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Shakespeare's character Ophelia
The Elizabethan role of women
The Elizabethan role of women
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Rebecca West argues in her criticism “The Court and the Castle” that Ophelia was “not a chaste young woman” and that her relations with Hamlet weren’t innocent. West defends her statements by mentioning Ophelia’s tolerance to Hamlet’s obscene conversations and remarks to her. She claims that Ophelia was cursed for a scandalous reputation by her father’s secretive, meddling actions throughout the play. While West makes some strong points, there are many disputable areas in her argument.
When West claims that Ophelia never felt passion or affection for Hamlet, this can be directly disproved by Ophelia’s obvious emotional pain when Hamlet claims to not love her in Act 3 scene 1, line 115. Ophelia then goes on to say, “And I, of ladies most deject and wretched”. Ophelia is clearly upset at Hamlet’s emotionless claims and sexually degrading remarks. If she never felt any passion or affection for him, she would not feel hurt due to what he’s saying about
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When Polonius advises Ophelia to stay away from Hamlet in Act scene 4, she does exactly that. She also obeys her father when he tells her to act in his scheme to spy on Hamlet in Act 3 scene 1 by doing exactly what she’s told. Her father’s behavior did not affect Ophelia’s behavior as much as it explains her tolerance to Hamlet’s behavior. In the time period Ophelia lived in, she was expected to be passive and obedient. Since she was not married, she lived under her father’s rules and essentially did not have the right to make any personal decisions regarding her own life and relationships. Hamlet is not the only man in Ophelia’s life to mention some insulting aspects of her sexuality. In Act 1, her brother Laertes gives Ophelia a speech about how she should fear getting intimate with Hamlet and takes an Elizabethan perspective on female sexuality, convincing her that a “deflowered” woman is undesirable and
Ophelia is a character in Hamlet that is chronically faithful to everyone else but herself. Ophelia is deeply in love with Hamlet, and she is certain that he loves her as well. This is clear from the assertions she makes in Hamlet’s defense: “My lord, he hath importuned me with love in honest fashion. And hath given countenance to his speech, my lord, with almost all the holy vows of heaven” (1795). Ophelia’s downfall emerges when she doubts her own feelings and beliefs about Hamlet, upon instruction and advice from her brother and father. Ophelia, a confident and intelligent woman, begins to rely on others to tell her what to think and how to act. “I do not know, my lord, what I should think” (1795). Upon Polonius request, and going against her own hearts desires, she starts to avoid Hamlet. “No, my good lord, but, as you did command, I did repel his letters and denied his access to me” (1806). By doing what her father advises and wishes Ophelia is no longer capable of making decisions for herself. The loss of Hamlet’s love and the death of her father leave her with confusion and doubts about her future. “Well, Go...
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
With her father’s word being law and with that what he says she must follow, if she refuses Polonius, she risks social exclusion and grave insult to the man who controls her future. Her real attitude is clear when she has a conversation about chastity, first with Laertes, her brother, then with Polonius, her father. After Laertes rather explicitly warns Ophelia to fear losing her virginity, she replies by telling him not to lecture her, “Whiles, a puff'd and reckless libertine, / Himself the primrose path of dalliance treads, / And recks not his own rede” (1.3.48-50). When polonius gives her the same lecture and tells her not to accept Hamlet’s propositions, she simply replies, “I shall obey, my lord”
Culturally, women have been expected to be soft spoken, gentle, delicate flowers. They should not question a man's opinion or go against their will. Ophelia, in William Shakespeare’s Hamlet, is an example of a young naive girl who faces the dangers that come from only following what others want, and not thinking for herself. The men in this play use her for their own benefit and she suffers the repercussions, which leads her to madness and “accidental” death.
Hamlet treats Ophelia like property and because he does not care for her. This is proven because he insults Ophelia, uses her to get his revenge on Claudius and uses her as a way to get attention. To begin with, Hamlet abuses Ophelia by accusing her of having impure motives. To him she “jig[s]… amble and …lisp” (3.1.145) to seduce other men. He also accuses her of being deceitful because she changes the “one face [that]…God hath given” to her by putting on cosmetics. Hamlet verbally abuses Ophelia because he believes that she is worthless. Hamlet is not concerned about the effect that these insult have on Ophelia’s psyche. In addition to verbally abusing Ophelia, Hamlet uses Ophelia as a pawn. Hamlet uses Ophelia as a way to get to Claudius by also physically abusing her. Ophelia description of Hamlet’s abuse exhibits Hamlet’s unruly behaviour towards her: “He took me by the wrist and held me hard; then goes he to the length of all his arm” (2.1.88-89). Hamlet physically abuses Ophelia because he knows that Ophelia will report it to her father who in turn will tell Claudius. By doing this, Claudius will think Hamlet is insane and will then lower his guard and will not suspect that Hamlet intents to kill him. Hamlet does not stop to consider what kind mental toll will take on Ophelia, all he cares about is to finishing what his father asked of him. It is apparent
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
The causes of Ophelia's decent into madness start long before she is raving and signing rude songs. It is a madness brought of mistreatment; a mistreatment that started with her father. Upon first hearing of Hamlet's affection for her Polonius is very dismissive of it. He even tells her not to waste her time with him as a result "I would not, in plain terms, from this time forth Have you so slander any moment leisure As to give words or talk with the Lord Hamlet." (Shakespeare & Bevington, 2009, pp. P1105 L133-135) This is given as an order, which Ophelia says she will obey. The earlier exchange is quite dismissive of the affection between Ophelia and Hamlet, despite her defending it in terms of Hamlet having shown that love both in words and gifts and the defense of him courting her in an honorable fashion. Polonius is again quick to dismiss his daughter's view of the world saying "Affection? Pooh! you speak like a green ...
“Pretty Ophelia,” as Claudius calls her, is the most innocent victim of Hamlet’s revenge in Shakespeare’s play Hamlet. Hamlet has fallen in love with Ophelia after the death of his father. Ophelia “sucked the honey of his music vows” and returned Hamlet’s affection. But when her father had challenged Hamlet’s true intentions, Ophelia could only say: “I do not know, my lord, what I should think.” Ophelia was used to relying on her father’s directions and she was also brought up to be obedient. This allowed her to only accept her father’s views that Hamlet’s attention towards her was only to take advantage of her and to obey her father’s orders not to permit Hamlet to see her again.
In William Shakespeare’s Hamlet, Prince of Denmark, the relationship between Hamlet and Ophelia is complex, leaving many to wonder if Hamlet did indeed love her. Throughout the play, as Hamlet sets out to avenge the murder of his father, his character’s love for Ophelia is questioned; sometimes casting doubt to Hamlet’s sincerity of love for Ophelia. However, the words and actions of both Hamlet and Ophelia are evidence and proof that his love for her is genuine.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
Hamlet is solely focusing on Ophelia sexual organs, “‘nothing’ is what lies between maids’ legs” (222). Ophelia seems not to be offended by this language in the least bit, and her actions cannot accurately portray how the women of that time perceived it. In some senses Hamlet may be a misogynist character and Shakespeare gives readers a reason for it in which it might be excused. It might seem as if his mother’s sexuality has poisoned his own, and he declares in his soliloquy, “Frailty, thy name is woman!” (1.2.146). He views her sexual independence as a weakness and is appalled by her choice to remarry so soon after her husband’s death.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
At least that is what Polonius, Ophelia’s father, believes. He reads the king and queen a love letter written by Hamlet for Ophelia. Polonius, oblivious to the story behind the Hamlet’s father's death, tells them the reason Hamlet has been acting strange is because of the recent break up between him and Ophelia (II.ii.130-149). The king and Polonius agree to spy on a conversation between Ophelia and Hamlet. Hamlet is overheard telling Ophelia he did not love her. With that being said, as the conversation goes on, Hamlet tells her to join a convent and never get married (III.i.135-140). I think that Hamlet is doing this to protect Ophelia from himself because he realizes that after he kills his uncle they would have no chance to remain together. In addition to this, he continues acting strange so others will be convinced he is crazy. When he finds out that Ophelia died ,he proclaims his love for her by saying, “I loved Ophelia. Forty thousand brothers could not with all their quantity of love make up my sum” (V.i.221-223). While, I was left guessing for most of the play if Hamlet’s love was true, I knew that he was distraught about his broken relationship with Ophelia and her ultimate death. Hamlet’s shattered heart made him act