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Adrienne Rich's Essay on Compulsory Heterosexuality and Lesbian Existence
Womens writing in the 17th century
Adrienne Rich's Essay on Compulsory Heterosexuality and Lesbian Existence
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The Realm of Sisterhood in Mary Leapor’s Poetry
For a woman writer to be read by her peers in eighteenth century England was somewhat unusual. For this woman to procure some kind of living from her writing was even more remarkable. But for such a woman to claim both these accomplishments, with writings attacking the very state of women no less, was extraordinary. Yet Mary Leapor was this woman. Not only did she herself defy society in remaining unmarried for the whole of her short life, but she also took up the call to fight for women everywhere. Her answer to the oppression of society was to find solace in the bonds of sisterhood. The radicalism of Leapor’s encouragement has long been a source of discrepancy for her critics, and there exists a wide array of interpretations. The question lies within the definition of the female relationships she so wholeheartedly promotes.
The varying interpretations include everything ranging from Leapor as promoting lesbianism, to simply promoting good female friendships. Adrienne Rich termed this range of womanly bonds the “lesbian continuum,” and explains it as the inclusive realm between “consciously desired genital sexual experience with another woman,” and “the sharing of a rich inner life, the bonding against male tyranny, the giving and receiving of practical and political support” (51). The question remains: where does Leapor belong on this continuum? Critic Donna Landry places Leapor in the realm of replacing heterosexual union with something closer to homosexual tendencies, while Richard Greene offers a far more platonic view of things. In applying Rich’s tenets of a range, it is possible to read Leapor as somewhere between Landry and Green, and as enco...
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Greene, Robert. Mary Leapor: A Study in Eighteenth-Century Women’s Poetry. New York: Oxford University Press Inc., 1993.
Harris, Jocelyn. “Sappho, Souls, and the Salic Law of Wit.” Anticipations of the Enlightenment in England, France, and Germany. Ed by Alan Charles Kors and Paul J. Korshin. Philadelphia: University of Pennsylvania Press, 1987.
Landry, Donna. “Mary leapor Laughs at the Fathers.” The Muses of Resistance: Laboring Class Women’s Poetry in Britain, 1739-1796. Cambridge: Cambridge University Press, 1990. 78-119.
Rich, Adrienne. “Compulsory Heterosexuality and Lesbian Existence.” Blood, Bread, and Poetry: Selected Prose 1979-1985.” New York: W.W. Norton & Company, 1986.
Wahl, Elizabeth Susan. Invisible relations: Representations of Female Intimacy in the Age of Englightenment. Stanford: Stanford University Press, 1999.
In the eighteenth century, the process of choosing a husband and marrying was not always beneficial to the woman. A myriad of factors prevented women from marrying a man that she herself loved. Additionally, the man that women in the eighteenth century did end up with certainly had the potential to be abusive. The attitudes of Charlotte Lennox and Anna Williams toward women’s desire for male companionship, as well as the politics of sexuality are very different. Although both Charlotte Lennox and Anna Williams express a desire for men in their poetry, Charlotte Lennox views the implications of this desire differently than Anna Williams. While Anna Williams views escaping the confines of marriage as a desirable thing, Charlotte Lennox’s greatest lament, as expressed by her poem “A Song,” is merely to have the freedom to love who she pleases. Although Charlotte Lennox has a more romantic view of men and love than Anna Williams, neither woman denies that need for companionship.
In LeBlanc’s words, “I am suggesting…that the presence of lesbian motifs and manifestations in the text offers a little-explored position from which to examine the strategies and tactics by which Edna attempts to establish a subjective identity.” (237) LeBlanc’s support for this analysis comes from a variety of sources including Adrienne Rich’s article “Compulsory Heterosexuality and Lesbian Experience, Teresa de Lauretis’s, Monique Wittig’s and Eve Kosofsky Sedgwick’s wor...
Woolstoncraft, Mary. A Vindication of The Rights of Woman. The Norton Anthology of World Literature. 3rd Ed. Volume D. Ed. Martin Puchner. New York: Norton, 2013. 134-136. Print.
Bartholomae, D., & Petrosky, A. (2011). Ways of reading: an anthology for writers (9th ed.). Boston: Bedford/St. Martin's. “Judith Butler; Beside Oneself: On the Limits of Sexual Autonomy.”
In “‘A Language Which Nobody Understood’: Emancipatory Strategies in The Awakening,” Patricia Yaeger questions the feminist assumption that Edna Pontellier’s adulterous behavior represent a radical challenge to patriarchal values. Using a deconstructionist method, Yaeger argues that in the novel adultery functions not as a disrupting agent of, but, rather, as a counterweight to the institution of marriage, reinforcing the very idea it purports to subvert by framing female desire within “an elaborate code [of moral conduct] that has already been negotiated by her society.” A reading of The Awakening that can envision only two possible outcomes for its heroine – acquiescence to her role as good wife/mother or “liberation” from the marriage sphere through extramarital passion – suffers from the same suffocating lack of imagination that characterizes the most conventional romance tale. Thus, Yaeger contends, Edna Pontellier’s extramarital dalliances with Alcée Alobin and Robert Lebrun are hardly “emancipatory” or “subversive” as critics such as Tony Tanner would see them.
Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.
Thieves of Language: Women Poets and Revisionist Mythmaking 8.1 (1982): 68-90. JSTOR. Web. 14 May 2014. .
Anna Letitia Barbauld was the preeminent leader of female poets and the distinguished children’s writer in the British Romantic Period. Many contemporaries dispraised Barbauld simply because of her religion. She was born and raised in a nonconformist family, and she gradually became a dissenter. As Ralph Waldo Emerson sighed with emotion, “for nonconformity the world whips you with its displeasures. (1841:179)” Barbauld’s whole life was haunted by criticism and disapproval, her poems that expressed her political stand and religious beliefs were regarded as discard the classics and rebel against orthodoxy, or even worse, as heterodoxy. Her “Epistle to William Wilberforce” attacked British involvement in the slave trade, and her last major work “Eighteen Hundred and Eleven” despairs over the war with France and the corruption of English consumer society. Barbauld’s negative comments on the country’s future stepped on a sensitive nerve and enraged the intellects who on the other hand supported the war and hold great expectation on British future. The Tory critic John Wilson Croker warned Barbauld “to desist from satire” by saying that: it was not up to a “lady-author” to sally forth from her knitting and say how “the empire might be saved.”(1812:49) The overwhelming lambasting forced Barbauld to escape from public spotlight, but it didn’t stop her from writing. Her bumpy life proved the truth quite impressive that women should not be underestimated as the domestic machine engaged in knitting and babysitting. Instead, they are emotional creatures whose imagination could run as wild as men’s.
v[5] Fifes, Eva, Sex and Subterfuge: Women Writers to 1850. (New York, Persea, 1982), 11.
...aker to have optimism in the face of tragedy. In terms of language use, Pope uses language in a dark manner, as if to discourage harmony, yet the effort is to portray light in darkness – there is balance in chaos. Leapor is delightful with her language, which she uses to convey an excitement and wonder. The use of symbolism by both writers differ in that Pope is aiming for a social goal, the push for moral development of the British society. Conversely, Leapor is pushing an individual goal, the substituting of reality for the sake of finding beauty in negative places. Overall, the two share similarities – surmising that Leapor sought to imitate Pope. However, fundamental differences set the two poems apart to the point of being very opposite in terms of meaning, in a poem of local description: Pope used darkness to tell of light; Leapor used light to cover darkness.
Halperin, David. "Is There a History of Sexuality?." The Lesbian and Gay Studies Reader. Ed. Henry
W. H. Auden published “This lunar beauty” in 1930; he published “Now through night’s caressing grip” in 1935, and he published “Lay your sleeping head, my love” in 1937 (Auden 16; 41; 51). “[I]t has been argued that the first part of the twentieth century’s culture is dominated by attempts to keep homosexuality hidden, … [and a] number of homosexual writers in the period maintain public silence about their sex lives, and dramatize homosexual themes indirectly, if at all” (Caserio). While it’s unclear whether Auden’s abovementioned 1930s poems dramatize homosexual themes, they do share obscure settings and references to wandering, clandestine lovers who seek healing, safety, and freedom. The lovers find what they seek both in the obscurity of the night and in the obscure diction of the poems’ speakers who don’t even identify them by gender. The speakers act as the mediators of the experience of clandestine love and they invite readers to travel to places where illicit love occurs, empathize with clandestine lovers, and see the beauty in their love. Because genders are carefully obscured, the poems serve as pieces of coded propaganda that advocate for the freedom of clandestine, and possibly homosexual, lovers.
Many people ask the question of what is organic food? This paper is going to go into many things that people might have questions about when it comes to organic food. What is organic food? Is there a difference between Organic and conventional food? Is growing organic easier on farms soil compared to conventional farming? What does it take to be organic food, who watches and regulates what is considered to be organic? Why does organic food cost so much more than conventional? Is it really worth the higher cost? Organic food, is it more beneficial than that of conventionally grown food. Why? What is the difference between CERTIFIED organic and organic foods that are not certified? We will go into all of these questions and more throughout this paper trying to find the answers
Throughout literature’s history, female authors have been hardly recognized for their groundbreaking and eye-opening accounts of what it means to be a woman of society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women character in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a
With the exceeding number of non-communicable diseases, people more inclined to use natural ways to keep better healthier life. Moreover, people gave more attention to their environment. However, People rapidly avoid their favour on non-organic, conventional, instant foods and start their willingness on organic foods. According to the Economic Research Service, retail sales of organic foods more than doubled from 1994 to 2014 with a steady uptick of about 10% annual growth in retail sales over the past several years (Funk and Kennedy, 2018). This essay will outline the arguments for organic foods including, organic foods are healthier and environmentally friendly. Following this, the arguments against for organic foods are difficult to maintain and some effects on the health.