The Reason Behind the Censorship of Salinger's Catcher In The Rye Many charges have been made against J.D Salinger's The Catcher in the Rye in attempts to censor the book. Most of these charges are used as a smoke-screen for the real reason this book is considered "dangerous". There have been several attempts to have Salinger's novel removed from High School libraries and reading lists. The most notable instances are: 1978 -- it was removed from an optional reading list at a High School in Issaquah, Wa. 1979 -- it was removed from a required reading list at a High School in Middleville, Mich. 1980 -- it was removed from the libraries in the Jackson-Milton School District in North Jackson, Ohio. 1982 -- it was removed from the school libraries in Anniston, Ala. 1983 -- it was challenged, but not removed, from the school library at Libby High School in Libby, Mon. 1985 -- it was banned from Freeport High School in DeFuniak Springs, Fla. In these cases, parents protesting against the book have called it "dangerous" because of vulgarity, occultism, violence and sexual content. A quick look at the book shows the emptiness of these charges. It does however give insight into why a certain type of parent would object to this book. Vulgarity. Holden Caufield, the protagonist, swears steadily throughout the book. His curses are of the tamest kind, though, "damn", "hell", "crap", "ass", and he curses so self-consciously and so consistently that the words lose most of their vulgarity. Most of the cursing in the book would not even be rated PG-13 if it were in a movie. The word "fuck" appears three or four times at the end of the book (201-204). Holden is as shocked by the word as the reader and he spends the ... ... middle of paper ... ...ubversion of power that is constantly expressed in this book that people want to suppress. Holden Caufield is the child trying desperately not to grow up into a "phony". He feels alone because the only people he sees in the world are phonies and children. Struggling for an adult role for himself he invents the "Catcher in the Rye", always saving children from the consequences of their mistakes. It is ironic that Caufield's ambition is probably shared with some of the people that have tried to censor this book. Holden gives people with this ambition a very wise piece of advice: If you had a million years to do it in, you couldn't rub out even half the "Fuck You" signs in the world. It's impossible (202). Works Cited Salinger, J.D. The Catcher In The Rye, (Little, Brown/ NY) 1951. Bulletin 43 over Censored Books. http://home.nvg.org/~aga/bulletin43.html
According to the product’s description in the third party website where it was found, It was launched in 1980 by Marilyn Miglin for romantic wear by women.
The celebrity who will be the subject of this paper will be Trent Reznor, the widely acclaimed musician and frontman for the band known as Nine Inch Nails. Though it is considered a band, Reznor is the only permanent member, the primary songwriter and performer, and it is widely considered that his “band” is primarily just him mostly alone working under the name Nine Inch Nails.
1984, some did not, but today in United States there is an issue of privacy similar to the
United States. “Commission on Civil Rights. School Desegregation in Little Rock, Arkansas June 1977.” Washington, D.C. June 1977.
Thile presented a professional but laid back presence which allowed his audience to relax enough to focus on his musical abilities. Thile also escaped catastrophe through witty comments that did not avoid the troubles but instead recognized them and helped move the show forward and away from the mistakes in order to continue to appreciate his performance instead of worrying about the unavoidable flaws. In choosing to perform as a solo artist, Thile presented himself thourgh his music, allowing it to remain spontaneous and accurate to his own abilities which spoke greatly to the talented performer he is. Thile’s concert was a recognizably unrepeatable event that displayed the abilities of an artist who’s live talents demonstrate his successful musical
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The banning of books has long since been a tradition for the censorship of the media, and no book has seen the red tape more than J. D. Salinger’s picaresque novel The Catcher in the Rye. Salinger’s Catcher examines Holden Caulfield, an emotionally conflicted teenager takes New York City after leaving his prestigious school to find his way back home. Upon the opening of the novel, Holden explores controversial slang, curses, and sensitive topics. The language of the novel, which includes but is not limited to, curse words, coarse language, and slang all are a major factor people often have for disputing Catcher. Holden often uses common curses from “hell” (234, 4, 74, 173), to the shortened “damn” (72) from “goddam” (234, 97, 185), as well
...he essence of a grief-stricken generation, exhibited an unyielding emphasis on the importance of piercing passion over musical intricacy, and introduced the world to a vast array of gifted musicians who did not deem music as a tool to achieve recognition or financial stability. In turn, the decades that followed the rise of alternative rock have been inundated with so-called musicians whose main goal has been to get their faces plastered on magazine covers and achieve maximum public exposure, rather than devoting themselves to their craft. Consequently, the world has been left with nothing but an endless parade of shocking behavior, skimpy outfits, and mediocre music. Unfortunately, if the current state of affairs is any hint of what the future holds for music audiences, the magic generated by the nineties alternative rock will not be matched in years to come.
Most rock records aren’t hard to understand. They draw on commonplaces of community and adolescence: easy listening, good dancing, simple emotions, and sharp images… But [Beggar’s Banquet’s] cleverness makes the difference.
George Helmholtz, as the head of the music department at Lincoln High School, is very determined with his regular students and the gifted musicians of the band. Each semester and year at school he dreams of “leading as fine a band as there was on the face of the earth. And each year it came true”. His certainty that it was true was because he believed there was no greater dream than his. His students were just as confident and in response, they played their hearts out for them. Even the students with “no talent played on guts alone” for Helmholtz.
Punk rock often attains to individuals who are against the order and corruption of society and especially the music industry. As ticket prices for arena shows skyrocketed, the popularity of small underground venues with low entry prices increased. These venues are very willing to let local punk rock bands play if they can draw in a large crowd. This intimate experience sparks the thrill of playing on stage. As more of these club venues open, more up and coming musicians get a taste of the spotlight drug. When the audience of a punk rock show pick up on the performer’s adrenaline rush, they also receive a taste of it.
In chapter one, Holden’s tone is caustic, incoherent, and bitter. Beginning the novel, Holden says, “If you really want to hear about it, the first thing you’ll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it to tell you the truth. [...] I'm not going to tell you my whole goddam autobiography or anything” (Salinger 3). Conveying Holden’s bitterness through word choice and syntax, the author delivers a message to his readers about what to expect the rest of the novel in terms of language and tone. His use of the words crap, lousy, and goddam all render to Holden’s pungent
Extended plays that cover the work of more than one album are generally put together as a cost-efficient way of getting multiple band’s music heard. This is a practice which over the years has seen some mixed results as often there is a clash of styles. Chapter 7 The Second Coming of Heavy pits two bands together from one umbrella genre, Stoner Rock, despite their backgrounds and influences being obviously quite different.
Nowadays, commercial is becoming a major part of mass media. It does not only try to inform people about the availability and attractiveness of industrial good productions but also contribute to build an awareness of resources and alternatives for customer in daily life. There are thousands of commercials, so to attract customer, advertisers use various kinds on their commercial to make people aware of the firm's products, services or brands. Though they use various kinds on the commercial, the main goal of advertising tries to convince customer to buy their products, or do what they want. An excellent commercial will create a deep impression on their customers, or who want to become their customers by using three classical appeals: pathos, ethos and logos.
It’ s almost been a decade since the start of their career, and the Arctic Monkeys have aged gracefully into their talentedly world-weary image with an established album ‘AM’. For a band whose lyrics in the early days were jam-packed with mischievous and sassy one-liners, we all wondered whether the Arctic Monkeys actually enjoyed being in a band, or if they were just socially awkward and not used to the fame with their hair covering their face and the really baggy brown hoodies that seemed about twice their size. At times, they also seemed very doubtful of their own fame, whilst their last two albums seemed to be not loved but taken very seriously.