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Choose the bed or any other symbol in Charlotte Perkins Gilman’s “The Yellow Wallpaper,” and explain how it is developed throughout the short story
Critics of the yellow wallpaper
Choose the bed or any other symbol in Charlotte Perkins Gilman’s “The Yellow Wallpaper,” and explain how it is developed throughout the short story
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The Psychological Portrait in The Yellow Wallpaper
Charlotte Perkins Gilman was famous in her time as a women's activist. Later, she began writing fiction. As noted in her Norton Anthology biography, Charlotte's stories often reveal her worldview. The Yellow Wallpaper is a short story written to combat the modus operandi for curing depression in her day. This cure consisted of being completely sequestered from any intellectual or artistic engagements. Her addendum to the story also makes clear she experienced this same treatment. Gilman's catalyst was to write a story that would serve as a social corrective. What we are left with today is a masterpiece of psychological suspense.
The story begins with our main character, a writer whose name is never given, imagining the house in which she is to spend her recuperation. In choosing to never name the narrator and main character, Gilman emphasizes the erasure of the individual that takes place within the story. She pictures the house in romantic terms, a colonial mansion or perhaps a haunted house. This romantic identification indicates an emotional person who puts a priority on the natural. Contrarily, her husband is portrayed in no uncertain terms. John is practical, has no patience with faith, and hates superstition. He is skeptical, and scoffs at anything that cannot be "...felt and seen and put down in figures"(658). Clearly, the preliminary material on these two characters sets them in sharp contrast with one another.
The narrator then privately blames her husband, who is also her physician, for her lingering illness. She suggests perhaps it is because he is a physician that she is still ill. She believes this lack of recov...
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... X. J. Kennedy and Dana Gioia. 6th ed. New York: Harper Collins, 1995. 424-36.
Hume, Beverly A. "Gilman's Interminable Grotesque': The Narrator of 'The Yellow Wallpaper.'" Studies in Short Fiction 28.4 (1991):477-84.
Johnson, Greg. "Gilman's Gothic Allegory: Rage and Redemption in 'The Yellow Wallpaper.'" Studies in Short Fiction 26.4 (1989):521-30.
King, Jeannette and Pam Morris. "On Not Reading between the Lines: Models of Reading in 'The Yellow Wallpaper.'" Studies in Short Fiction 26.1 (1989): 23-32.
Owens, E. Suzanne. "The Ghostly Double behind the Wallpaper in Charlotte Perkins Gilman's 'The Yellow Wallpaper.'" Haunting the House of Fiction. Ed. Lynette Carpenter and Wendy K. Kolmar. Knoxville: U of Tennessee P, 1991 64-79.
Scharnhorst, Gary. "'The Yellow Wallpaper.'" Charlotte Perkins Gilman. Boston: Twayne, 1985. 15-20.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." 1892. The New England Magazine. Reprinted in "Lives & Moments - An Introduction to Short Fiction" by Hans Ostrom. Hold,
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
Wohlpart, Jim. American Literature Research and Analysis Web Site. “Charlotte Perkins Gilman, “The Yellow Wallpaper.”” 1997. Florida Gulf Coast University
Shumaker, Conrad. "'Too Terribly Good to Be Printed': Charlotte Gilman's The Yellow Wallpaper'" American Literature. 57 (1985): 194-198.
Charlotte Perkins Gilman was a 19th century, journalist from Connecticut. She was also a feminist. Gilman was not conservative when it came to expressing her views publically. Many of her published works openly expressed her thoughts on woman’s rights. She also broke through social norms when she chose to write her short story, “The Yellow Wallpaper” in 1892, which described her battle with mental illness. These literary breakthroughs, made by Charlotte Perkins Gilman, help us see that the 19th century was a time of change for women.
After learning of Gilman’s life, and by reading her commentary and other works, one can readily see that The Yellow Wallpaper has a definite agenda in it's quasi-autobiographical style. As revealed in Elaine Hedges’ forward from the Heath Anthology of American Literature, Gilman had a distressed life, because of the choices she had made which disrupted common conventions—from her ‘abandonment’ of her child to her amicable divorce (Lauter 799). Her childhood is described notably by Ann Lane as an introduction to the 1979 publication of ‘Herland’, one of Gilman’s most notable novels.
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
Gilman, Charlotte P. "The Yellow Wallpaper." The story and its writer: An introduction to short fiction. Ed. Ann Charters. Compact 8th ed. Boston: Bedford/St. Martins, 2011. 340-351.
Johnson, Greg. "Gilman's Gothic Allegory: Rage and Redemption in 'The Yellow Wallpaper.'" Studies in Short Fiction 26:4 (Fall 1989): 521-30.
Gilman, Charlotte. “The Yellow Wallpaper.” Literature a World of Writing: Stories, Poems, Plays, and Essays. Ed. David Pike, and Ana Acosta. New York: Longman, 2011. 543-51. Print.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” The Yellow Wallpaper and Other Stories. Mineola: Dover, 1997. Print.
Hume, Beverly A. "Gilman’s ‘Interminable Grotesque’: The Narrator of ‘The Yellow Wallpaper," Studies in Short Fiction 28 (Fall 1991): 477-484.
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