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The role of women in 20th century novels
Women in literature
Women in literature
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Unlike the other heroines, in The Peach Blossom Fan, Fragrant Princess is bold in expressing her independent thinking abilities, perhaps due to the many hardships she was forced to deal with in early womanhood. Fragrant Princess is the most ethical of the female leads and is said to have a “fiery temper” because she speaks freely against a man’s judgement (K’ung, 60). That said, under her lover, Hou Fang-yu’s, influence, Fragrant Princess was reduced to the same pitiful, heartrending status of Oriole and Bridal. In Hou’s absence, Fragrant Princess expresses, “in my silent empty tower I sit alone, and doze in sickness through the weary days” (K’ung, 124). Fragrant Princess is so depressed without Hou that she chooses to isolate herself and wait …show more content…
for his return. Similar to Oriole and Bridal, Fragrant Princesses’ heartache transcends beyond her emotional health and s her mental and even physical health slowly cripples.
As she falls to the ground wailing in grief, Fragrant Princesses exclaims that she “would rather freeze and starve than leave this tower” (K’ung, 165). Because of her emotional pain and deep affection for Hoe, Fragrant Princess chooses to inflict harm on herself. Fragrant Princess’ once strong-willed personality and ability to standup for herself has been completely compromised by her feelings of love. The emotions are the overarching power in determining Fragrant Princesses’ fate – as far as she’s concerned, there is no life without her lover. Although Fragrant Princess acknowledges that she “tore [her] cloudy hair and bruised [her] limbs until [she] swooned into a world of darkness,” she has no means to escape her miserable state (K’ung, 170). At this point, the amount of sacrifice Fragrant Princess has made to wait for Hou is beyond return. She “swooned” into “darkness,” meaning that her extreme emotional state caused her to faint and quite possibly become unconscious. Fragrant Princess no longer has an interpretation of reality, her reality is to sit in her tower and wait for Hou to
return. Love has consumed her and ironically, has taken the little freedom and individualism Fragrant Princess originally had. Before she met Hou, although she was confined by the role of a woman in traditional Chinese society, she was able to remain strong-headed about maintaining her composure and sense of moral. However, after meeting Hou and watching him leave, Fragrant Princess is so affected by their separation that in a way Hou has deprived any initial freedom she had. Fragrant Princess expresses, “the lovers torn apart like mandarin ducks, their tortured souls by cloud-capped hills divided, yearn for each other bitterly” (K’ung, 191-192). Same as Oriole, Fragrant Princess considers her and Hou as mandarin ducks, lovers for life. However, since they are separated, she feels “tortured.” This reference to mandarin ducks expresses just how sincere Fragrant Princess’ love for Hou is. When mandarin ducks find a partner, they will mate to that same partner for life. If the ducks are ever separated, they will pine for each other until they die of loneliness. This aspect of traditional Chinese culture is exactly what is happening between the two lovers. If Fragrant Princess is not soon reunited with her lover, then she will die of heartache and depression. Also, similar to Bridal, Fragrant Princess uses the diction “bitterly” to describe how she longs for Hou. Perhaps the use of this word in this context also brings insight towards the role of a woman in traditional Chinese society. Fragrant Princess feels bitter than Hou had to leave her behind, she feels bitter than societal norms deem their love forbidden and unachievable. Again, Fragrant Princess’ love for Hou has altered her perspective and caused her to sacrifice a lot, including the little freedom she had and her individuality. With true love in the picture, women in traditional Chinese times are unable to maintain their self-composure and are usually guided to disastrous effects on their own health and lifestyle.
...seems to have endured the most in his life. Not only did he spend his youth caring for his sick mother and then wife, but he now must live in the painful memory of how his life could have been if the accident never happened. The end of the book leaves the readers saddened and frustrated. Though the novella began with a plotline seemingly leading to an ending as cheery as that of Snow White, in the end, this beautiful maiden turned sour. In this storybook tragedy, “the lovers do not live happily ever after. The witch wins” (Ammons 1).
...h and every chair and thing. Commenced to sing, commenced to sob to sigh, singing and sobbing. Then Tea Cake came prancing around her where she was and the song of the sigh flew out of the window and lit in the top of the pine trees. Tea Cake, with the sun for a shawl. Of course he wasn’t dead. He could never be dead until she herself had finished feeling and thinking. The kiss of his memory made pictures of love and light against the wall. Here was peace.” Janie lay in her bed reminiscing and is convinced that Tea will stay in her memory until the day she dies, after that day she will be together with him again – together with Tea Cake in heaven. The emptiness in Janie that was present in her before she left town with Tea Cake has subsided. Due to the love of Tea Cake let her know, Janie is now complete, the bee has nurtured the flower, and allowed it to grow.
Supported by her two companions, Sorrow and Suffering, Much-Afraid disembarks on her journey to the High Places. Along the treacherous path, Much-Afraid meets her tormentors from the Valley of Humiliation who attempt to turn her back to her village of Much-Trembling, but fail in their endeavors. As she journeys to the High Places, Much-Afraid erects altars where she surrenders her will in submission to the Shepherd’s will. On an altar overlooking the mighty falls, Much-Afraid makes her most significant sacrifice of all by allowing the priest of the altar to wrench out the matured desire for natural human love. With the seed of true love taking full dominion in Much-Afraid’s heart, the Shepherd invites her to the High Places—the Kingdom of Love.
comparing the realm to a large loss in her life. Finally, the statement in the
As an example, falling in love with Tea Cake despite the town’s displeasure of the couple, Janie willingly gives up her inherited status and takes risks with Tea Cake. Moreover, Tea Cake not only respects Janie, but he risks his life for her multiple times. Getting stabbed twice, Tea Cake first risks his life to pay back the money he took from Janie (120). The second time, Janie’s life is at risk during a hurricane, and he eventually develops rabies from saving her life (157). When performed in a healthy relationship, such as theirs, risking one’s life is an element that emphasizes the couple’s romantic bond; therefore, Tea Cake risking his life for Janie emphasizes his love for Janie and their compatibility together. These risks taken for true love illustrate the high probability of Tea Cake being Janie’s envisioned
The Princess and the Goblin is a story about self-realisation and the expansion of limits. The princess, Irene, is able to come to certain conclusions about herself with the help of her grandmother, who lives in the attic upstairs in the palace. The grandmother guides Irene through her rite of passage into adulthood, and helps to bring the princess and Curdie together in the end. However, the reader never really knows whether the grandmother even exists, and it is this uncertainty that causes the reader to question whether she is a personification of a force within Irene that is driving her to achieve all that she does. There are many elements of fairy tales that exist within the grandmother's world and Irene's relationship with her grandmother and her nurse, Lootie. Archetypes such as the attic, birds, the moon, and fire exist within her grandmother's world and archetypes such as the underground exist within the world she guides Irene through. The grandmother embodies characteristics of the good witch with supernatural powers, who guides Irene on her journey, while Lootie embodies characteristics of a wicked witch, who hinders her right of passage into adulthood.
As a result of her mother’s incarceration, Astrid is thrusted into a myriad of unmerited situations- the foster homes. One evil stepmother leads to another in this tale of adversity and just when Astrid’s prospects brighten under a shining sun, the clouds roll in and it begins to rain. “White Oleander” is a Cinderella story with all the ingredients of misery and misfortune but the wrong ending.
With one another’s help, they are able to prevent their husbands from havoc and disaster, and likewise keep their own lives happy. The faults in the Insatiate Countess are attributed to her insatiability, which comes from over-investing in men and devaluing friendship. Were she to follow the paths of Abigail and Thais, she would not only have someone to channel her energy into, but also have someone to talk her out of revenge, which would then prevent her from both orchestrating murder and being hanged herself. If we can learn from both the comedic and tragic plots, let us first understand them to have the same message: to observe a moderate one’s investment in one’s lover, a greater investment in one’s friends, and, when balanced by friendship, an utmost investment in oneself.
The story, “A Simple Heart” focuses on the life of a naive, simple-minded underclass maid, Félicité and her
... her with joy this sense is only experienced while being confined in her bedroom. And as soon as she leaves her room, the freedom she’d just begun to understand is now taken away from her in an instant. She actually died of sorrow and great disappointment of her husband’s return as he waited at the front door.
The female characters are from various social classes and each of them has her own attitudes towards life and love. Lily, the caretaker's daughter is the first character to be introduced to us. In the story she is a representative from the labouring class. Comparily, Gabriel is a well-educated young man who seems to have a bright future. When he arrogantly greets her, "I suppose we'll be going to your wedding one of these fine days with your young man, eh?" (Joyce 123). The girl answers bitterly "The men that is now is only all palaver and what they can get out of you" (124). Then Gabriel "color" as if he has made a mistake when Lily becomes upset about the subject of men. This is because he never expects his self-conceited good intention will hurt her feelings so much. Instead of comforting Lily, he "without looking at her", kicks off his goloshes and flicks actively with his muffler at his patent-leather shoes. From this we can see he first chooes to avoid difficulty when the conflict between he and the ...
Facilier has unquestionably put his entire life on the line to acquire the power and riches he hungers for. This ‘magic’ man will swindle any foe who gets in his way with assist from “making so many deals with so many devils it will make your head spin” (Sharkey). The vanity and aggression in which Dr. Facilier is portrayed puts a spotlight on the very egocentric tendencies of his ways, and builds up the anticipation of his inevitable demise. Throughout the film Dr. Facilier is shown deceiving most everyone he comes to meet, even using the pent-up envy of Naveen’s butler, Lawrence, in order to use him as his pawn to do all his dirty work. For any of Dr. Facilier's plan to work, there needs to be a little self-seeking marxist view in everyone, which there happens to be plenty of. The entire context of , The Princess and the Frog, is solely based upon the selfish interest of everyone, and the uncontrollable desire to achieve it. This in turn causes many characters to become self-obsessed and power hungry. This is especially true in Dr. Facilier's case when he becomes so caught up in his endeavorment for victory he ends up losing not only to battle for power and money, but his own life as
Despite the fact that this lady was supposedly untouchable due to her status as “taken” this man or rather knight made it his mission to win her over or it was his mission to please her. This Knight would go to great lengths sometimes setting into long journeys, battling other knights and going into chivalric adventures in what is known as the other world. This knight or the courtly lover is like a slave to this passionate, romantic love for example in the tale “Le Chevalier de la charrette”, a courtly romance whose hero obeys every imperious and unreasonable demand of the heroine. A slave willing to put his own life at risk in order to show his love and passion for this one woman. For example, In “Lancelot, the Knight of Cart” Lancelot first part is a physical quest though driven by love, the knight tries to rescue Guinevere. However, once he finds her, he does not stop, he continued to quest in order to deserve her love. Even after they consummate their relationship in the tower, he must continue to do her bidding, suggesting that the quest for love never ceases. We see this untouchable love through his love and adulterous feelings for the queen, Lady Guinevere, this lady made untouchable through her marriage to King
She now wants to carry a candle with her at all times, to have the light with her always. She is now trying to get the stench of blood off her hands, but is unsuccessful. The guilt of murdering Duncan eats away at her.
In Kate Chopin’s short story, a woman named Louise Mallard suffered of a heart disease. When her sister Josephine reveals to Louise about her husband’s tragic train accident, causing his death, her reaction was bizarre. After she is notified about her husband’s decease, she goes upstairs and locks herself in her room. She sits on her armchair, looks out her window, and fantasizes about what her life will be like without her husband, Mr. Mallard. Shortly after, Josephine comes for her, thinking Louise will get ill about the news and they both walk down the stairs. To Mrs. Mallard’s dismay, the door flings open: Mr. Mallard was alive! Mrs. Mallard was in shock but mostly disappointed, for the future she dreamed of without her husband was ruined, and dies. According to the doctor she had died of the joy that kills. There is no doubt that Kate Chopin included an abundant of symbolic and ironic references in her short story “The Story of an Hour.”