Renaissance Art
When the new upper class movement, Renaissance, occurred in Italy around the 14th century, a revival of the classical forms originally developed by the ancient Greeks and Romans, an intensified concern with secular life, and interest in humanism and assertion of the importance of the individual began. Thus, artists such as Mosaccio and Giotto depicted art that unlike the Middle Ages, showed emotions, feelings, and bright colors, thus demonstrating the deep concern for naturalism in the society. Other artists during the Italian Renaissance period such as Giovanni Bellini began to express their art through secular and religious themes and ideas that were exhibited through landscapes and portraits. As new styles of linear and aerial perspective and pyramid structures came into use by Francesca and Alberti, paintings were able to carry better-recognized religious ideas because the paintings became more transparent and more vivid in detail. Lastly, artists in the high Renaissance such as Da Vinci, Michaelangelo, Titian, and Raphael developed paintings in the narrative style that demonstrated the 'body in a more scientific and natural manner,' thus demonstrating the various aspects of every day life. Moreover, with the combinations of the two beneficiary notions, individualism and humanism, craftsmen were expected by society to be proficient in more than one profession such as literature, sculpture, architecture, and particularly art.
One of the first major ideas that the Renaissance brought to Italy was its humanistic belief in society and religion that was popularly depicted through many of the paintings. For instance, Florentine Mosaccio, a vital figure in the early Renaissance art, portrayed society?s belief of religion through the style of realism and perspective in his famous works such as the Tribute Money and Madonna and Child with Saints that demonstrated ideas of simplicity, unity, and believability. Another Italian artist, Giotto, used the idea of realism in which a face was given a characteristics and color. Thus, his paintings like the Dance of St. Francis indicated a concern for naturalism, a popular idea among society throughout Italian Renaissance. Sandro Botticelli, a leading painter in Florence and favorite of the Medici family, also used decorative and colorful paintings. In his work, Botticelli presented several religi...
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...ent in the high Italian Renaissance. He also drew many famous nude paintings such as the Venus of Urbino that demonstrated the unique theme of nudity throughout the high Renaissance.
In conclusion, many of the major Italian Renaissance ideas of society, religion, and life became evident in the paintings and art that was being created. For instance, beginning from the early Renaissance, new ideas of naturalism and realism began to appear by vital artists such as Mosaccio and Giotto. Then other artists such as Bellini indicated the new ideas of secularism through many landscapes, while other artists such as Francesca and Alberti devised new techniques to express their religious motifs.
Lastly, in the high Renaissance tolerance for nudity and ideas about life as well as the body began to expand in many of the paintings thus symbolizing freedom. These genius artists such as Da Vinci, Michaelangelo, Raphael, and Titian began to gain status thus creating deep prestige for the arts. Furthermore, through the various themes, morals, and ideas that each paintings carried, great changes for the society and religion throughout the magnificent period of rebirth were able to take place.
In the Florence and the early renaissance, we have the greatest master of art like Leonardo da Vinci, Michelangelo, Sandro Botticelli and others. In this period of time the painters almost never show their emotions or feelings, they were more focused on indulging the churches and the wealthy people. In The renaissance period the art provides the work of art with ideal, intangible qualities, giving it a beauty and significance greater and more permanent than that actually found in the modern art. Florence and the early renaissance, the art become very valued where every artist was trying to create art forms consistent with the appearance of the beauty or elegance in a natural perspective. However, Renaissance art seems to focus more on the human as an individual, while Wayne White art takes a broader picture with no humans whatsoever; Wayne, modern three dimensional arts often utilizes a style of painting more abstract than Renaissance art. At this point in the semester these two aspects of abstract painting and the early renaissance artwork have significant roles in the paintings. Wayne White brings unrealistic concepts that provoke a new theme of art, but nevertheless the artistic creations of the piece of art during early renaissance still represent the highest of attainment in the history of
The development of Italian painting in the years around the 1300 or the proto-renaissance is in some sense the rebirth of art and culture. The painters of Renaissance Italy usually attached to particular courts and with loyalties to certain cities, still explored the extensive span of Italy. Many of the Italian painters grew artistically during this time, which is noticeable in Duccio’s painting compared to Giotto’s. In the renaissance period it was highly popularized to mainly draw depictions of religious figures, which is what the concentration of Duccio’s artwork mainly was. Before the painting of the Betrayal of Christ, Duccio’s paintings were highly composed and reliant upon the ancient tradition of icon painting. In the time around 1300 Duccio took steps toward depicting images in a more naturalistic form; Whereas, Giotto, in the 1300’s, was already established as painting more three-dimensional and naturalistic forms.
Far into the cultural and intellectual rebirth of Florence, Giralamo Savonarola used religion to reclaim the minds of the citizens and bring the city back into the Middle Ages. Under the Medici rule, especially the leadership of Lorenzo de’Medici, art thrived and new revolutionary ideas emerged, furthering the Renaissance in Florence while challenging the stronghold of the church. Florence became an edifice for art and the greatest painters of the time flocked to the city including Fra Filippo Lippi, Verrocchio, Botticelli, Leonardo da Vinci, and Michelangelo (Greenblatt 13).... ... middle of paper ...
When a person thinks about the Renaissance, the first thing that comes to mind is more than likely knights in shining armor fighting off dragons and saving the princess. However, lets look at a more realistic approach towards the Renaissance and talk about what really brings out the brilliance and the beauty of this time period, which is nonetheless the art that was informed and inspired by classical antiquity from the Greeks and the Roman civilizations. The artist during the Renaissance was pure genius and masters of draftsmanship and distinguished techniques in displaying a command of lighting, flawless perspectives of image, accurate portrayals of flora and fauna, and the complexities and intricacies of human anatomy and physiology. This period was heavily influenced by religious relic and concepts and these artists expanded beyond the ideas of religious intuitive. Renaissance art was a movement of rediscovering people as individuals as a person and not just another being and this proven through the faces on paintings that have profound and very distinctive displays and expression of emotion. Artwork during the Renaissance became the it thing to do spreading into the households of wealthy merchants, bankers, popes, and princes spending large amounts of money on portraits, miniatures, and still life photographs.
The Renaissance started in Italy in the 14th century. It was referred to as the “rebirth” because it brought back attention to art and science. The Middle-Ages was really religion-dominated. The Renaissance turned the attention to being an individual and worldly experiences; they were the main themes of the Renaissance art movement. Art benefited from the patronage of such influential groups as Medici family of Florence, the Sforza family of Milan and the Popes Julius II and Leo X. This movement helped art become more sophisticated. Many ideas from the renaissance art movement spread to different parts of Europe.
Though the Renaissance era included all of Europe, Italy was the cradle of the movement. The cities of Florence, Rome and Venice were of great importance to this period. Major artists created art mainly in these three. As the center of Italy, Rome held the residence of the Pope and many other important factors. Throughout history, the Roman Catholic Church was very insistent on promoting their ideas. During this time, they used artists and their creativity to promote the Bible and other aspects of their beliefs. Artists were paid, or commissioned by patrons (often the Pope) to create art they wanted. One of the most ambitious patrons was Pope Julius II, who realized the impact visual images had on people’s ideas (Kleiner, 599). Pope Julius II was called the warring Pope, because he often went and involved himself in wars. He also held very humanistic ideas. Because of this, Michelangelo’s relationship to Pope Julius II was very different from his relationship with Pope Leo X, who succeeded Julius II. Julius, because of his adaptions to humanistic thoughts, he let Michelangelo express himself to the fullest, even when forcing him to paint the Sistine Chapel. Leo X, however, was very critical of everything Michelangelo set out upon. This resulted a strained relationship, and eventually abandonment of projects that were supposed to be completed. It is clear that Pope Julius II had a liking for Michelangelo, while the Medici’s looked on him as a type of lowly artist subject to their will.
The time of the Renaissance reflected views of the individual through humanistic paintings, portraits, and sculptures. During this time new ideas and styles of art were developed and they demonstrated advanced and new perspectives of which one looked at the individual.
The early Renaissance art in Florence focused on an elaborate, Gothic style of painting; very formal and traditional, yet there was always something that seemed to be lacking. Perspective and depth were two very important qualities in painting, yet up until the time of young Masaccio, (born Tommaso Guidi), paintings were beautiful, but seemed to just be art that hung on the wall. In Masaccio’s work, “rather than recede in space, the figures seem to come forward” (Cole 120). He may not have known it at the time, but his style of painting would influence many painters well after his death; Donatello, Michelangelo, and so on. Masaccio may have only painted for a total of 8 years, but during those 8 years he revolutionized not only the time of the Renaissance, but also the way painting could be created by the artist, and seen by its viewers. Through the use of linear perspective and astronomical instruments, he was able to create amazing works that defied the limits of the human eye, and allowed a painting to possess realistic depth. Through his skills, Masaccio was able to move away from the Gothic and elaborate style of the time, and his paintings reflect the first use of perspective in order to create a sense of a realistic, three dimensional world.
During the Renaissance artists changed the way they painted and sculpted, they learned how to paint in all three dimensions, which brought life and realism to their works. Also, getting away from the religious roots of art created an entirely new type of art that was rich in drama and emotion. This was also the time period when painting with oils was started.
The Renaissance was a time of rebirth, as its name entails. In Italy, more people were becoming literate and more books were being printed. More scientific discoveries were being made and therefore more theories were being published. In this time of intellectual prosperity, art also made a great leap. Perspective was the main change during this time period, and throughout the years, starting around 1400, it became more involved and more intricate. Eventually artists were so adept at using it, that it became the primary way to insert intimacy and feelings of emotion into a painting. This evolution of technique paved the way for later artists to play with new approaches to allow the viewer to experience an image in different ways.
During my second time visiting the museum, I looked at paintings from the 15th and 19th centuries. Two of the art works that I choose is “The Story of Joseph” from the Renaissance period and “The Marketplace” from the modern art period. Both of these paintings were from different time periods but they were also very similar in content and style.
The renaissance art was very different from the medieval art since the renaissance art brought back the human interest of art. I have always found to be surprising that some of the most famous artwork is of naked humans. I also find to be strange as well. Since there are so many things paint or to make sculptures about, this makes me wonders why would artist pick humans and especially naked humans? Sure humans are an interesting thing to make or paint about, however, why not do something of a kingdom, a war, a battle, and even an animal. There are so many things that artist can make, but why to make the focus of the renaissance art of naked humans. However, many tourists around the world will visit these famous these masterpieces work when they are visiting the countries they were created. For instance, the statue of David, which is located in Florence, Italy, was created during the renaissance and it was one of Michelangelo finest work. I have had the pleasure of being able to see the fascinating sculpture in person. At first, I thought it was no big deal. However, when I actually saw for the first time in person my reaction was just. “Wow… I never see anything like. It was incredible”. I also asked myself, “How did he do that? What gave him the inspiration to create such a sculpture? How has it stayed up this long?” I was impressed and usually, I am not impressed by art. It was just
The Italian Renaissance included some of the greatest artists we have ever seen from Leonard Da Vinci, to Michelangelo, and Raphael. The Renaissance took place from the late thirteenth to sixteenth centuries and is know as the ‘rebirth’. The idea that the rebirth of the arts after being asleep for a thousand years is an amazing thing to grasp. This time brought back light to liberal arts, which were on the brink of being extinct. (Murray 2) What is also interesting about art during this time was that most of the art had Christian in its roots, for example, Botticelli’s The Allegory of Spring (Faure 1) is said to have had a Christian interpretation. (Murray) “Every Italian artist, willingly took the title of architect, sculptor, and painter” (Faure 2). At the beginning of the fifteenth century, the Italian painters had asked the Flemish painters for their secret techniques because the Italians felt like the language of painting was one that was always meant for them. (Faure 4) The sculptors claimed their inspiration from ancient works. Lastly the Renaissance introduced idea of individualism, which helped the Italians get away from everything that was going on during that time. Art during the Renaissance included painting, sculpting and architecture, all of which were an important part in expressing the idea of individualism and making art what is is today.
Art has gone through many significant developments throughout history. The most important turning point was the renaissance. Art took a huge turn before the 1500’s and even after. The Renaissance has assisted the world of art in breaking away from a classic structure and shaping it to what it is day. Prior to this cultural rebirth, artworks were mostly not made to scale. Paintings were unrealistic and disproportionate. Religious figures seemed to be the focus of many works. The Renaissance changed the old social context of art by introducing humanism, new themes and techniques.
The word Renaissance refers to the rebirth of the ancient classical art of the Greco-Roman culture. This worked well for the Italians as the Roman Empires heritage was all around them from monuments to statues and literature. His work demonstrated the intellectuality of his conceptions. His compositions are monumental.