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The significance of choices and what their consequences reveal for the protagonist Dorian in The Picture of Dorian Gray by Oscar Wilde. As Jean-Paul Sartre once said "we are our choices". An individual 's choices reflect who they are and what they may become. In The Picture of Dorian Gray by Oscar Wilde, Dorian 's pivotal decision to strike a Faustian bargain causes him to incessantly make poor choices that eventually lead to his demise. This is illustrated through Dorian 's decision to befriend Lord Henry, become engaged to Sibyl Vane, ignore his discovery of the portraits power, and lastly his decision to murder Basil Hallward. To begin with, Dorian 's decision to befriend Lord Henry is the first choice he makes that leads to his downfall. In the first place, Lord Henry makes Dorian conscious of his own astonishing youth and beauty. This is illustrated from the first encounter Dorian has with Lord Henry; "... You have the most marvellous youth, and youth is the one thing worth having....You have a wonderfully beautiful face, Mr. Gray" (16). He later on says, "The moment I met you I saw that you were quite unconscious of what you really are , of what you really might be. There was so much in you that charmed me that …show more content…
It is only shallow people who require years to get rid of an emotion ' "(79). This illustrates the callous manner in which Dorian is able to handle Sibyl 's death. He does not feel any responsibility for her suicide, nor remorse. In fact, Dorian finds it foolish to mourn for her, as he believes Sibyl 's death is her own fault. Consequently, this demonstrates that Dorian 's ability for compassion has altered significantly. He no longer feels liability for his actions and has no sympathy. This carless and selfish behaviour continues to get worst throughout the novel, which will also lead him closer to his own demise as he no longer will comprehend the magnitude of his own dreadful
Dorian Gray loses his eternal youth due to his disconnect with the world, but to realize this disconnect the reader must first examine the context for his connections to Basil Hallward and Lord Henry. Nikolai Enders examines these relationships within his article, “Platonic Love and Closet Eros in...
Wilde, Oscar. The Picture of Dorian Gray. Michael Patrick Gillespie, Editor. Norton Critical Edition. New York: W.W. Norton & Company, Inc., 2007.
The French born author, Anais Nin once wrote, “We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative” ("Think Exist Quotations"). Anais is expounding upon the inconsistency all people have in aspects of their personalities. Some days a person may be hailed as a saint for their actions, while other days they seem absolutely evil. In most literature, characters are defined as good or evil based on their revealed thoughts and actions. On occasion an anomaly may be found, where a character is more ambiguous. Dorian Gray’s Actions throughout The Picture of Dorian Gray paralyzes the readers’ ability to condemn Dorian as purely good or purely evil, causing them to be more sympathetic than usual.
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
In society, there has constantly been the question as to whether people can change or not. Author Oscar Wilde proves in his novel The Picture of Dorian Gray, that one can. The question he poses to his readers is “What kind of transformation is shown by the protagonist Dorian Gray: good or bad?” It is possible to think that Dorian Gray has become a better person, not for others, but for himself since he lives in the pursuit of pleasure and always achieves it. However, as it is demonstrated by the portrait, the damnation of the lives of others can provoke damage to one’s conscience and soul. Dorian’s soul is ruined gradually by his hedonistic adventures, eventually failing to redeem his actions, but not before he leaves a devastating path of destruction and experiences self-inflicted destruction.
In Oscar Wilde’s The Picture of Dorian Gray, Dorian Gray goes through the Hero’s Journey because of the challenges he had been through, the way he transformed, and his crisis.
In many ways, The Picture of Dorian Gray is a retelling of the Faust story. A temptation is placed before Dorian, as with Faust, and he falls for it--offering up his soul to get it. In fact, one of Faust's principal wishes is also to remain young. Faust and Dorian also each seduce a young woman, then lead her to her death, as well as leading the woman's brother (Valentine in Faust and James Vale in Dorian Gray to die in attempting revenge for his sister.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
Basil Hallward, a painter, knows the corruptive influence that Lord Henry can impose upon his model, Dorian Gray. Basil does not want Lord Henry to even meet Dorian because he is afraid that Dorian will be influenced and ruined. Basil begs Henry by saying, "Don't spoil him. Don't try to influence him. Your influence would be bad. The world is wide, and has many marvelous people in it. Don't take away from me the one person who gives to my art whatever charm it possesses: my life as an artist depends on him" (Wilde 10). Right from the beginning Wilde begins to show what type of person Lord Henry is. Lord Henry's influences pose a threat to Dorian. Basil is well aware of this.
He wishes to remain beautifully immortal through the use of his painting. The effects of watching his own sins corrupt the painting causes Gray to perish by his own hand. Richard Ellmann called Gray’s predicament “the ‘tragedy of aestheticism’” (Ruddick 1). Throughout the novel, Gray pursues what Lord Henry calls, the “divine right of sovereignty” (Wilde 26), or rather beauty. What Lord Henry believes and later Gray believes is that there is nothing on this Earth worth living for if it is devoid of beauty. This idolization of mundane ideas and the belief that Gray can overcome his humanity through the use of the painting causes Gray to perish as a result of his own monstrosity. The turn in Wilde’s novel is when Gray realizes he can remain beautiful regardless of the immoral actions he indulges in. He considers himself exempt from the moral constraints ordinary men face. Gray’s monstrousness stems from his own desire to remain immortally beautiful contradictory to God’s desires and plans. This overstepping of his humanity is where Gray goes wrong. Again, monstrosity can be defined as one who tries to gain divinity through
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
An example of one thing he became suddenly attached to is music, and instruments. It is stated that “At another time he devoted himself entirely to music... ” (Wilde 118). Wilde starts to explain Dorian’s new obsession with music and artifacts pertaining to it, to the reader. “The mysterious juruparis of the Rio Negro Indians” (Wilde 118) and “Alfonso de Ovalle” (Wilde 118) are two of many examples of Dorian’s new collectables in the music category that he has acquired for the sole purpose of pleasing his senses. Another item Dorian finds himself collecting is jewelry. He spends his time traveling, collecting various stones, such as “the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wire-like line of silver…” (Wilde 119). Dorian’s sudden attachment to sensually pleasing items right after being introduced to the yellow book is no coincidence. It shows the power the book already has on Dorian. It is changing his lifestyle and his perception of beauty.
In conclusion, it has been reiterated that Lord Henry's influence, the changes in Dorian, and the immorality of the yellow book further enforced The Picture of Dorian Gray as a moral book. Oscar Wilde allows for those who could understand the real meaning of the novel by comprehending the importance of these three things to discern that he fully intended on writing this novel as a moral book.
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.
To avoid getting hurt, he pretended to be Lord Henry: decadent, cynical, eloquent, rebellious, and a bit evil in the eyes of bluenoses. Dorian Gray is what he would like to be: be loved, taste all the beauties and exquisite in life and die for what he wants to defend. In this novel, Wilde portrays his philosophy of "aesthetic idealism." He favored nature when it was explained as an internal individualistic impulse, just like Lord Henry who suggests that beauty is the greatest good and doing so diminishes the role of the soul. He does this out of a half-facetious, half-earnest pursuit of that which is more genuine, less socially constructed and therefore less hypocritical.