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Gender representation in film essay
Gender representation in cinema
The importance of travel motivations
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From an early age, women are ingrained with the idea that traveling presents a danger to them; they risk their safety, their morality, and their purity. The traditional fairy tale “Little Red Riding Hood” imparts a wise piece of advice to young women who wish to travel alone: “As long as I live, I will never leave the path and run off into the woods by myself if mother tells me not to” (Grimm). The general consensus among the population is that female travel is very different from male travel. There is a strongly held belief that women who travel without a man are more susceptible to attacks, while solo men travelers are at far less risk. Furthermore, women have more romantic motives for traveling, while men do it for the sake of adventure. In many films ranging from classic action films with heroes such as Indiana Jones and James bond to recent biographical films like The Motorcycle Diaries, men are allowed to travel the continent with relatively little romantic attachments or safety risks that they are unable to overcome themselves. In a contemporary female counterpart, Eat, Pray, Love, the main character’s entire journey is concerned with romance and male presence from start to finish. These stereotypes have so deeply permeated society’s perceptions of travel that, even though they have little basis in fact, modern cinema continues to perpetuate them even in films supposedly advocating women’s independence.
With male-based cinema, there is an inherent air of adventure. What would the adventure genre be without Indiana Jones traversing the continents in search of treasure and battling enemies or James Bond traveling the world as a British Intelligence agent, only briefly stopping to utter a witty one-liner as the situat...
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...nal tourism." Annals of Tourism Research 30.3 (2003): 606-624. ScienceDirect.com. Web. 10 Apr. 2012. .
Jonsson, Cristina, and Dwayne Devonish. "Does Nationality, Gender, and Age Affect Travel Motivation? A Case of Visitors to the Caribbean Island of Barbados." Jounal of Travel and Tourism Marketing 25.3-4 (2008): 398-408. OneCaribbean.org. Web. 4 Apr. 2012. .
Motorcycle Diaries. Walter Salles. 2004.
"Raiders of the Lost Ark (1981)." International Movie Database. N.p., n.d. Web. 18 Apr. 2012. .
Siegel, Kristi. "Women's Travel and the Rhetoric of Peril: It Is Suicide to Be Abroad." Gender, Genre, and Identity in Women's Travel Writing. New York: Peter Lang, 2004. 55-72. Print.
The Trouble with Men: Masculinities in European and Hollywood Cinema - Phil Powrie, Ann Davies and Bruce Babington.
In Laura Mulvey’s “Visual Pleasure and Narrative Cinema”, she presents a number of very interesting facts regarding the ways that the sexual imagery of men and women respectively are used in the world of film. One such fact is that of the man as the looker and the female as the looked upon, she argues that the woman is always the object of reifying gaze, not the bearer if it. And “[t]he determining male gaze projects its fantasy onto the female figure, which is styled accordingly. In their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to be connote to-be-looked-at-ness” (487). Mulvey makes the claim that women are presented and primped into this role of “to-be-looked-at-ness”. They are put into films for this purpose and for very little other purposes. However, this argument cannot be incorporated with The Treasure of the Sierra Madre; the existence of women in the film is extremely insignificant to an extent that could be considered absent. “In a world ordered by sexual imbalance,” male serves as the dominant figures with which the viewer can identify, women only appear in the film for a very short moment of time. For instance, the appearance of women is only shown when Howard rescues the ill child in the village and his return to the village for hospitality reception...
movies are about men’s lives, and the few movies about women’s lives, at their core, still
Beryl Markham’s West with the Night is a collection of anecdotes surrounding her early life growing up as a white girl in British imperialist Africa, leading up to and through her flight across the Atlantic Ocean from East to West, which made her the first woman to do so successfully. Throughout this memoir, Markham exhibits an ache for discovery, travel, and challenge. She never stays in one place for very long and cannot bear the boredom of a stagnant lifestyle. One of the most iconic statements that Beryl Markham makes in West with the Night is: I have learned that if you must leave a place that you have lived in and loved and where all your yesteryears are buried deep, leave it any way except a slow way, leave it the fastest way you can. Never turn back and never believe that an hour you remember is a better hour because it is dead.
Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the films Pulp Fiction, Taxi Driver, Watership Down, and Trainspotting are all versions of The Hero’s Journey, consequently demonstrating just how prevalent these archetypes have become in modern cinema. And that mythology and storytelling are important parts of each culture because they prevent the darkness in our hearts from spreading.
With today’s blockbusters being as diverse as our global economy, a growing genre of movies is springing out of the darkness and into mainstream culture. The ever-popular chick flick is becoming a phenomenon for more than just “chicks.” With a predictable template and fantasy story lines one can explain in a matter of a few words, as well as a heroine who finds inner peace and becomes one with the world around her, it is no wonder how chick flicks have transcended audience boundaries. In movies such as “The Devil Wears Prada,” and “Something’s Gotta Give,” we can find the latest archetypes for the chick flick with an added contemporary bonus, greater gender roles and stereotypes. The chick flick is here to stay, and so are the heterosexual and relationship stereotypes engraved in it. But where did this madness begin? The movie “Pretty Woman” gave birth to the chick flick we know today. Although some may argue that contemporary chick flicks promote neofeminism, if one examines the film closely, logical flaws are clear. In its attempt to recreate the classic fairy tale into a contemporary chick flick, the movie “Pretty Woman” promotes female objectification and the financial rat race of consumerism.
In the New York Times Bestseller Tales of a Female Nomad, Rita Golden Gelman describes her international travels with the exuberance of a child. In this deeply engaging travelogue Gelman crosses generations, cultures and continents to take readers on a journey they will never forget.
Mastery of the material an author writes about is not merely enough to get one’s point across, yet Butor uses his mastery of how to travel wherever you are in life and, in addition, uses language that presents the picture in such a manner that one does not have to delve deep into the meaning behind the words to retain the full idea portrayed in them. The higher arching purpose to his work, though, turns out to be the overall connection of ties between the book and travel ultimately depends on the book’s “literariness” to determine what journey one might have while reading (83). All in all, the tone of voice and writing style that Butor uses in this piece are second to none in their ability to influence a reader of following his procedure of travel transformation, and a rhetorical analysis essay on his work only reassured the authenticity of the section about how Butor chose to entertain the reader as the main purpose behind his essay. His attitude toward the audience was strong enough to elicit advice that originated straight from the heart, and in doing that, he empowered readers with the ability to look at books and reading differently for the rest of their
However, as well written, successful, classic, and creative as Isabella Bird’s stories are, there are flaws in which she fails to acknowledge in her published works. She falls into the same trap that other travel writers fall into, her errors are just as common. She fabricates her experience to make it seem better than it was. She is also disadvantaged as a woman travel writer making it harder for people to take her work as seriously as a male travel writer’s. However, she is just as much at fault for errors in travel writing just as a male author. As accomplished as she was, she had her own flaws that affected her work as well as her credibility.
The Reasons Behind the Popularity of Action Films In this essay I am going to explore the conventions of action films and their popularity. People love action films, and when they go to see one there are conventions you would expect to see in the film All plots of action films are based on the same outline, Hero and villain meet, there's a disruption of order, and mission, then everything is sorted out when the villain dies and everything returns to normal. There are Stock characters that you expect to see in this genre of film, the hero, the villain and two attractive ladies. The main action is around a male hero, however, modern films have featured female heroines for example Angelina Jolie in 'Tomb Raider'. If the hero is male he is always good looking, intelligent, brave, chauvinistic, and manages to escape from life threatening situations, however the hero will always have a weakness, and if the hero is male the weakness is normally women.
Veal A.J. (2004) Leisure and Tourism Policy and Planning (2nd Ed.). CABI Publishing. Pp. 238-239
...role of Femininity and Masculinity come to mesh together when some films and media are analyzed with these concepts in ones forethought. While media has always been a great instrument to disseminate concepts and new technology traditional roles and concepts of society govern how and what the writer and film producer are capable of communicating to the public at any one point. A film like “The Way We Were”, intermingle the Marxist concepts of an ideological society and oscillates between femininity and masculinity of the protagonist while concentrating on the group orientation and goals. One day science, media, and history may come together to explain the formal interrogative of our roles in society, family, government and media. For me I am satisfied believing some members within the media community produce films and books for the simple intent of entertainment.
While at first glance Pico Iyer’s joy of traveling and Alfred Hitchcock’s classic thriller romance film might not have much in common, they actually do share several similar ideas about travel and how it changes one as a person. Pico Iyer expounds on his various experiences with traveling across the world and its transformative power on your worldview in “Why We Travel”. Alfred Hitchcock tells the tale of an established business, rich with opinions, status, and money, who gets thrown into an adventure because of a mistake identity in North by Northwest. Pico Tyler best describes the main theme of this movie through his quote:
... P., Heitmann, S.,Dieke, P. Research Themes for Tourism. Wolverhampton, UK: University of Wolverhampton. 146-159.
... executed in order to set off into the world alone. The influence that independent travel has on an individual is a splendor upon riches because it does so much for a person, and provides humans with a sense of the world. How a person can makes new friends and learn about new cultures and accept other people’s way of living. With its educational purposes traveling alone can bring, offers an endless amount of living data that tops any history book or internet page. Traveling is concrete history that is continuing around everyone. It can provide people to look through different lenses and experience aspects of life that they know they will never experience again in their lifetimes. Traveling alone provides an endless journey and an empty page in the minds scrapbook that is waiting to be filled with new memories and the endless amount of true belonging and bliss.