE there was an exceptional amount of book production throughout Rome. (Tignor, 2011, p. 289) “Christianity operated as one among many minority religions in the Roman Empire, and on several occasions experienced widespread persecution, especially under the emperors Nero (r. 54–68), Decius (r. 249–251), and Diocletian (r. 284–305). However, the situation changed radically under the emperor Constantine (r. 306–337), who in 313 issued the Edict of Milan that made Christianity a legitimate religion in the empire.” (Melton, 2010, p. 634)
Art was viewed in a different sense in the fourteenth century. It had a more active role and was not just decoration, but a vital component of worship and pr...
...hard times of both time periods neither tended to lose their light in standing in what they believed in spiritually and physically. The expression and love for art seemed to grow more and more as the years went on. Although Pagan and Christianity practices had their fair share of difference they were similar in some ways. Both religious theologies believed in standing your ground, protecting what is yours, and helping thy neighbor. In contrast, Pagans believed in a more hostile aspect of protecting what was theirs, while Christians liked to take a more compromisable approach. As Leonardo Da Vinci once said, “Where if the spirit does not work with the hand, there is no art.” The wonderment of the human form, the confidence within oneself, and the different views of religious preference made the Greek/Roman vs. the Renaissance time periods differential but similar.
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
Art, by definition, is “something that is created with imagination and skill and that is beautiful or that expresses important ideas or feelings”. Throughout history, one way that art has been used is to reflect a multitude of ideas and beliefs. Christian beliefs and ideas have been portrayed in artwork since the beginning of Christianity, although, it was not always acceptable to do so. The idea of the final judgement is a Christian idea that has been displayed in art repeatedly in a variety of ways. Michelangelo’s fresco the Last Judgment (1536-1541) is a piece that visualizes this idea. Since the time it was finished, this significant piece found in the Sistine Chapel has been continuously critiqued and analyzed. Many Christians struggle to interpret the event of a final judgment after reading it through Scripture. In analyzing Michelangelo’s piece, it is similar difficult to determine what he exactly meant to portray and what the various part of his masterpiece represent exactly. Many have examined this piece and made different regarding what exactly the various figures and objects are supposed to represent. The diverse interpretations of this work further shows the idea that when Christian ideas are reflected through artwork, it is hard to ascertain exactly what an artist intended to demonstrate. In addition, the controversies surrounding this piece represent the idea that when Christian ideas are revealed through art, there is potential for disagreement regarding what should and should not be included in Christian art. Michelangelo’s Last Judgment is just an example of what results when Christianity is brought into art.
There are certain traits the Roman Empire possessed which contributed greatly to the growth of Christianity. The Roman Empire, most importantly, united a great variety and cultures and people into what became one nation; the resulting unity and communication between so many peoples eased the spread of Christianity all over the world. Of the Roman emperors, even the extremely rude ones assisted in spreading the Christian faith; not despite, but relieved by their pursuit Christianity grew rapidly. Finally, the oppressed and broken nature of the plebeians made them very liable to and eager of the Christian message.
The Christian Church was absolutely instrumental in the art of the Renaissance. It was the driving force behind every inspiration; without the Church, there would have been no art. The Church was the only institution powerful enough to be able to support the commissions of all of the artwork, and it was the only institution, in which people had enough faith and devotion to spend so much of their time and money creating pieces that—although beautiful—were not necessities. The role of religion in art actually began during the Byzantine era. During this time, all artwork was religious in nature, and most of it was done in a consistently similar style so that figures from the Bible could be easily recognized by everyone and so that people had a consistent view of religious matters. Art during this time was largely iconic, meant to inspire the awe of God in the viewer. Along with various versions of the crucifix, one of the most popular images of the Byzantine style was The Pantokrator, an image of Jesus Christ as shown from above. An example of one of these pieces was done in the twelfth century in the abbey church of Monreale in the city of Palermo. Jesus is a monumental figure that takes up much of the space across the apse of the Church. One of his hands forms a mudra as the other holds the scripture. His fully frontal and direct stance along with the glimmering gold background serves to strike awe and fear into the viewer. Clearly this piece was done with the intent to impress the value and mightiness of religion first and attention to the detail and technique of the art second.
The Edict of Milan, issued in 313 AD, opened the way for people in the Roman Empire to practice the Christian religion. With this edict of religious toleration came the right for Christians to worship openly. They also regained possession of their places of worship and all of the contents associated with these religious buildings. Not only did this allow freedom for Christians to worship openly, but they were also given the opportunity to have influence in the government and private sector of the Roman Empire. The far reaching effects of Christian influence around the world are still seen today.
In this research paper I will be looking at two different artworks by the same artist. The two I will be looking at are the Sistine Chapel Ceiling (1508-1512) and The Last Judgment (1534). Both of these painting are painted in the Sistine chapel which is located in the Vatican. I am going to attempt to evaluate these two pieces of art painted by Michelangelo and explain the cultural and religious aspects of them. I will also look to other scholars to get their perspective and their reactions to the paintings. The last step of my research will be to formulate a theory about the relationship between culture and religion and use my topic to help defend my theory.
Much of the art created during the Renaissance was geared toward religion, and with Michelangelo this was no exception. By th...
...ll as the Early Christians had many things in common but for sure we know the impressions of classical Roman features in early Christian art. Indeed, one can see how Roman Art and Greek Art have influenced naturalism on sculptures from Early Christian Art. We also see similar compositions and influences on the tombs and churches, the ideal design and styles were directly adopted from the Roman Art style.
Art is important to religion in many different ways. Perhaps none has analyzed how art and religion have influenced and affected each other through the ages. Pictures painted of past events that help to bring back the feeling and importance of the past have been forgotten by some. To the one’s that haven’t forgotten are able to see the event’s as the bible says they happened. Not only can you see the events, but it also allows the younger students of the church to understand the events. The use of images of God became widespread after the second century. This religious art has defiantly been around for centuries and plays an important role to the history of religion as well as the future.
The introduction of Christianity as a major religion followed the pattern of other ancient religions. Many of the great works of art were done for religious purposes. Some of the most famous artworks in history are religious. Just a few that come immediately to mind are The Last Supper, the ceiling of the Cysteine Chapel, and the Statue of David. Even during the period known as the Dark Ages art was inspired by religion. True, the art was generally dark and full of death and demons, but the art was based upon religious themes, mostly from the book of Revelations. As with the art that preceded it, the religious art of Christianity is full of symbolism. For example, a painting where the man is standing with two fingers upraised on his right hand is generally a religious leader such as a pope or Jesu...