The Renaissance In Northern Europe

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The Renaissance is an era transition in the history, even if it’s mostly known as a movement of art only. The opening phase of the Renaissance is started in 14th century’s Italy; however, the transition can be described as smooth because it took almost two centuries to be completed. The main reason behind the smoothness of the transition was the fact that it was founded on people and their changing interest. This transition period has characteristic of interest on classical antiquity and humanism. (Early) The renewed interests were so much significant that these changeovers caused that the period named as the Renaissance which means rebirth.
It took time but after a while, almost all the Europe affected by the conditions created due to movement …show more content…

Italy and Germany were ruling as independent city states while the Western and Northern Europe started to emerge as nation-states. (Curated) Nationalism in the Europe affected the ideas that the movement founded on; the pieces made became more common and representative of the society. Thus, humanistic ideas that signify the individual behind the Italian Renaissance diminished in the Northern Renaissance. (Curated) Mentioned contrast can be comprehended by looking at the example paintings. Pieter Brueghel’s Netherlandish Proverbs depicts almost all the proverbs used in his lifetime, and these proverbs depicts in a daily life of a settlement. On the other hand, Luini’s Salome with the Head of Saint John the Baptist is centered on one man and one event. The ideas that the painting reflects are not related with nationalism or …show more content…

Many types of elements shaped the ideas of the era; therefore, the perception and interpretation became idiosyncratic. In art, the perception of aesthetic was the element which is affected most. The adjective of beautiful interpreted and became distinct in every country. That’s why, there are many noticeable distinct in terms of aesthetic between these artworks. Herein, the most salient difference of the Salome with the Head of Saint John the Baptist of Luini is sense of beauty depicted in the painting. Muscular bodies, straight faces and symmetrically placed elements… All these things make people enable to link the sense of beauty in the Italian Renaissance to the standards of beauty in the artworks of Ancient Greeks. (Grudin) Indeed, the artist of the Italian Renaissance used the aesthetic elements of Greeks as a foundation of their sense of beauty. They added science in it, thus, they created their proportionally beautiful people in their artworks. (PDF) In the painting of Luini, the head of Saint John the Baptist is depicted considerably beautiful even though he had beheaded. This beauty can be found unreal. Although the movement of realism has been developed during the Renaissance, but the dominant idea of humanism has been dominant. (Grudin) That’s why; the characters depicted sometimes can be seen as

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