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Nora Roberts’ The Reef, a romance and suspense novel, is my favourite text. First released in 1999 and set on the Caribbean Sea, it tells the story of a lad, Matthew Lassiter, who alongside his uncle, witnesses his father’s murder aboard a ship. Though the death seems like an accident, Matthew suspects that Silas, a rich businessman who had quarreled with Matthew’s dad over an amulet they had both been searching for undersea, was behind it. Eight years afterwards, Matthew and his uncle set out to avenge his dad’s death and find the amulet he died searching for. On their expedition, they ran into the Beaumonts, a wealthy family likewise hunting for this amulet undersea, and the two groups team up. The Beaumonts have got the resources whilst the Lassiters have got the skills. Tate, the daughter of the Beaumonts, falls in love with Matthew; but just as soon as they become lovers, they have to part ways. Another eight years later, whilst still searching for this amulet, the two families meet again, and even more romance sparks up between Tate and Matthew. Together, they find the amulet and Matthew finally takes revenge on Silas.
An extrinsic analysis of a text is a method of interpreting it by what it tells us about society. It does not consider the value a text has in itself but rather its value in relation to societal issues. An example of an extrinsic attitude, from which point of view I will be analyzing my text, is the ’feminist theory’. This theory aims at eliminating male supremacy to achieve gender equality. Globally, females are portrayed as the subordinate gender; such sexism is what the feminist theory criticizes. Nora Roberts, in her history of novel writing, has neither ever declared herself as a feminist nor have any of ...
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... show a great deal of pride. It is even for this reason that people use the popular phrase “Be a man”, to show that a male is not being as proud as he ought to be, by social standards.
The depiction of characters by Nora also adds to the “masculinity” of this text, in that the male characters are the dominantly talked-about characters. The females are treated as the ‘other’ and are not heard much of, in any dialogue or conversation.
In my opinion, and still from the viewpoint of a feminist, Nora Roberts’ novel is a “masculine” one because it depicts the superiority of the male gender just as society views it. Simply put, the female characters are disregarded. Though it is my favourite text, I believe it could have been a better one if only Nora had put more “feminist” thought to her work. But who knows? Maybe it would not have turned out to be such a great read!
Kevlar (10) - synthetic fiber that is often used as a reinforcing agent in tire and other rubber products. I is made up of high tensile strength.
Gendered strategies, in the criticism of early fiction, made feminine fiction incapable of excellence. By using conventional heterosexual relationships in their prefaces, authors only succeed in supporting the masculine control over fiction. The appraisals women gained only reinforced their inferior status. "Criticism placed female authors in a specific and confined critical sphere, while it located male authors in an other, more respected field" (375). By aligning their works with popular male literature, women inadvertently strengthened male authority. Women were only granted recognition in terms of their limited social stature. It is these gendered values and strategies that makes the history of the novel and feminine achievement difficult to assess.
In “The Epistemic Significance of Disagreement”, Thomas Kelly gives two responses to the question “How should awareness of disagreement, with those that you take to be your epistemic equal, effect the rational confidence you have in your beliefs?”. Kelly discusses two possible responses to the question. The first is Richard Foley's first person perspective argument. Adam Elga calls the second the right reasons view (Elga, 2007 pg. 485). Kelly pursues the latter, and does not go further than agreeing with Foley that we should only view these disputes with a first person perspective.
Throughout most of literature and history, the notion of ‘the woman’ has been little more than a caricature of the actual female identity. Most works of literature rely on only a handful of tropes for their female characters and often use women to prop up the male characters: female characters are sacrificed for plot development. It may be that the author actually sacrifices a female character by killing her off, like Mary Shelly did in Frankenstein in order to get Victor Frankenstein to confront the monster he had created, or by reducing a character to just a childish girl who only fulfills a trope, as Oscar Wilde did with Cecily and Gwendolen in The Importance of Being Earnest. Using female characters in order to further the male characters’
...ation of men and women to the reader; we accept the cliché’s and gender-roles as the collective standard.
However, as time has progressed literature has finally come to terms with the feminism theory within literature and its ideologies. In this specific story, we are able to identify the traits of feminism theory with ease; Hurston allowed the world to finally accept the new dominant roles of women, while also allowing the female character to simultaneously possess every innate feminine trait along with those usually associated with the male
What is Feminism? How does feminism affect the world we live in today? Was feminism always present in history, and if so why was it such a struggle for women to gain the respect they rightly deserve? Many authors are able to express their feelings and passions about this subject within their writing. When reading literary works, one can sense the different feminist stages depending on the timeframe that the writing takes place. Two such works are ‘The Yellow Wallpaper’ by, Charlotte Gilman and ‘Everyday Use’ by, Alice Walker; the feminist views within each story are very apparent by the era each author lives in. It is evident that a matter of fifty years can change the stance of an author’s writing; in one story the main character is a confident and strong willed young woman looking to voice her feminist views on the world, while the other story’s main character is a woman trying to hold on to her voice in a man’s world which is driving her insane.
Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of women simply because of their gender.
... Finally, rebelling against the patriarchy she lived in required extravagant bravery and confidence. “Nora: But I can’t go on being satisfied by what the majority says, or what’s written in books. I have to think over these things myself and try to understand them” (Pg. 111). The aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid Nora became determined to explore the vast views of the world from her own perspective instead of letting Torvald brainwash her with his own ideas.
In non-fiction novels, especially textbooks, the content of the textbooks lacks a female presence. All textbooks written in school focus on man’s history, partly because women had no real role for most of history. They lack focus on female figures, and generally focus on the acts done by males. Feminine rights don’t take precedence until the 19th century. In history textbooks men were mentioned seven times more. (Paynter, “Gender Stereotypes and Representation in Children's Picture Books” ).
The feminist perspective of looking at a work of literature includes examining how both sexes are portrayed
A contrasting difference in the characters, are shown not in the characters themselves, but the role that they play in their marriages. These women have different relationships with their husbands. Torvald and Nora have a relationship where there is no equality. To Torvald Nora is an object. Hence, she plays the submissive role in a society where the lady plays the passive role. Her most important obligation is to please Torvald, making her role similar to a slave. He too considers himself superior to her.
Throughout literature, authors employ a variety of strategies to highlight the central message being conveyed to the audience. Analyzing pieces of literature through the gender critics lens accentuates what the author believes to be masculine or feminine and that society and culture determines the gender responsibility of an individual. In the classic fairytale Little Red Riding Hood, the gender strategies appear through the typical fragile women of the mother and the grandmother, the heartless and clever male wolf, and the naïve and vulnerable girl as little red riding hood.
Nora engages in a mutually dependent game with Torvald in that she gains power in the relationship by being perceived as weak, yet paradoxically she has no real power or independence because she is a slave to the social construction of her gender. Her epiphany at the end at the play realises her and her marriage as a product of society, Nora comes to understand that she has been living with a constr...
Patriarchy's socialization of women into servicing creatures is the major accusation in Nora's painful account to Torvald of how first her father, and then he, used her for their amusement. . . how she had no right to think for herself, only the duty to accept their opinions. Excluded from meaning anything, Nora has never been subject, only object. (Templeton 142).