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Gender role in literary
Gender issues in literature
Gender role in literary
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The Canterbury Tales, written in the late fourteenth century by Geoffrey Chaucer, are a group of stories about an assortment of diverse characters whose personas existed during that period in time. The stories cover a wide variety of individuals, ranging from the Wife of Bath, the Pardoner, and the Reeve. Although the majority of the stories were all clearly fictional, the problems seen in each story were true; the author mentions the real-world issues that the members of his society had to experience and endure. Most of the messages found in Chaucer’s literature from the fourteenth century are still applicable today, in the twenty-first century, like the message found in The Reeve’s Tale. One of the concepts found in The Reeve’s Tale was the …show more content…
act of taking either a physical or a psychological possession from another person, or stealing, and is quite apparent in the Reeve's Tale. Stealing can best be observed in the story using a gender perspective, a political perspective, a moral perspective, and a bibliographical perspective.
The gender inequality seen in The Reeve’s Tale were seen in several different ways. In the time period of this story, sometimes marriage was used to confirm two people’s love for each other, but other times, it was used as a tool in order to rise to a higher social class. A person would raise the social class of their whole family from one member marrying a person who is already a part of the higher social class. This is what the family of the Miller wanted his daughter, Malyne, to do, and her grandfather, the Parson, wanted to make this happen using his own wealth and his own granddaughter’s physical attractiveness. It is not clearly stated whether she was not upset with being force to marry whoever her family tells her to, or if she was angered at the fact that she had no choice of who she wants to marry since she was limited to just one social class. Either way, it shows that she had no option but to accept her fate of having the choice to marry who she wants stolen away from her. She demonstrates that women had no power. A sense of no power is seen in …show more content…
the sex scenes of Haughty Simkin's wife, John, Haughty Simkin's daughter, and Alan. Malyne and Simkin's wife were the only two female characters who are mentioned in the fable, and in the fable, both acts of sex involving Alan and John seemed more like rape rather than normal sex; both Alan and John decided to have sex with sleeping, unsuspecting victims. As numerous people in society can unfortunately concur, when someone is raped, a part of their mind and soul feels as if it has been stolen. In the case of Alan and Simkin's daughter, Alan stole her virginity. Once a person loses their virginity, they lose it forever, which only makes the state of having one's virginity even more special. Pamela Barnett states, "According to the narrator, the violation and deceit are against the Miller rather than his wife or daughter" (151). In order for the narrator to believe that the violation of the wife and daughter actually violated the Miller, the men of that time period must see women as property instead of human beings, with emotions. Naturally, both of the violations affect Haughty Simkin, since two members of his immediate family were raped; however, logically being raped should have more of an impact on the party who was actually violated, and the men of this time period failed to realize this. The Reeve's Tale shows that women were treated like objects and possessions of men, which is derived from their lack of power. During this time period, society faced major economical and political problems. The Middle Ages is distinguishable from other time periods because the Middle Ages featured the caste system, which is social class based off birth. There were numerous issues between the classes, but the leading issue that was the most hurtful was the deceptive ways of the higher social classes to make more money off the lowest social class. This phenomenon was seen in The Reeve's Tale. In the introduction of Alan and John, the author describes them as "young and poor," and this certainly puts them in a social class lower than that of the Miller and his family, who have wealth (Chaucer 4001). After Alan and John had their merchandise stolen by Haughty Simkin, it can be noted that the Miller had possessed all of the forms of wealth that were alluded to in the story, including real money, the flour and corn that Alan and John were cheated out of, and even the women in Simkin's home since women were seen as objects and a form of wealth, while the poor boys have nothing. Before Alan violates Haughty Simkin's daughter, the author writes, "If at one point a man should be aggrieved, At yet another he shall be relieved. Our corn is stolen, that is safe to say, And he hath given us a fit all day; I can't amend the loss, but there's an action By which at least I'll get some satisfaction" (Chaucer 4185). Alan used their state of having nothing to justify him being able to have sex with Simkin's daughter without her consent. The social classes and the physical possessions of the characters certainly affect the actions of the characters, and the concept of the rich stealing from the poor can be clearly depicted throughout the story. Morally, The Reeve’s Tale was filled with instances where the actions taken by the majority of the characters in the story went against what is considered respectable in today's society.
The instance that initially displayed the story's lack of morality was the constant passion of Haughty Simkin to cheat others out of their goods. Chaucer emphasizes, "He also was a thief of corn and meal, A sly one, too, his habit was to steal" (3939). This extra piece of information that was included in the beginning of the story foreshadows that Simkin would soon be punished for his wrong actions. As the story progresses, the reader learns of next display of immorality, which was both Alan and John initiating sex with Haughty Simkin's daughter and wife while they slept. Again, Alan states that although he cannot physically amend the boys' lost products, there was still an action that could make Alan feel better about himself, which was climbing into Simkin's daughter's bed (Chaucer 4185). John later declares that his reason for having sex with Simkin's wife is because "I lie here like an old bran sack in bed. And when this jape be told another day, I'll be a fool, a 'cockney' they will say" (Chaucer 4207). Although both Alan and John had reasons for their actions, their dialogues serve as proof to show that they only violated Simkin's family for their own benefits. Sex is believed to be a sacred act, but the boys obviously did not perceive it as such. In the aspect of justice being served
overall, the answer to if justice has truly been served is quite complex; it leaves the reader confused because it is not understood whether or not justice was served to the correct party. This is because it is not clear whose action were worse; Haughty Simkin was punished for stealing from others, while Alan and John raped Haughty's daughter and wife then escaped without punishment. In fact, John and Alan were eventually rewarded by getting their goods back. The decision on whether or not justice was served is debatable; some may believe that justice was served, and some may believed that justice was not served at all. However, both parties certainly stole from others. It is important to study the motives of the narrator when trying to interpret The Reeve’s Tale so one can understand how the narrator may have altered a story. From the start of The Reeve’s Prologue, the Reeve is shown as a very brutal and arrogant character. The Reeve expresses, “God, may his neck be broken” (Chaucer 3918). By him wishing harm upon the Miller for sharing his story about carpenters, it shows that the Reeve cares more about his reputation rather than other human life. The Reeve’s Prologue also uncovers his purpose for sharing the story about a Miller. Chaucer reports that he “didn't see the tale one man aggrieve, Except, that is, for old Oswald the Reeve. Since carpentry had been the fellow's craft, The tale left him with ire while others laughed” (3862). This shows that the Reeve shared his negative story about a Miller because the Miller offended the Reeve with his insulting story about a carpenter. Additionally, the anger of the Reeve persuaded him to tell a negative, and most likely false, story about the Miller. The decision of the Miller to tell the offensive story about carpenters undeniably influenced how the Reeve communicated the story about the Miller. The concept of stealing from other people is apparent in The Reeve’s Tale. The power of women, which was stolen by the men during the time period, is observed using the gender studies perspective. The wealthy class stealing from the poorer class, which was another issue of the time period, is observed using the political perspective. Lastly, using the moral perspective, multiple instances of thievery were seen which are morally wrong. The Reeve’s Tale gives insight on issues witnessed in the late fourteenth century society. Some of the problems that were found in The Reeve’s Tale were corrected with time, but some of the problems still exist today, almost 700 years later.
A serf who is a steward of a manor; he sees that the estate’s work is done and that everything is accounted for. He inspects everything and imposes fines on the workers if he finds anything wrong. Old, choleris (bad-tempered) and thin, skinny legs. Wears his hair like a priest- cut above his ears and docked on top. Chaucer starts out by saying that the Reeve does his job well, but he ends by implying that he is mean to the serfs and has become rich by embezzling from his master. He is dishonest and uses people. “A carpenter of first-rate skill” In Line 632.. Rides a dappled-gray horse named Scot. “Rode the hindmost of our cavalcade”- the last pilgrim in line on the journey.
Chaucer's Canterbury Tales are filled with many entertaining tales from a variety of characters of different social classes and background. The first two tales told, by the knight and the miller, articulate very different perspectives of medieval life. Primarily, The tales of both the knight and the miller bring strikingly different views on the idea of female agency, and as we will discover, Chaucer himself leaves hints that he supports the more involved, independent Alison, over the paper-thin character of Emily.
Some say women can get the worst out of a man, but in The Canterbury Tales, written by Geoffrey Chaucer in 1485, proves it. The tales were originally written as a collection of twenty four tales, but has been narrowed down to three short tales for high school readers. The three tales consist of “The Miller”, “The Knight”, and “The Wife of Bath” along with their respective prologues. In The Canterbury Tales, Chaucer shows the weak but strong role of women throughout the “The Knight’s Tale” and “The Wife of Bath’s Tale” to contrast different human characteristics and stereotypes on the spectrum of people.
Alison in the Miller's Tale and May of the Merchant's Tale are similar in several ways. Both are young women who have married men much older than themselves. They both become involved with young, manipulative men. They also conspire to and do cuckold their husbands. This is not what marriage is about and it is demonstrated in both tales. What makes the Miller's Tale bawdy comedy and the Merchant's tale bitter satire is in the characterization. In the Miller's tale we are giving stereotyped characters. The principals are cardboard cut-outs sent into farcical motion. The Merchant's Tale gives us much more background and detail of the character's lives. The reader is more involved and can feel their situations. Here we will focus on the two women of each tale and how they demonstrate this difference.
Chaucer identifies a pardoner as his main character for the story and utilizes the situational and verbal irony found in the pardoner’s interactions and deplorable personality to demonstrate his belief in the corruption of the Roman Catholic Church during this time. Chaucer first begins his sly jab at the Church’s motives through the description of the Pardoner’s physical appearance and attitude in his “Canterbury Tales.” Chaucer uses the Pardoner as a representation of the Church as a whole, and by describing the Pardoner and his defects, is able to show what he thinks of the Roman Catholic Church. All people present in the “Canterbury Tales” must tell a tale as a part of a story-telling contest, and the pilgrim Chaucer, the character in the story Chaucer uses to portray himself, writes down the tales as they are told, as well as the story teller. The description of the Pardoner hints at the relationship and similarity between the Pardoner and the Church as a whole, as well as marks the beginning of the irony to be observed throughout the “Pardoner’s Prologue and Tale.”
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
The Canterbury Tales, written by Geoffrey Chaucer, has gone through many adaptations. Some authors decided to translate the story into verse, while others chose to write the as a narrative in prose. Although all adaptations are based off the same story, they are vastly different and can be the result of opposing interpretations of the original work. After reading a text translated by Nevill Coghill (referred to as Version I) and a text translated into a narrative by a different author (referred to as Version II), it is obvious that for each similarity they share, there are many more differences in language, syntax, and imagery as well.
Men should cherish women, not seek to own them. In The Reeve’s Tale it is not possible to escape realization that gender ownership exists. There are many situations in the tale that strips the two female characters of their identity. Symkyn’s wife and daughter, Malyne, lack their own voice making it easy for them to become victims of the patriarchal ideology, that females have to be obedient and subordinate. In The Reeve’s Tale, Geoffrey Chaucer initiates the theme of ownership which is used to objectify the two female characters by treating them like interchangeable pieces of property. The men mistreat Malyne and her mother further proving how powerless they are when seen as something owned. In their assumed, roles both women appear to be
Chaucer’s book The Canterbury Tales presents a frame story written at the end of the 14th century. It narrates the story of a group of pilgrims who participate in a story-telling contest that they made up to entertain each other while they travel to the shrine of Saint Thomas Becket at Canterbury Cathedral. Because of this, some of the tales become particularly attractive for they are written within a frame of parody which, as a style that mocks genre, is usually achieved by the deliberate exaggeration of some aspects of it for comic effect. Chaucer uses parody to highlight some aspects of the medieval society that presented in an exaggerated manner, not only do they amuse the readers, but also makes them reflect on them. He uses the individual parody of each tale to create a satirical book in which the behaviours of its characters paint an ironic and critical portrait of the English society at that time. Thus, the tales turn satirical, ironic, earthy, bawdy, and comical. When analysing the Knight’s and the Miller’s tale, one can realise how Chaucer mocks the courtly love convention, and other social codes of behaviour typical of the medieval times.
Chaucer, Geoffrey. The Canterbury Tales: Riverside Chaucer Third Edition. Ed. Larry D. Benson. Boston: Houghton Mifflin Company,1987. 3-328 Secondary
The Canterbury Tales is a literary masterpiece in which the brilliant author Geoffrey Chaucer sought out to accomplish various goals. Chaucer wrote his tales during the late 1300’s. This puts him right at the beginning of the decline of the Middle Ages. Historically, we know that a middle class was just starting to take shape at this time, due to the emerging commerce industry. Chaucer was able to see the importance and future success of the middle class, and wrote his work with them in mind. Knowing that the middle class was not interested in lofty philosophical literature, Chaucer wrote his work as an extremely comical and entertaining piece that would be more interesting to his audience. Also, Chaucer tried to reach the middle class by writing The Canterbury Tales in English, the language of the middle class rather than French, the language of the educated upper class. The most impressive aspect of Chaucer’s writing is how he incorporated into his piece some of his own controversial views of society, but yet kept it very entertaining and light on the surface level. One of the most prevalent of these ideas was his view that certain aspects of the church had become corrupt. This idea sharply contrasted previous Middle Age thought, which excepted the church’s absolute power and goodness unquestionably. He used corrupt church officials in his tales to illustrate to his audience that certain aspects of the church needed to be reformed. The most intriguing of these characters was the Pardoner. Chaucer’s satirical account of the Pardoner is written in a very matter-of-fact manner that made it even more unsettling with his audience. Chaucer uses his straightforwardness regarding the hypocrisy of the Pardoner, suggestive physiognomy of the character, and an interesting scene at the conclusion of the Pardoner’s Tale to inculcate his views of the church to his audience. The way that Chaucer used these literary devices to subtly make his views known to an audience while hooking them with entertainment, shows that Chaucer was truly a literary genius.
The Canterbury Tales by Geoffrey Chaucer, (written c. 1387), is a richly varied compilation of fictional stories as told by a group of twenty-nine persons involved in a religious pilgrimage to Canterbury, England during the fourteenth century. This journey is to take those travelers who desire religious catharsis to the shrine of the holy martyr St. Thomas a Becket of Canterbury. The device of a springtime pilgrimage provided Chaucer with a diverse range of characters and experiences, with him being both a narrator and an observer. Written in Middle English, each tale depicts parables from each traveler.
In Geoffrey Chaucer’s The Canterbury Tales, a collection of tales is presented during a pilgrimage to Canterbury Cathedral. The pilgrims on the journey are from divergent economic and social backgrounds but they have all amalgamated to visit the shrine of Saint Thomas. Chaucer uses each pilgrim to tell a tale which portrays an arduous medieval society. The values, morals and social structures of the society can be examined through the fictitious tales, unravelling a corrupt, unjust and manipulative world, a world that is based around an ecclesiastical society.
...an see, when reading a work such as The Canterbury Tales, there are many advantages and disadvantages to the work being in both middle and modern English. Before reading such a work, one must realize his or her own purpose for reading the work and then decide on which version to read. It is the opinion of many that it is beneficial to read both versions in order to educate one self about both languages as well as to experience the evolution of the English language. The English language has changed greatly over the many centuries since the time this work was written. However, this work helps create a bridge between the languages of the middle and modern English worlds. This was a work that transcended any work previously written and one that will continue to have an important place in the history of English literature and the English language as a whole.
The Canterbury Tales is a great contemplation of stories, that display humorous and ironic examples of medieval life, which imitate moral and ethical problems in history and even those presented today. Chaucer owed a great deal to the authors who produced these works before his time. Chaucer tweaked their materials, gave them new meanings and revealed unscathed truths, thus providing fresh ideas to his readers. Chaucer's main goal for these tales was to create settings in which people can relate, to portray lessons and the irony of human existence.