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Critical analysis of poems by Emily Dickinson
Emily dickinson a word
Emily dickinson a word
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The Poet's Tool - The Words of Emily Dickinson
A poet couched in mystique and controversy--that is Emily Dickinson. But amidst all the disagreement, one idea critics seem to agree upon is the recognition of this remarkable poet's love of language. Emily Dickinson's love affair with words fed her desire to master their use whether individually or combined in phrases until they said exactly what she wanted them to say. For Emily Dickinson words were a fascination and, in her hands, they become the poet's tool.
The Gospel of John opens with the statement, "In the beginning was the word" (1:1). Donald Thackrey takes this phrase and applies it to Emily Dickinson's fascination with the individual word (1). She "is one of the foremost masters of poetic English since Shakespeare" (Rupp, 93). The determination shown in the masterly quest to discover the right word is one of the primary means of defining what makes Emily Dickinson's poetry distinct from all other poetry (Rupp, 93).
In her poem "I dwell in Possibility--" (#657) she wrote:
I dwell in Possibility --
A fairer House than Prose --
More numerous of Windows --
Superior -- for Door -- . . . (1-4)
The use of the word "possibility" illustrates Dickinson's personal awareness of the range of ideas, feelings, and images to be found in the combination of words into phrases and the linking of those phrases into poems. "Possibility is Emily Dickinson's synonym for poetry" and, since the possibilities are endless, Dickinson's poetry presents no final truth (Weisbuch 1). Further describing her attitudes in "They shut me up in Prose --" (#613), it can be discovered that for Dickinson "The House of Prose" represented "conventional an...
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...B. Emily Dickinson: An Introduction and Interpretation. NY: Barnes and Noble, Inc., 1967.
Rupp, Richard H., ed. Critics on Emily Dickinson: Readings in Literary Criticism. Coral Gables: U of Miami P, 1972.
Sherwood, William R. Circumference and Circumstance: Stages in the Mind and Art of Emily Dickinson. NY: Columbia UP, 1968.
Thackrey, Donald E. Emily Dickinson's Approach to Poetry. Brooklyn: Haskell House Publishers Ltd., 1976.
Weisbuch, Robert. Emily Dickinson's Poetry. Chicago: The U of Chicago P, 1975.
Additional Works Consulted
Luce, William. The Belle of Amherst: A Play based on the Life of Emily Dickinson. Boston: Houghton Mifflin Company, 1976.
Moore, Geoffrey, ed. Great American Poets: Emily Dickinson. NY: Clarkson N. Potter, Inc., 1986.
Robinson, John. Emily Dickinson: Looking to Canaan. London: faber and faber, 1986.
Immigrants' lives become very difficult when they move to a new country. They are often discriminated against due to their race and/ or nationality. This problem occurs many times throughout Dragonwings, a book by Laurence Yep. In his book, the Chinese characters who immigrate to America face many challenges in their new lives. They are thought of as inferior, have to endure many hardships, and become lonely due to the fact that they must leave the majority of their families in China. In this book, the immigrants face multiple difficulties and challenges in the new world they know as the Land of the Golden Mountain.
Faulkner, William. "A Rose for Emily". An Introduction to Literature, 11th ed. Ed. Barnet, Sylvan, et al. 287-294.
The American Revolution was a tough time for America and the people who fought it. Many wars were fought and many people died, but throughout the whole events moments of inspiration were evident. One such time was in the Battle of Lexington which took place on April 19th, 1775 and one such poem the truly reflects it is called The Battle of Lexington which was written by Sidney Lanier. The poem reflects the thoughts of this man and Paul Revere during this time.
Faulkner, William. “A Rose for Emily.” Discovering Literature. ED. Guth, Hans and Gabriele Rico. Upper Saddle River, New Jersey. Prentice Hall. 1991. 165-172. Print.
Faulkner, William. "A Rose for Emily". An Introduction to Literature, 11th ed. Ed. Barnet, Sylvan, et al. 287-294.
Phillips, Elizabeth. " The Histrionic Imagination." Emily Dickinson: Personae and Performance. University Park and London: Penn State, 1919.
One of the most obvious examples of this intention is after the first blood transfusion for Lucy, given to her by her fiancé Arthur Holmwood. The transfusion goes successfully and once Lucy regains consciousness she rights in her diary about how "Arthur feels very, very close to me" and that she can "feel his presence warm about me." These simple descriptions of her feelings after the transfusion are very sensual in how she says he is "warm about" her and throughout her body. The similarities between Lucy's reaction after the transfusion and the way one reacts to being sexually involved with someone are nearly identical.
Owen opens his poem with a strong simile that compares the soldiers to old people that may be hunch-backed. ‘Bent double, like old beggars like sacks.’ ‘like sacks’ suggests the image that the soldiers are like homeless people at the side of a street that is all dirty. This highlights that the clothes they were wearing were al...
Faulkner, William. "A Rose for Emily." The Norton Introduction to Literature. By Carl E. Bain, Jerome Beaty, and J. Paul Hunter. New York: W. W. Norton & Company, Inc. 1991: 69-76.
Driving under influence or with high blood alcohol content (BAC) increases the risk of car accidents, vehicular deaths, and more so highway injuries across all age-groups. In fact, an intoxicated driver with relatively higher BAC increases his/her risk of death by up to 380 times in single-vehicle crash (DeMichele, Lowe & Payne, 2014). Drunk driving is often considered as the largest social problem in the modern day society since 40 to 45% of all fatal traffic accidents usually involve drunk drivers. While 16 is the average blood alcohol content among some seriously injured drinking drivers, the culture of driving under influence can only be stopped through the development of a plausible plan to prevent it (Sloan, Eldred & Xu, 2014).
In conclusion, it can be stated the examples of Emily Dickinson's work discussed in this essay show the poetess to be highly skilled in the use of humor and irony. The use of these two tools in her poems is to stress a point or idea the poetess is trying to express, rather than being an end in themselves. These two tools allow her to present serious critiques of her society and the place she feels she has been allocated into by masking her concerns in a light-hearted, irreverent tone.
The. New York: W.W. Norton and Company, Inc, 1993. 727. The. Dickinson, Emily.
Hoefel, Roseanne L. "The Complete Poems Of Emily Dickinson." Masterplots, Fourth Edition (2010): 1-6. Literary Reference Center Plus. Web. 17 Nov. 2013.
It can be that said Emily Dickinson was the American Pioneer of ‘Hymn Meter’, and because of her use of it, all of her poetry flows to a specific and natural rhythm. It has not been uncommon for poets to attach themselves to a specific style and structure of writing. For instance, the Shakespearean sonnet is named after Shakespeare, not because he invented it, but because he wrote in that form so often. He popularized the style, and so it is attached to his name. While Dickenson never quite reached that point in her career, her use of hymn-meter in the various forms of her poetry helped create an underlying complexity in her writing that often goes unnoticed.