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What is the importance of character development in literature
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The statement “The only journey is the one within” accurately depicts the demise of a character’s psychological development. The play Othello by Shakespeare (1603) and the short story Death by Landscape by Margret Atwood (1990) both display their character’s inner journeys through a single experience to develop their characteristics and their psychological development. Paranoia and obsessiveness are the catalyst of their demise and inner journey. Throughout the play, Othello’s characteristics and mind-set alter causing him to question his morals, thus beginning his inner journey. During the play, Iago continuously pesters Othello about his morals on marriage and women, this causes Othello to become manipulated by Iago’s ethics and causes …show more content…
In the short story Death by Landscape, Lucy’s parents’ divorce leads to her inner journey and causes her mental health and life to collapse. During the three years at camp Lucy’s attitudes change as she becomes depressed with her life “she wants to run away from home” and begins to value Lois’s life more than her own “you’re so lucky,” Lucy tells her a little smugly.” During their time at camp Lucy becomes consumed with the idea that her life is falling apart compared to Lois’s life. This causes Lucy to think rationally, leading to her demise and caused her to jump off the cliff. Thus, Lucy’s parents’ divorce causes her mental demise and her inner journey. Throughout Iago’s second soliloquy he expresses his paranoia through his inner journey and the assumptions he makes without knowledge. Iago’s revenge plot is based on irrational thoughts “for I fear Cassio with my night-cape too”. Iago’s obsessiveness over an alleged plot to get revenge on Othello escalates into believing that Cassio is also guilty of these phantom actions. Iago’s obsessiveness over getting revenge causes his own inner journey, through his mental wellbeing and demise. Iago also enforces his belief about not taking ownership over the deaths of others “Demand me nothing. What you know, you know. From this time forth I never will speak word.” This emphasises Iago’s demise through his …show more content…
In Othello both Iago and Othello use dialogue and emotive language to show their negative journey. These techniques were used to develop Othello and Iago’s characteristics, these characteristics included paranoia and obsessiveness. In Death by Landscape Lucy and Lois’s characteristics develop throughout the short story depicting their psychological growth. Although Lois’s inner journey concluded with a positive development, Lucy’s inner journey caused her demise due to her irrational thoughts. Hence Both Shakespeare and Atwood work accurately depicts their character’s demise through a singular psychological development to progress their character’s
Like every Shakespearean tragedy there is often an untimely doom that ends the life of the "hero" or main character of the play. The main character’s doom only becomes the outcome when they are unable to better the wrongs they or others had committed. However, in this Shakespearean tragedy the person who drives the participants of this play to their doom, isn’t the main character Othello, but Iago, the motiveless character whose jealousy and rage drives him to commit crimes towards the people who believed him and considered him a trusting friend.
Iago was the cause of his own demise by manipulating everyone around him and not caring who he hurt in the climb to the top of power. He only made decisions based on if it benefited him, not thinking, or caring, if it caused other’s pain. The fact Iago ended up in jail only reinforces the idea that the punishment fits the crime. Instead of getting to end his suffering and be reunited with his wife in death, Iago had to live his life in jail, thinking about what he did and never getting to feel freedom again.
Iago’s Subconscious Motive Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renowned for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly associated with a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives.
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
His soon-to-be-lieutenant, Iago, whispers in his ear about his wife, Desdemona, and the unforgivable crime of adultery, throwing Othello’s orderly world to the winds of fate. Still, if the starting point and destination of Othello’s initial journey were to be compared to Othello’s psychological journey throughout the play (and, more importantly, the development of his relationship with the villain, Iago), they are found to be startlingly similar. Whether Shakespeare intended the parallel or not, and there isn’t really any sure way to tell, the coincidence is great. Venice, where the story starts, is a place of order, rich and wonderful. Likewise, Othello’s relationship with Iago is shown by the third scene of Act One to be, on the surface, based on honesty, respect, and admiration.
In the play “The Tragedy of Othello” by Willian Shakespeare, Othello Changes from an intelligent and confident person to a senseless and insecure person. This change in his personality occurs mainly because: Iago plans to ruin his relationship with Desdemona, he was an Outsider, he had bad judgement when it came to trusting people and failed to see reality, his negative thinking about himself and his relationship with Desdemona.
In the play Othello by William Shakespeare, we see a black man marrying a wealthy young white woman named Desdemona. The black man named Othello serves the Italian government, as a general, this man is a very a loyal and trusting person. Othello is easily persuaded as stated by Iago, his ancient, who wrights this passage about him ““The Moor is of a free and open nature, That thinks men honest that but seem to be so, And will as tenderly be led by the nose As asses are. (Act 1, 3,405.)“ This shows us the kind of man Othello is a trusting man, and thinks that everyone is telling the truth. This opens Othello, to believe on the lies that Iago, is telling him. However, Othello is not a stupid man, he is a general after all, and must be shown proof when people put up arguments especially against his own wife, cheating on him. Now the question is why did Othello not look for his own proof of the acquisition laid up against his wife cheating. He surly is not stupid, considering that he has such a high position. In this essay, I will explain why, Othello does not look for more proof, of his wife’s affairs and merely believes Iago.
In the play Othello, there are many jealous and selfish characters. Each of the characters at one point or another let their jealousy take over. It seems like they all have these plots and plans on how to hurt another character in the play either physically or emotionally, as an act of selfishness, so that they can feel better about themselves. One main character who seems extremely jealous in this play is Iago. Infact, probably the most jealous. Many bad things happen because of Iago. The first bad thing that Iago did, was tell Barbantio (Desdamona's father) that Desdemona has married Othello, the Moore. Iago was mad at Othello, because Cassio had made Othello a higher position and not Iago. Iago thought that he was the one who qualified for the position as general, not Othello. Iago was jealous because of this, so he decided to tell Barbantio about Desdemona and Othello. This was bad, because Barbantio did not know yet, and something like that should have been said by his own daughter, not someone who was not part of the family. The way Iago went about telling him was also bad. He called to his house in the middle of the night. He yelled it to Barbantio from downstairs into his window in a rude manner. " quote from Othello here." He wanted Barbantio to be upset about what had happened, and most of all, he wanted Barbantio to be mad at Othello and do something bad to him.
Leslie: In this play, Othello has passed Iago for promotion, and endangered his job. For a man like Iago, this could be considered a horrific violation of the male agenda. Jealously, this results from his inability to tolerate these gender violations. His terrific manipulation and deceiving skills are the causes of the major tragic downfall of the play.
Dual Nature of Characters in Othello Many of the characters in Shakespeare's tragedy, Othello, are duplicitous to the extent that how. they are perceived in public is not how they behave in private. The perception of the public plays.
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
Emotions have some control over our actions. However, there are other factors that influence what we do. In the play Othello though, emotions have way more power over the characters' actions. For example, the actions committed by characters consumed by love are greatly amplified. Another example of this is that the characters in the play that are consumed by jealousy go to far greater lengths than one normally would to quench their thirst for vengeance. The last instance that proves this is that the actions of characters overcome by despair are based solely on their hopelessness. These three points all help to show that in the play Othello, Shakespeare exaggerates how much our actions are affected by the major emotions of love, jealousy, and despair.
William Shakespeare masterfully crafted Othello, the Moor of Venice as an Aristotelian tragedy play. The main protagonist of the play, Othello, is the perfect example of a tragic hero. Shakespeare was influenced by Aristotle’s concept of a tragic hero and used Aristotle’s principles to create Othello. William Shakespeare attempted to create an Aristotelian tragedy play with a tragic hero and succeeded in Othello, the Moor of Venice by weaving in pity and fear into each line and action. The power of pity and fear creates the upmost tragic situation and follows in accordance of Aristotle’s definition of tragedy. Othello makes the ultimate act as a tragic hero by killing himself at the end of the play. “Othello, more than any play in the canon, has a fascinating and contentious performance and reception history,”
In the play “Othello” by William Shakespeare love, jealousy, and conspiracy defined the tone of the play. Desdemona’s beauty makes two men fall desperate in love with her, but their differences make Othello the tragic hero of the play and Iago the despicable villain. Othello is a "tragic hero" because of his self-centered nature and his gullibility. Othello also has a noble stature and a high position in his culture. Othello is great and an honest solder but not perfect He also allows himself to be manipulated by other people for instance, Iago instead of trusting his own heart Othello easily believe other people or his friends. Othello is a tragic hero because he is noble, he suffers from a fatal tragic events and he goes through a tragic downfall. Iago is an envious and resentful men whose ambition is to have everything that belongs to Othello. Iago’s ambition is to obtain Othello’s position, love, and fortune. Although, Othello kills his wife Desdemona, Iago is responsible for her death, and the downfall of Othello and himself.
Tragic heroes tend to have very pre-determined paths; usually making the most virtuous of characters destined to suffer. The hamartia or ‘tragic flaw’ is the typical reason the hero falls. Shakespeare was noted to be one of the best writers of tragedies, one of his most prominent to be Othello. In Othello, we find a number of tragic flaws two including pride and ambition. In William Shakespeare’s play, Othello, pride and ambition are used to identify the outcomes for the main characters in the play when seeing the resolution of the play, perceiving those who survive and those who don’t, and considering each character’s role in the turn of events.