Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The prologue to the canterbury tales summary characters
The prologue to the canterbury tales summary characters
Canterbury tales analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
A serf who is a steward of a manor; he sees that the estate’s work is done and that everything is accounted for. He inspects everything and imposes fines on the workers if he finds anything wrong. Old, choleris (bad-tempered) and thin, skinny legs. Wears his hair like a priest- cut above his ears and docked on top. Chaucer starts out by saying that the Reeve does his job well, but he ends by implying that he is mean to the serfs and has become rich by embezzling from his master. He is dishonest and uses people. “A carpenter of first-rate skill” In Line 632.. Rides a dappled-gray horse named Scot. “Rode the hindmost of our cavalcade”- the last pilgrim in line on the journey. The Minister’s Prologue and Tale should always be read before reading the Reeve’s Prologue because The Minister’s Tale is combined with the Reeve’s Tale due to the Reeve explaining that people “had laughed at this foolish business of Absolon and clever Nicholas” In Lines (3855-56). That’s a confusion to the reader …show more content…
because the reader won’t know who Absolon and Nicholas are. The Reeve’s real name is Osewold who was angry because he was a carpenter. Osewold begins to explain his old age first due to him probably not able to hurry up with his tale about a carpenter. He starts by explaining how old he is by saying “This white head reveals my old years; my heart is as moldy as my hairs” In Lines (3869-70). Still cunning the qualities of boasting, lying, anger, and greed is Osewold particularly giving sparks to the elderly men. The Host interrupts Osewold, wanting him to hurry up and tell his tale if he wants to speak at all so time wasn’t wasted because of it being almost seven thirty. Osewold somewhat makes a fool by answering him with force by force before he tells his tale. Osewold first tells “This drunk Miller has told us here how a carpenter was tricked, perhaps in scorn, for I am one” In lines (3913-15).
The Reeve which is Osewold does take offense at the Miller’s tale of a stupid carpenter and counters his tale of a dishonest Miller. Osewold speaks in the Millers churl’s terms to basically lay it on the line for him on basically how he feels about the Miller’s tale, but in a weird, friendly way. Osewold speaks “I pray to God his neck may break into pieces, he can well in my eye see a piece of straw, but in his own he can not see a large piece of timber” In Lines (3918-20). Basically, the Miller and the Reeve don’t like each other at all due to them working with each other as carpenters in the same mill. Osewold is basically, trying to explain that the Miller is a thief and a dishonest miller and not fully honest with the company. Plus, the Miller is drunk so it’s still going to look bad on him because of him still being dishonest with his
tale. A Miller lived in Trumpington, near Cambridge who was proud he could fish, wrestle and shoot. He carried several kinds of knives with him “ Always by his belt he carried a long cutlass, And very sharp was the blade of the sword. An elegant dagger he carried in his pouch; There was no man, for peril, dared touch him. A Sheffield knife he carried in his hose.” In Lines (3930-33); and was extremely skilled in the use of these knives as well as getting his achievements. The Millers nickname was Symkyn. He never lost a chance to steal and even stole the corn or meal that came to him for grinding. She had studied in a nunnery “She was fostered in a nunnery; For Symkyn would have no wife, as he said, Unless she were well educated and a virgin, to preserve his state of yeomanry.” In Lines (3946-49). Chaucer hints that the Miller’s wife was the Parson’s daughter and he had to give a large dowry for her marriage. The Miller and his wife had a twenty year old daughter and a six-month-old baby boy.
As the Miller’s personality is developed by his dissimilarity to the Knight, so is the Reeve by the Miller. Therefore, Robin’s enjoyment of life shows just how little Oswald receives from the same. For instance, the Miller’s large frame and excessive drinking show his delight in small pleasures. The Reeve, however, is “a sclendre colerik man” who controls his beard and hair (in opposition to the unruly strands that grow on a wart on the miller’s nose) as manipulatively as the accounts of the farm on which he works (I 587). The Miller mastered the bag-pipes for entertainment in his spare time while the Reeve trained with more practical tools: “In youth he had learned a good myster: He was a well good writer, a carpenter” (I 614).
In “The Pardoner’s Tale,” Geoffrey Chaucer masterfully frames an informal homily. Through the use of verbal and situational irony, Chaucer is able to accentuate the moral characteristics of the Pardoner. The essence of the story is exemplified by the blatant discrepancy between the character of the storyteller and the message of his story. By analyzing this contrast, the reader can place himself in the mind of the Pardoner in order to account for his psychology.
Chaucer's Canterbury Tales are filled with many entertaining tales from a variety of characters of different social classes and background. The first two tales told, by the knight and the miller, articulate very different perspectives of medieval life. Primarily, The tales of both the knight and the miller bring strikingly different views on the idea of female agency, and as we will discover, Chaucer himself leaves hints that he supports the more involved, independent Alison, over the paper-thin character of Emily.
So, what we have is a case of an dishonorable knight, who proved his worth in dishonorable battles, and tells stories so packed with chivalrous pomp and circumstance that it actually parodies itself. All I can say is that if Chaucer's Knight truly was an "every knight," as Laura Hodges says, and not a parody of the ideals of the time, I am very glad I live in the 20th century, not the 14th century, and that my life doesn't depend on Knights to keep me safe and happy.
The Miller tells his tale momentarily to amuse and and embarrass (the Reeve and his own cameo appearance), while the Knight tells a story strong on "sentence" or meaning. The two different motives reveal the fundamental differences between the two men: the noble Knight can still believe in a higher beautiful world, while the Miller cannot accept it ever existed.
The narrator is the first element of humor Chaucer uses in his story. The Miller is rude and drunk but generally a jolly fellow. This sets the tone of story as being fun and even a bit coarse, just like the Miller himself. He tells a few jokes before he tells his story: "One shouldn't be two inquisitive in life? / Either about God's secrets or one's wife. / You'll find God's plenty all you could desire"(53). As well, the Miller wants to punish the Reeve, a ...
Chaucer 's characters appear heavily invested in the belief that the gods and the stars, not their own earthbound decisions and abilities, control their fates. Their steadfast faith in the power and prudence of the gods contrasts sharply with their often visible lack of confidence in themselves. Is this lack of confidence born out of the characters ' deference to the gods? Or conversely, is this obsession with the supernatural perhaps an attempt to rationalize, excuse, and possibly overcome their previous and potential shortcomings of which the characters are so often aware? In a collection of tales in which pride, honor, superlative excellence, and supernatural influence are so prominent, the rampant confusion, self-doubt, and "negative boasts"
In the Miller’s Tale, the story tells of a carpenter and his wife, Allison and how she is pursued by multiple men. The first man to pursue her is Nicolas, a man boarding with the Miller. When the carpenter is away he begins flirting with Allison in hopes of making love. Originally she refuses, but eventually she gives in to his will. Chaucer seems to be pointing out that women are easily swayed by temptation by showing us that Allison is unable to stop herself from making love with Nicolas. In addition Chaucer is also showing us how disloyal women can by using Allison’s extramarital affair as an example. However this stereotyping is not just limited to women in the miller tale but also reaches men too. Later in the story, Nicolas manages to convince the carpenter that there is going to be a massive flood and that he should hide. However this is all just a lie, which Nicolas is using to get the carpenter out of the way so he can be with Allison. Through the carpenter, it seems as if Chaucer is pointing out that men are generally gullible and easily fooled. The stereotyping continues when Absolon enters the story and attempts to woo the likes of Allison. Absolon is unsuccessful in his attempt to woo her however, and Allison tricks him by pretending to offer him ...
In Chaucer's Canterbury Tales a storytelling competition is proposed by the Host. In his mind, it was only proper for the Knight to tell his story first. The sneaky Host rigged the drawing of straws and the Knight won the honor of going first. He told a Roman Epic of loyalty and love, set in classical antiquity that portrayed his gallant manner and elevated social class. The Miller's Tale, a parody of the Knight's Tale, came next. The Miller's Tale was more contemporary and left out many of the ideals that were displayed by the characters in the Knight's Tale. This fabliau told by the Miller seemed to debase the Knight's Tale and also to debase the Knight himself.
While these two stories show great similarities, they also contain many differences. Because they are derived from the same original work, The Canterbury Tales by Geoffrey Chaucer, they are greatly deviated in their structure, vocabulary, and story line. Version I, the text from the textbook that was translated by Nevill Coghill was more indicative of Old England based on the old and sophisticated language used and the verse of the text. Version II, the adaptation be another author into a narrative was an easier read and used lower-level vocabulary and although it attempted to use an old style form of writing, it did not seem likely to a reader that the narrative was close to the original.
The Friar and the Parson, as described in the General Prologue of the Canterbury Tales, can be used to portray both the good and the bad sides of clergy. They make a stark contrast to each other, often even directly, with their characteristics as told by the narrator. From physical traits to their actions, these two pilgrims are almost exact opposites in certain ways. Their motivations for these actions describe the differences in the mind sets of the good holy man and the one who is less true to his orders, the Parson and the Friar respectively. Throughout their portraits, the descriptions of the two are set at odds, so as to highlight their contrariety.
Beidler, Peter G. "Chaucer's Tales" Chaucer Review Vol: 34, Issue: 4. April 01, 2000. 388-397
“The Miller’s Tale” perfectly incorporates all of the necessary components that make up a winning tale. In Chaucer’s, The Canterbury Tales, “The Miller’s Tale” fully satisfies every rule required by the Host, in a humorous and intriguing way. He uses the misfortune of the characters to grasp the reader’s attention, and keep him or her interested throughout the story. In the tale, Chaucer includes the idea of religious corruption happening in England during the fourteenth-century. He takes this negative idea and manipulates it into comedic relief by making both Nicholas and Absalom clerks. The actions of those characters, who were supposed to be revered due to their religious position, proves Chaucer’s negative view of the Catholic Church in England at that time. Through Chaucer’s incorporation of fourteenth-century religious corruption,
An interesting aspect of the famous literary work, "The Canterbury Tales," is the contrast of realistic and exaggerated qualities that Chaucer entitles to each of his characters. When viewed more closely, one can determine whether each of the characters is convincing or questionable based on their personalities. This essay will analyze the characteristics and personalities of the Knight, Squire, Monk, Plowman, Miller, and Parson of Chaucer's tale.
“I have a noble story in my store, with which I will requite the good knight’s tale” ( pg. 83 Selected Canterbury Tales). Since the knight told a story in a more gentlemanly fashion, the drunk miller answered with an unchivalrous story. I also think Chaucer placed them together because of social class. The first story is told by a Knight who is a nobleman in the upperclass. The Knight is a respectable man who has fought in many places and won. Following, is the Miller who is in the lower working class. Millers were considered to be cheaters and liars. I believe Chaucer placed them in this order because they are complete