The Picture of Dorian Gray by Oscar Wilde
Art. It's Beauty is in the eye of the beholder. Art can be so beautiful or so hideous. So monotonous or poignant. So imaginative or clichéd. So
right or wrong? Art really has no moral, does it? Although the book, The Picture of Dorian Gray has no ethical stance, it was not Oscar Wilde's intention to have a moral. It was to show the splendor of art for art's sake.
Through out the paperback of The Picture of Dorian Gray, Oscar Wilde, wildly shows his beliefs in art for art's sake (Cauti XIV). This novel shows and follows the guidelines of, do whatever you want, whenever you want and don't worry about the consequences. In other words if you are feeling down, or depressed, go out and get your fix of whatever you need to make life that much better for you (Beckson 72-73). In this work of fiction, the is indeed a painting of a young male by the name of Dorain Gray. Hence the name of the book, The Picture of Dorian Gray. The picture seems to give this stunning gentleman a gift of youth. Mr. Gray uses this to his advantage of course. He heals his spirit by doing anything he pleases, honest or depraved. Take for example, the death of Basil. His death was neither an accident or an act of the great one from above. It was from a deep stab wound in the back of Basil's head just behind his ear, and repeatedly stabs poor defenseless Basil. This was all caused by the so called, "perfect man" with a eerie name of Dorian Gray (Wilde 163). Absolutely unjust and uncalled for by any moral on the face of the earth. Unless of course you live by the standards of art for art's sake.
Carrying on now, a certain individual by the name of Samuel Henry Jeyes wrote a letter to the horrible author of The Picture of Dorian Gray, Oscar Wilde, about the method Wilde uses of art for art's sake. The letter said very negative things toward the book and about how the story hints at nasty sins and horrible crimes. Wilde responded to the attacks on his work quite angrily.
The French born author, Anais Nin once wrote, “We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative” ("Think Exist Quotations"). Anais is expounding upon the inconsistency all people have in aspects of their personalities. Some days a person may be hailed as a saint for their actions, while other days they seem absolutely evil. In most literature, characters are defined as good or evil based on their revealed thoughts and actions. On occasion an anomaly may be found, where a character is more ambiguous. Dorian Gray’s Actions throughout The Picture of Dorian Gray paralyzes the readers’ ability to condemn Dorian as purely good or purely evil, causing them to be more sympathetic than usual.
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
...This essay discusses enough of The Picture of Dorian Gray to explain how floral imagery impacted the novel’s meaning. The use of floral imagery and symbolism has earned Wilde a place as one of the greatest and most influential writers of all time.
In Wilde’s The Picture of Dorian Gray, we follow the young Dorian Gray as Lord Henry Wotton first introduces him to a new way of being. Lord Henry believes that the only way of being is to understand that beauty is the only worthwhile trait of life. Wilde writes “, Lord Henry looked at him . . . There was something in his face that made one trust him at once . . . There was something in his low, languid voice that was absolutely fascinating . . . But he felt afraid of him, and was ashamed of being afraid. Why had it been left to a stranger to reveal him to himself?”(page18-23) To Dorian, having just met Lord Henry, these words are life altering. Scholars have made the argument that Lord ...
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
In this novel, we see the corruption of Dorian’s unscathed innocence and his beauty by various outside sources. Dorian first meets Basil, who values Dorian’s beauty so much that he is Basil’s muse for art, his way of living. Basil wants to cherish Dorian forever, and wants to keep him for himself. Additionally, at first, he cherishes Dorian’s beauty more than he does his personality. As an artist, Basil is completely enamored by Dorian’s beauty, and he says, “what the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me” (Wilde 12).
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
Wilde, O. (1945). The picture of Dorian Gray. The Electronic Classics Series, The Pennsylvania State University. p. 3/ Retrieved January 3, 2014 from http://www2.hn.psu.edu/faculty/jmanis/oscar-wilde/dorian-gray.pdf
In The Picture of Dorian Gray by Oscar Wilde, Dorian Gray slowly becomes more influenced by things and people around him. Eventually, Lord Henry gifts him with a book describing a wealthy man’s pursuit of aesthetically and sensually pleasing items. “The yellow book” has a much stronger effect on Dorian Gray’s perception of beauty than Lord Henry Wotton does. Although it can be argued that Lord Henry introduced Dorian to the idea of aestheticism, the “yellow book” drives Dorian to live a life full of it, and changes his focus. Dorian shows the fact that he is not strongly influenced by Lord Henry through his interactions with Sibyl. Contrary to this, Oscar Wilde illustrates the substantial influence the yellow book has on Dorian by one, the
He also blames all the misery of his life on the hideous painting of him (152). Dorian 's hatred towards the two pieces of art mirror how Victorian society looks upon art created by people like Oscar Wilde. Oscar Wilde 's plays, essays and other works of art are looked poorly upon by some in the Victorian era as his work was considered by some to be corrupting. Oscar Wilde, however uses the book The Picture of Dorian Gray to subtly counter these points. “All art us at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril” (4). Oscar Wilde criticizes Victorian culture as he implies that too many people read and analyze the surface or read the symbol, but not both. In order to properly understand a piece of literature the reader must interpret both surface and symbol. Dorian Gray fails to do this as he interprets merely the surface of the portrait and also of the yellow book, but he fails to investigate the symbol of each piece of art. By failing to completely analyze the text he draws terrible conclusions of what the purpose of the book is and as he begins to formulate horrible ideas based off these incomplete conclusions he has drawn from the book. He then proceeds to blame all his corruptness on the book, when in reality it is his poor analysis of the book
In conclusion, it has been reiterated that Lord Henry's influence, the changes in Dorian, and the immorality of the yellow book further enforced The Picture of Dorian Gray as a moral book. Oscar Wilde allows for those who could understand the real meaning of the novel by comprehending the importance of these three things to discern that he fully intended on writing this novel as a moral book.
Set in the late 19th Century, Oscar Wilde wrote his only novel The Picture of Dorian Gray, which is a story about debauchery and corruption of innocence and well known as a "Gothic melodrama." Violent twists and a sneaky plot make this novel a distinct reflection of human pride and corrupt nature.