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Autobiography yourself
Autobiographical narrative essay
Autobiographical narrative essay
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Reliving Life Through Writing Literature can be based on a myriad of plots. From a realistic fiction story to science fiction and aliens attacking earth, there are a multitude of possibilities. Many times the topic of the literature is based on some part of the author’s life. The short story, “The Red Convertible,” by Louise Erdrich, is a piece realistic fiction that has elements that parallel Erdrich’s life. This story outlines the relationship of two brothers, Lyman and Henry. They have a strong relationship, but after Henry comes back from the Vietnam War things change. “The Red Convertible” is a prime example of how authors write to express their feelings and make sense of life events. Ultimately, Louise Erdrich has perfected the art of writing a fiction story in an autobiographical way by relating events in her life such as her heritage, the death of her eldest son, and the suicide of her husband to those written in “The Red Convertible.” There were tragedies and successes in Erdrich’s eventful life; these experiences gave her a multitude of ideas to write about. It has been proven that tragedies, such as death, cause people to write about their emotions (Lacy 4). This practice is often encouraged by physicians in order to help patients recover from losses. According to Texas Women’s University one of the best ways to heal emotionally after the death of a loved one is to “use writing, art, and music to let out your feelings and thoughts” (Lacy 4). Erdrich likely followed this advice and wrote “The Red Convertible” after the suicide of her husband. Louise Erdrich had a basic childhood that blossomed into a lively adulthood, which contained events that inspired the plot of “The Red Convertible.” As a child she grew up in ... ... middle of paper ... ... take on her life. Her characters are based on real people that have influenced her and the events are created from life experiences. The trauma of some of these occasions has likely caused her to write and create characters that undergo the same ordeals. Her heritage also plays a role in her writing, yet it is debatable whether her portrayal is accurate. Simply summed up, “Using an autobiographical technique…[Erdrich] gives depth to her characters’’ personalities through her poetic sensibility toward language, using a vernacular diction, funny analogies, and epithets the evoke laughter...” (Hunter 474). Overall, Louise Erdrich had many impacts on her life including the death of her eldest son, her Native American and German heritage, and the suicide of her husband that influenced her to write “The Red Convertible.” The events in the story are parallels to her life.
Often times, an inanimate object can be as important and sometimes more important than the characters of the story. In Louise Erdrich's "The Red Convertible," the car played an equally important role with that of the characters, but for different reasons.
In “The Red Convertible,” Louise Erdrich through her first- person narrator Lyman, creates an unspoken emotional bond between two brothers. This emotional bond between the brothers is not directly spoken to each other, but rather is communicated through and symbolized by “The Red Convertible.” In spite of what appears as a selfless act by one brother, in turn, causes pain in the other brother, as no feelings were communicated. In this case, Lyman explains his version as he takes us through the experiences that he and his brother Henry have with the car.
"Unit 2: Reading & Writing About Short Fiction." ENGL200: Composition and Literature. New York: McGraw-Hill, 2011. 49-219. Web. 19 Apr. 2014.
To what lengths would you go for a loved one? Would you destroy something in hopes that it would save them? That 's what Lyman Lamartine did in hopes to fix his PTSD afflicted brother. "The Red Convertible" was written by Louise Erdrich in 1974 and published in 2009 along with several other short stories. Lyman, and Henry, are brothers. The story starts by telling us about how the two brothers acquired a red convertible. Henry ends up being drafted into the Vietnam War, and comes back home suffering from PTSD. One day the pair decided to take a drive to the Red River because Henry wanted to see the high water. Ultimately, the story ends with a cliff-hanger, and we are left wondering what happens to the boys. The symbolic nature of the red convertible will play a key role in this literary analysis, along with underling themes of PTSD and war.
O'Brien's writing style is so vivid, the reader frequently finds himself accepting the events and details of this novel as absolute fact. To contrast truth and fiction, the author inserts reminders that the stories are not fact, but are mere representations of human emotion incommunicable as fact.
She was a writer who suffered from Lupus. Her father died of the same illness when she was thirteen. Her Catholic beliefs reflected in her work, as well as the implementation of violence and darkness ironically used in her short stories. The titles in the stories give the readers an idea that the stories are the opposite of what the titles really state. She uses metaphors and similes to describe the characters and the settings of the stories. Each story relates to the darkness of the characters: people with racial prejudice, ignorance, and evil. Each story ends in a tragedy. The use of irony allows her to transport a meaning to each story that is not easy for readers to understand.
Between the time period they took place in and the plots they tell, the film “Life Is Beautiful,” and the memoir “Night,” have a lot in common. The authors tell of similar events, yet they also manage to make their stories have numerous differences. Some of these differences vary around the way each of these stories are told. Others differences focus on the relationships between
Narratives are an important part of an essay as they create a sense of tone needed to describe a story or situation with ease. If the narrative is not correct, it can leave a false impact on the readers or viewers because it lacks the main tone of the story. Having a perfect narrative can not only enhance a story, but it can also prove evidence. In her essay, “An Army of One: Me”, Jean Twenge provides some of the best examples of how narratives enhance a story and she also emphasizes on how the tone of storytelling matters on the impact that the story would have on its readers or listeners. Apart from Twenge, Tim O’Brien also focuses on how the narrative of the story can help in understanding the truth and falsity of the story in his essay, “How to Tell a True War Story.” In addition to O’Brien, Ethan Watters also emphasizes on the narrative of cultural progress in his essay, “The Mega-Marketing of Depression in Japan”, when he talks about the anti-depressants to be sold in Japan. All three authors agree to the fact that narrative, the art of telling a story or explaining a situation, has a major impact on the story and on how it is taken by the audience.
returned from the war, he was not the same. His spirit had been taken away. He was
Griffin strikes all of these aspects in her essay. What is most compelling about the essay, however, is the way Griffin incorporated personal, family, and world history into a chilling story of narrative and autobiography, without ever losing the factual evidence the story provided. The chapter reads like an entire novel, which helps the audience to understand the concepts with a clear and complete view of her history, not needing to read any other part of the book. Two other authors, Richard Rodriguez, and Ralph Ellison, who write about their experiences in life can possibly be better understood as historical texts when viewed through the eyes of Griffin. Rodriguez explores his own educational history in his essay “The Achievement of Desire” and Ralph Ellison depicts his own journeys and personal growth in his essay, “An Extravagance of Laughter”. Both essays, which when seen through Susan Griffin’s perspective, can be reopened and examined from a different historical view, perhaps allowing them to be understood with a more lucid view of history and what it is really about.
In Native American culture, the red is the color of faith, and represents communication. The short story The Red Convertible by Louise Erdrich is more than an emotional story about the lives of two Chippewa brothers who grew up together on an Indian reservation in North Dakota. Erdrich uses metaphor, symbol, vivid imagery and a simple writing style to allow the reader to understand the text while also providing the opportunity to read a lot into the story.
It is said that when a man returns from war, he is forever changed. In the short story, “The Red Convertible,” Louise Erdrich demonstrates these transformations through the use of symbolism. Erdrich employs the convertible to characterize the emotional afflictions that war creates for the soldier and his family around him by discussing the pre-deployment relationship between two brothers Henry and Lyman, Lyman's perception of Henry upon Henry's return, and Henry’s assumed view on life at the end of the story. Throughout "The Red Convertible" Erdrich embraces the car as a symbol for the powerful relationship between two brothers, Henry and Lyman. The brothers combined their money to acquire a red convertible which they drove everywhere together; the car symbolized that relationship.
As Mother’s Day approaches, writer Penny Rudge salutes “Matriarchs [who] come in different guises but are instantly recognizable: forceful women, some well-intentioned, others less so, but all exerting an unstoppable authority over their clan” (Penny Rudge), thereby revealing the immense presence of women in the American family unit. A powerful example of a mother’s influence is illustrated in Native American society whereby women are called upon to confront daily problems associated with reservation life. The instinct for survival occurs almost at birth resulting in the development of women who transcend a culture predicated on gender bias. In Love Medicine, a twentieth century novel about two families who reside on the Indian reservation, Louise Erdrich tells the story of Marie Lazarre and Lulu Lamartine, two female characters quite different in nature, who are connected by their love and lust for Nector Kashpaw, head of the Chippewa tribe. Marie is a member of a family shunned by the residents of the reservation, and copes with the problems that arise as a result of a “childhood, / the antithesis of a Norman Rockwell-style Anglo-American idyll”(Susan Castillo), prompting her to search for stability and adopt a life of piety. Marie marries Nector Kashpaw, a one-time love interest of Lulu Lamartine, who relies on her sexual prowess to persevere, resulting in many liaisons with tribal council members that lead to the birth of her sons. Although each female character possibly hates and resents the other, Erdrich avoids the inevitable storyline by focusing on the different attributes of these characters, who unite and form a force that evidences the significance of survival, and the power of the feminine bond in Native Americ...
Admitting the vagueness which afflicts all criticism of novels, let us hazard the opinion that for us at this moment the form of fiction most in vogue more often misses than secures the thing we seek. Whether we call it life or spirit, truth or reality, this, the essential thing, has moved off, or on, and refuses to be contained any longer in such ill-fitting vestments as we provide.” (Modern 2431).
“Her work so embodies that the era’s giddy mix of cynicism and sentimentally that once her depression stilled the champagne corks and the clouds of war began over Europe (bbc.com) Most of her stories starred female characters dealing with social expectations. Some of her stories were lovetorn, suicidal, and alcoholics, but they were “undeniably strong characters” (bbc.com). Her “stories also deal with questions of family race, war, and economic