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1. What does the red convertible signify
The red convertible represents what is in the story
Effects of ptsd on military families
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It is said that when a man returns from war he is forever changed. In the short story, “The Red Convertible,” Louise Erdrich demonstrates these transformations through the use of symbolism. Erdrich employs the convertible to characterize the emotional afflictions that war creates for the soldier and his family around him by discussing the pre-deployment relationship between two brothers Henry and Lyman, Lyman's perception of Henry upon Henry's return, and Henry’s assumed view on life in the end of the story. Throughout "The Red Convertible" Erdrich embraces the car as a symbol for the powerful relationship between two brothers, Henry and Lyman. The brothers combine their money to acquire a red convertible which they drove everywhere together; the car symbolized that relationship. Lyman preserved the vehicle while Henry was in the Army, deployed to Vietnam. Even when Henry gave Lyman the car, Lyman always regarded the car as Henry’s, which Erdrich depicts with the following passage, “I always thought of it as his car while he was gone, even though when he left he said, ‘Now it’s yours,’ and threw me the key” (Erdrich 357). The brothers held their relationship with high regard, Henry trusted Lyman with the car enough to give Lyman his share of the vehicle while he was away. Conversely, Lyman surmised that the car would always belong to Henry; just like their relationship, the car was important and would always belong to both of them. During Henry’s deployment, Lyman preserved the state of the car, he kept it in immaculate condition while waiting for Henry's return. By spending so much time caring for the car, Lyman in a way was caring for his brother. Little did Lyman know that his brother was going to come back a changed man and t... ... middle of paper ... ...vironment where they can witness the changes in a soldier and horrible mental state for those soldiers with PTSD when they return from war. War affects a person’s relationships with people close to them and their relationships with themselves. Erdrich embodies those changes through the text in “The Red Convertible.” “‘My boots are filling,’ he says. He says this in a normal voice, like he just noticed and he doesn’t know what to think of it. Then he’s gone” (Erdrich 363) shows the reader the last moments between the brothers before Henry is gone forever. Henry is assumed to take his own life, concluding the short story and further enforcing the devastating effects that the war had on Henry. Works Cited Erdich, Louise. “The Red Convertible.” 1984. Literature: A Pocket Anthology. Editor Gwynn, R.S., ed. 5th edition. New York: Penguin, 2012, 354-363. Print.
Two brothers, Lyman and Henry, had very little in common other than their blood. One day they decided to catch a ride to Winnipeg. The car was introduced while these two were doing some sightseeing in the city. They spotted the red Oldsmobile convertible. Lyman, the storyteller, almost made the car a living thing when he said, "There it was, parked, large as life. Really as if it were alive." (461) The brothers used all of the money they had, less some change for gas to get home, to buy the car. The car's significance was the bond that it created between the brothers. The purchase of the vehicle brought these two together with a common interest: the car. Once the bond was formed, the brothers became inseparable, at least for a while. The boys spent the whole summer in the car. They explored new places; met new people and furthered the bond that the car had created. When they returned from their trip, Henry was sent to war. He left the car with Lyman. While Henry was gone, Lyman spent his time pampering and fixing the car. Lyman saw the car as an extension of Henry. Lyman used the car to maintain an emotional bond with his brother who was thousands of miles away.
Lyman's share, in fact, Henry tries to give the car to Lyman. Lyman refuses the offer and
Whereas, when Henry was drafted, not to face his feelings and fears he offered his half of the car to Lyman. Clearly, this was his way of using the car to communicate, as Henry said to Lyman, “Now it’s yours” (326). Also, this could also be considered as a means to try to ease Lyman’s pain. Nevertheless, Lyman fought for the relationship without speaking the words. Besides, what’s more Lyman could not deal with the fact that Henry may not return, and he also used the car to communicate by rejecting his offer saying, “Thanks for the extra key,”(326). By the same token, they were using the car, by giving it up, as a symbol of their love; however, neither wanted the car without the other brother. In any case, without the car to connect them, they are in a break-up
Even though Lyman and Henry’s relationship ends up ending, the red convertible will always be with Henry and will always be a memory for Lyman. While Lyman struggles with losing his brother to the war, the red convertible brought them back together, even though it was really the end. Henry was faced with war and when he was finished and came back home he changed because of his experiences. Both Lyman and Henry changed throughout the events that took place, but unfortunately for Lyman the red convertible was not able to bring back the relationship they had when they first bought it together.
Throughout "The Red Convertible" Erdrich embraces the car as a symbol for the powerful relationship between two brothers, Henry and Lyman. The brothers combine their money to acquire a red convertible which they drove everywhere together; the car symbolized that relationship. Lyman preserved the vehicle while Henry was in the Army, deployed to Vietnam. Even when Henry gave Lyman the car, Lyman always regarded the car as Henry’s, which Erdrich depicts with the following passage, “I always thought of it as his car while he was gone, even though when he left he said, ‘Now it’s yours,’ and threw me the key.” (Erdrich 357) The brothers held their relationship with high regard, Henry trusted Lyman with the car enough to give Lyman his share of the vehicle while he was away. Conversely, Lyman surmised that that the car would always belong to Henry; just like their relationship, the car was important and would always belong to both of them. During Henry’s deployment, Lyman preserved the state of the car, he kept it in immaculate condition while waiting for Henry's return. By spending so much time caring for the car, Lyman in a way was caring for his brother. Little did Lyman know that his brother was going to come back a changed...
A soldier’s journey, a trip back home from World War II and a collision with reality is described in the opening of Henry Green’s novel, “Back”. The opening deals with the soldier’s journey, his experience at the warfront, the death of his love, and finally a child who is his own son, the last thing he has of his love. Charley, the soldier is seen reminiscing the moments he had with Rose and his experiences at the battlefield while he walks through the graveyard towards the body of his love. The author conveys a lot more than just what the words say in the first few paragraphs, leaving the reader eager to turn the page as well as giving the reader the freedom to interpret what certain words and sentences mean.
To what lengths would you go for a loved one? Would you destroy something in hopes that it would save them? That 's what Lyman Lamartine did in hopes to fix his PTSD afflicted brother. "The Red Convertible" was written by Louise Erdrich in 1974 and published in 2009 along with several other short stories. Lyman, and Henry, are brothers. The story starts by telling us about how the two brothers acquired a red convertible. Henry ends up being drafted into the Vietnam War, and comes back home suffering from PTSD. One day the pair decided to take a drive to the Red River because Henry wanted to see the high water. Ultimately, the story ends with a cliff-hanger, and we are left wondering what happens to the boys. The symbolic nature of the red convertible will play a key role in this literary analysis, along with underling themes of PTSD and war.
PTSD, also known as Post-Traumatic Stress Disorder, can cause change and bring about pain and stress in many different forms to the families of the victims of PTSD. These changes can be immense and sometimes unbearable. PTSD relates to the characters relationship as a whole after Henry returns from the army and it caused Henry and Lyman’s relationship to crumble. The Red Convertible that was bought in the story is a symbol of their brotherhood. The color red has many different meanings within the story that relates to their relationship.
Erdich , Louise “The Red Convertible” 1984.Schalfel and Ridl 126 – 133. Schakel, Pete, and Jack Ridl. Eds. Approaching Literature Reading + Thinking + Writing. 3rd Ed. Boston: Bedford/ St Martin, 2011. Sprint.
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing the character’s psychological burdens.
Erich Maria Remarque's classic war novel, All Quiet on the Western Front, deals with the many ways in which World War I affected people's lives, both the lives of soldiers on the front lines and the lives of people on the homefront. One of the most profound effects the war had was the way it made the soldiers see human life. Constant killing and death became a part of a soldier's daily life, and soldiers fighting on all sides of the war became accustomed to it. The atrocities and frequent deaths that the soldiers dealt with desensitized them to the reality of the vast quantities of people dying daily. The title character of the novel, Paul Bäumer, and his friends experience the devaluation of human life firsthand, and from these experiences they become stronger and learn to live as if every day were their last.
After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might die” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taking place in the psyche of the narrator is directly repressed by the war.
Written in the first person by Lyman Larmartine, The Red Convertible follows a typical dramatic development. The story begins in with an introduction of the narrator's life. Almost simultaneously the reader is introduced to older brother Henry Junior and the shiny red Oldsmobile convertible they bought on the spur of the moment together. The rising action of the story begins when the two take off one summer on a road trip that ends them in Alaska. When they arrived home, it was conveniently just in time for Henry to be drafted for the army. Just months later in early 1970 Henry was fighting in the Vietnam War and Lyman was had the red convertible in his possession. More than three years later, Henry finally returned home three years later only to be a much different person than the one that had left. Henry was distant and lackadaisical for the most part, never really caring about anything. Lyman knew there had been only one thing in the past that really cheered him up, and would do whatever it would take to have Henry back to his old self. Lyman took a hammer to their prized possession one night and soon showed Henry the car. Henry then was angered by the way the car was treated and was soon spend all his days and nights consumed by repairing the car. The climax of the story begins when Henry finally finished refurbishing the car and posing in front of it with Lyman for one last picture followed by a trip to Red River like in the good old days. When they arrived at the river, Henry confessed that he had known what Lyman did to the Olds, and was thankful for it, then offered to give his portion of the car to him. Just when the reader believes the old Henry has come back to life, he dives into the river and is sucked down with the strong current.
While soldiers are often perceived as glorious heroes in romantic literature, this is not always true as the trauma of fighting in war has many detrimental side effects. In Erich Maria Remarque 's All Quiet On The Western Front, the story of a young German soldier is told as he adapts to the harsh life of a World War I soldier. Fighting along the Western Front, nineteen year old Paul Baumer and his comrades begin to experience some of the hardest things that war has to offer. Paul’s old self gradually begins to deteriorate as he is awakened to the harsh reality of World War 1, depriving him from his childhood, numbing all normal human emotions and distancing future, reducing the quality of his life.
The novel also highlights the passionate relationship between Henry and Catherine Barkley, a British nurse in Italy. Henry’s insight into the war and his intense love for Catherine emphasize that love and war are the predominant themes in the novel and these themes contribute to bringing out the implicit and explicit meaning of the novel. Being a part of the Italian army, Henry is closely involved with the war and has developed an aversion to the war. Henry’s association with the war has also made him realise that war is inglorious and the sacrifices made in war are meaningless. Specifically, Henry wants the war to end because he is disillusioned by the war and knows that war is not as glorious as it is made up to be.