Oscar Wilde’s The Picture of Dorian Gray has acquired both praise and condemnation for its presentation of human morals. Because the novel explores the ethical decisions that lead to Dorian Gray’s eventual demise, the themes of individualism and immorality are explored by critics as Bryan Aubrey and Philip K. Cohen. Essayist Bryan Aubrey examines how some characters in the novel exert themes as beauty versus ethics, and art versus life. He analyzes why Wilde creates catastrophic characters as Dorian Gray, Basil Hallward, and Lord Henry Wotton, in order to serve as human representations of these ideas. Aubrey alludes to Lord Henry’s use of hedonistic influence on Dorian Gray, by arguing how his purpose “is to cultivate an intensity of experience …show more content…
Gray. Because Basil is aware of how Dorian develops into a malicious personality, Aubrey debates that Basil serves as “the voice of conscience that speaks to Dorian when the younger man is intent on ignoring his own conscience,” and that he is a juxtaposition to Lord Henry Wotton (Aubrey, Novels for Students Vol. 20). Aubrey understands that Basil Hallward knows the extent of which to value beauty, as in his work, and attempts convincing Dorian Gray that he needs to find the goodness in his conscience, to avoid future incidents. Evidently, Hallward serves to be a morally prominent aspect of Dorian’s relationships, and he is created by Wilde in order to keep this cloud of guilt over Gray. Bryan Aubrey decides that he is the most sensible character, which is very accurate. During a cold exchange, Basil expresses that Gray “[talks] as if [he] has no heart, and no pity,” because of his wrong understanding of true beauty (Wilde 9.2-3). This exemplifies Wilde’s purpose of displaying how in a situation like theirs, art and ethics cannot be combined in …show more content…
Cohen investigates the morality and ethics throughout the novel, and Dorian’s friendships and religious conscience are vital to his development and downfall. Cohen describes how both Hallward and Wotton’s relationships with Dorian lead up to the tragic deaths of Gray and Hallward himself. He claims that Dorian “kills Basil in order to free himself from conscience, but his sense of guilt and spiritual anxiety increases instead” (Cohen, Novels for Students Vol. 20). Since Dorian is aware of the disappointment and sadness that Basil feels toward him, this accounts for why he decides to murder him. Although it can be understood as Dorian Gray withdrawing from his evil conscience, Cohen constitutes that Gray fails to see that it is too late to escape the constraints of his moral conscience. Dorian’s act of killing Basil is originally intended to free his conscience, but Cohen understands that it does not, despite what the book constitutes. attempts to suppress and ignore these emotions, however, Cohen interprets his situation as impossible to escape, and that Dorian only believes what he wants to happen. Gray even admits this to himself when he discusses how he sometimes hates the picture, and “at other times, [has] pride of individualism that is half the fascination of sin” (Wilde 11.25). Although he wants to treasure his newfound appreciation for individualism, he feels the negative outcome of his character and chooses not to act on it. His moral deterioration
Dorian Gray shows how much he gave up to pursue his obsession when he said that his fiancé’s suicide was melodramatic and unnecessary (Wide 88-89). Obsession causes Dorian to indulge all forms of self-pleasure, whether moral or immoral, and to disregard the value of his own soul to preserve his transient beauty. The portrait that Basil Hallward painted acted as a mirror to his soul’s state and grows revolting each time he indulges in immoral acts, which inhibit him from focusing on what is truly important. It was only until the end when he kills himself does his soul reverts back to his inner beauty as shown in his portrait (Wilde 197). Wilde shows us how conformity can push us to obsess something that we don’t truly believe and ignore all other aspects that actually lead to our good lives. Through Dorian Gray, we are taught that we need to stand by our beliefs and not lose ourselves in other people’s beliefs. Wilde teaches the audience that we need to hold onto some core beliefs and elements that we hold near and dear to
Over time Lord Henry's influence takes affect over Dorian and he begins to take action upon his own intersts and nothing else. One of these examples is an actress named Sybil Vane. He fell madly in love with her mainly just over her talents. So, when she told him that she can no longer act in love because she has found that in Dorian and wants to quit, Dorian dumps her pretty badly. When Dorian gets home he notices that his portrait has changed for the worse. When he tries to make amends with Sybil he finds out that she has commited suicide. Eventually Dorian shakes this off with the help of Lord Henry and becomes more and more corrupt and sinful. Years pass and Dorian continues his sinful actions. Then one day Basil arrives at Dorians house, begging him to ask for forgiveness. Dorian says no and shows Bas...
Basil goes to speak to Dorian to tell to him of the rumors they have been spreading. Many people believe him to be immoral and a corrupting influence that must be avoided to keep one’s good name. Hearing such rumors trouble Basil because he worships Dorian so strongly and is so devoted to him. He even refuses to exhibit the portrait of Dorian, the imitation he made, “Because, without intending it, I have put into it some expression of all this curious idolatry.” (13 Wilde) Basil feared that the world would be able to tell how much he adored Dorian. Continuing his conversation, Basil claims “but you, Dorian with your pure, bright, innocent face, and your marvelous untroubled youth—I can’t believe anything against you.” (127 Wilde) Which is to say that Basil believes that when one commits sin it changes the man’s outward appearance, corrupting him and since Dorian is beautiful he is without sin...
Dorian Gray is naïve and in many cases weak. Basil Hallward, enamored by Dorian’s beauty, introduces his obsession to Lord Henry: a man critics site as the sole cause of Dorian’s downfall. Henry ‘corrupts’ Gray by introducing mental fodder for the young lad to savor. Henry tempted Dorian with small lines such as: “The only way to get rid of temptation is to yield to it.” (pg 21) He continues to shower Dorian with opinion and flattery – leading him down a dangerous Narcissistic path. In the eighteen years the reader knows Dorian, he falls in and out of love, a woman commits suicide for him, he becomes addicted to opium, he ruins a plethora of lives, and yet he continues to stay beautiful until his suicidal-homicide at the novel’s conclusion. It is not...
Dorian Gray is a grand Gothic experiment from the moment in Basil Hallward’s studio when he desperately swears that he “would give [his] soul” if only he “was to be always young, and the picture … was to grow old” in his stead (Wilde 28). Even before this moment, Dorian was a test subject of Lord Henry’s, who wanted to see how many of his own ideas he could inject into the boy. This influence rapidly planted in Dorian the ideas of eternal youth and beauty and led to the encasement of his soul in the portrait. After the switch, Dorian not only is under Lord Henry’s influence, but he is also Oscar Wilde’s subject. In his novel The Picture of Dorian Gray, Wilde manipulates Dorian, his surroundings, and his circumstances to capture a realistic portrayal of the character’s downfall by depicting the nature of the body, mind, and soul, and the relationship they share.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
Wilde shows Lord Henry grasping onto Dorian and his moral beliefs, “There is no such thing as good influence Mr. Gray. All influence is immoral-immoral from the scientific point of view.” Dorian quickly transforms from an innocent young man, to a wicked deceitful man. Lord Henry knowingly influences Dorian, “People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is.” The craving for eternal beauty acts alongside with Lord Henry in the demise of Dorian. “As he thought of it, a sharp pang of pain st...
In this novel, we see the corruption of Dorian’s unscathed innocence and his beauty by various outside sources. Dorian first meets Basil, who values Dorian’s beauty so much that he is Basil’s muse for art, his way of living. Basil wants to cherish Dorian forever, and wants to keep him for himself. Additionally, at first, he cherishes Dorian’s beauty more than he does his personality. As an artist, Basil is completely enamored by Dorian’s beauty, and he says, “what the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me” (Wilde 12).
He becomes an echo of someone else’s music, an actor of a part that has not been written for him. The aim of life is self-development. ”(Wilde 13). The words of an honored role model can easily persuade even the purest of hearts into the darkness of crime and evil, such as Dorian Gray. At this moment, Gray falls victim to the flourishing words of Lord Henry, who manipulates Gray from a timid and shining boy to nothing but a shallow man who commits capital crimes to conceal his secret.
Duggan, Patrick. "The Conflict between Aestheticism and Morality in Oscar Wilde’s The Picture of Dorian Gray." Journal of the CAS Writing Program (2008): 61-68. Print.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...
The Picture of Dorian Gray was a remarkably well-written book due to the reaction of its themes by society. In the preface of the novel, Wilde introduces the opinion that "...there is no moral or immoral book. Books are well written or badly written. That is all." Numerous views can be taken upon this fastidious comment. Many would agree that Wilde is justifiably correct because the preface was written with the intention that his readers understand the deeper meaning of the themes than worrying about whether it is considered morally acceptable; or perhaps, the view that it could be considered moral or immoral by the impact it has on the readers' lives. Even though there are several positions held on what The Picture of Dorian Gray's most important meaning is about, the most prominent is the novel as a moral book. Lord Henry Wotton immediately begins to corrupt Dorian's mind after they first meet by forcing his immoral thoughts of "yielding to temptation" which allows Lord Henry to hold his attention. After listening for quite a while to Lord Henry's views, Dorian begins to change his own to match them, and therefore begins to live a life of immorality. The yellow book is a device that Lord Henry uses to further corrupt and drive Dorian deeper into the pits of sin. Through Lord Henry's influence, the changes in Dorian Gray, and the impact of the yellow book, Oscar Wilde efficiently reveals The Picture of Dorian Gray as a moral book.
Careful examination of Dorian’s initial susceptibility to influence, willingness to commit sin, and interactions with other characters prove Lord Henry plays the biggest role in transforming Dorian from pure to vicious. With his cunning theories and brainwashing comments, Dorian cannot muster the strength to resist Lord Henry’s dominating nature, showing there are no limitations in relationships when it comes to influence. The topic of which character primarily influences Dorian to turn to a dishonest lifestyle is undeniably significant in understanding the purpose of the characters as well as the deeper meaning of the text.
Set in the late 19th Century, Oscar Wilde wrote his only novel The Picture of Dorian Gray, which is a story about debauchery and corruption of innocence and well known as a "Gothic melodrama. " Violent twists and a sneaky plot make this novel a distinct reflection of human pride and corruption. Before we examine the quality of the error that Dorian Gray commits, we should first examine his friends and their relation to him, because Dorian falls into this error with a little help from his friends. 1. What is the difference between a. and a The relationship between Dorian Gray and Basil Hallward.