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T.S. Eliot: The Love Song of J.Alfred Prufrock
T.S. Eliot: The Love Song of J.Alfred Prufrock
T.S. Eliot: The Love Song of J.Alfred Prufrock
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Paralysis, the incapability to act, has been a key element of many famous literary characters. Shakespeare’s Hamlet is the paragon of paralysis, unable to sort through his thoughts, Hamlet only makes one decisive action, at the end of the play. T.S Elliot’s transfers Hamlets’ paralysis in his poem The Love Song of J. Alfred Prufrock. The name Elliot chose for this indecisive, timid man epitomizes his character as well as his flaws. J. Alfred Prufrock needs this ranting monologue in order for him to understand the severity of his paralysis and fear of women and society.
Elliot’s poetry is a melting pot of literary allusions and references. The first lines are directly quoted from Dante’s Inferno. Prufrock, as can be interpreted from these lines, is confined to what he feels is hell. The images of the city where Prufrock lives are dark and empty, the night sky looks "Like a patient etherized upon a table" (3), while down below barren "half-deserted streets" (4) reveal "one-night cheap hotels / And sawdust restaurants" (6-7). All of these images reflect some part of Prufrock’s personality. The “etherized patient” reflects his inability to act while the images of the city depict Prufrock’s loneliness.
The poem then switches to “the yellow fog.” The yellow fog seems to be associated with an animal, or perhaps Prufrock, as it rubs its back upon the window panes (15) … rubs its muzzle on the windowpanes (16)”. Unable to enter “the room where women come and go (13)”, instead, the animal lingers outside. Prufrock, for someone reason, is avoiding entering the room although he desires to enter.
Images and allusions are not the only features of “Prufrock”. The rhythm of the lines is deliberately irregular. Most of the time, Elliot...
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...ousness. Prufrock relates the women in his society to beautiful, vain mermaids who only sing to each other. The concluding stanzas of the poem display his unattainable and frustrated desire for all women. To him, he believes, they are inaccessible. Prufrock dreams about the mermaids until “human voices” wake him and he drowns deeper into his watery hell.
J. Alfred Prufrock is a man who has chosen to live in a world where only things he believes are true. He believes that there will be time for him to be with society, the women that he desires will all ignore him and instead speak of men that are young, tough and strong. Throughout the poem, Prufrock is ultimately searching for the meaning of his existence. The plethora of allusion that Elliot utilizes in this poem help to unravel the undermining message and thoroughly understand Prufrock’s paralysis.
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
Eliot, T.S.. "The Love Song of J. Alfred Prufrock." An Introduction to Poetry. 13th ed. Kennedy, X. J., and Dana Gioia. Boston: Little, Brown, 1966. 369-372. Print.
Eliot and Kafka characterize their respective characters as having negative self-images, a prior lack of success, and as being fundamentally lonely. Prufrock views himself as undesirable, and his self-image seems to grow worse with age. While Prufrock has the chance early on to make something of his life, he sits in a room, presumably one in which there is a display of artwork, and “the women come and go / Talking of Michelangelo” (ll. 13-14). Prufrock goes by unnoticed next to what could be the beautiful works of Michelangelo. It can especially be presumed that he feels inadequate next to the Statue of David, a sculpture for which Michelangelo is famous. As time goes on, his feelings of inadequacy increase when he begins to fear what others will think of his aged appearance, for “They will say: ‘How his hair is growing thin!’” and “They will say: ‘But how his arms and legs are thin!’” (ll. 41, 44). Prufrock’s lack of self-confid...
First, Eliot weaves several layers of symbolism into Prufrocks’s narrative. This ambiguity shows largely through the vehicle of the yellow fog, which Eliot personifies with cat-like characteristics using phrases such as, “…rubs its back…rubs its muzzle on the window-panes” and “…curled once about the house, and fell asleep” in reference to the mist (Eliot). This feline depiction of the city smog creates an eerie setting which serves to further the tone of unsteadiness in Prufrock’s ramblings. The seeping movements of the fog also mirror the uncontrolled movements of Prufrock’s thoughts and his polluted self-concept which causes him to question his every move to no end (Childs). The smog is uncontainable and indefinable, much like Prufrock’s emotions when dependent upon his non-existent actions (Childs). In another instance, Eliot breaks up the deep, incessant wanderings of the speaker’s mind with the phrase, “In the room the women come and go talking of Michaelangelo” (Eliot). These women symbolize the society in which Pr...
Prufrocks next thoughts tell of his old age and his lack of will to say what is on his mind. He mentions his bald spot in his hair and his thin arms and legs. This suggests that he knows he is growing old, and therefore contradicts what he had mentioned earlier in the poem about having plenty of time. Throughout the poem he is indecisive and somewhat aloof from the self-involved group of women. One part of him would like to startle them out of their frustratingly polite conversations and express his love for her, but to accomplish this he would have to risk disturbing their ?universe? and being rejected. He also mentions ?sprawling on a pin?, as though he pictures himself being pinned in place and viciously analyzed like that of an insect being literally pinned in place. The latter part of the poem captures his sense of overwhelming lack of willpower for failing to act daringly, not only at that tea party, but throughout his life.
By a correct reading of "Prufrock," I mean a reading consistent with the central theme of the poet's belief made mute because the poet lives in a culture of unbelief--that is, the "silence" of the poetic vision in modernity. Prufrock renounces his inherited, romantic role as "poet as prophet" and renounces poetry's role as a successor to religion. The future of poetry may have once been immense, but that future no longer exists for Prufrock, who is faced not only with the certainty of the rejection of his poetic vision but also with a situation in which there are no grounds for rhetoric: "That is not what I meant at all. / That is not it, at all." Fear of rejection leads Prufrock to the ultimate silencing of the prophet and hero within himself, to being "a pair of ragged claws." He cannot share his poetic vision of life: to do so would threaten the very existence of that life. Paradoxically, not to share his light, his "words among mankind," threatens the loss ...
Alfred Prufrock”indicates the spiritual emptiness and disillusionment of people , chaos, and futility of modern life and nothingness of human existence on a meaningless world. This is what the poet intends to disclose. And love songs, as many expect, must be very sweet and romantic. Love must be connected with something pleasant. Yet the love song of Prufrock seems very sentimental and sorrowful. The first stanza of the poem presents an unpleasant sight to us.“when the evening is spread out against the sky, Like a patient etherized upon a table”, Prufrock perceives the sunset as a patient oozing on the operation table. Through Prufrock’ s“stream of consciousness”,“ half-deserted streets, cheap hotel, dust restaurants”-the living conditions of the poor appear before him. The situations and the atmosphere are not in harmony with a real love song. This reveals the state of mind of Prufrock, who is not happy, but in a melancholy mood. There is a repetition of the line“In the room the women come and go Talking of Michelangelo”demonstrates the women of fashion pose as a lover of culture and show off their culture accomplishment. They pretend to be educated and converse with so-called civilized gentlemen to relieve their boredom. People in the genteel society in the party eat, drink, dance, and talk to kill much time. This description of the life of genteel society forms a sharp contrast to the poor district with its
“The Love Song of J. Alfred Prufrock” is hardly a love song at all. That irony is clear in that the narrator’s voice is anxious, self-conscious, and depressed. It seems he has wasted his life or that life was wasted on him, and he regrets not being born as a creature that lives on the bottom of the sea. The very last lines of the poem,
Prufrock’s social world is initially revealed as he takes the reader on a journey. Through the lines 1-36, the reader travels with Prufrock through the modern city and its streets as we experience Prufrock’s life and explore his surroundings through his eyes. From the very beginning, the city is portrayed as bleak and empty with no signs of happiness. The setting as Prufrock walks through the street appears to be polluted, dirty, and run-down, as if it is the cheap side of town, giving the feeling of it being lifeless, still, eerie, sleepy and unconscious. Eliot uses imagery, from the skyline to half-deserted streets, to cheap hotels to sawdust restaurants to demonstrate the loneliness and alienation the city possesses. The city Prufrock resides in is, in a way, a shadow of how he is as a person, and the images of the city speak to some part of his personality. Just as the skyline is described as “a patient etherised upon a table” (3), it foreshadows and hints that Prufrock has an...
Elliot, T.S. "The Love Song of J. Alfred Prufrock." Literature: Reading, Reacting, Writing. Compact 3rd ed. Eds. Laurie G. Kirszner and Stephen R. Mandell. Fort Worth: Harcourt Brace, 1997. 781-785.
He does not ask questions such as a “Do I dare?” The poem also relates Prufrock’s shameful life to Dante’s Inferno. In regards to the fact that he is in a dark lonely place where his life has no meaning and has little sureness in himself. Dante’s is confined to hell, where Prufrock is living a lonely life within the city. Another reference to Dante’s Inferno quotes a false counselor in Hell who will tell his crime only to those he thinks will keep it a secret. Prufrock, too, would not want his story of his life to be known he wants to create “To prepare a face to meet the faces that you meet” but what he has to hide is insignificant. There is also reference to the Italian renaissance painter Michelangelo with the women coming and going talk to Michelangelo, that gets you to think that these women can be those of higher class. This may be in regards to the fact that Prufrock may be afraid of the fact that he will not fit the needs of these
Alfred Prufrock, ample details about the settings are described to reflect the speaker’s emotions. For instance, the first stanza paints the scene that an innocent and unconfident middle age man hesitates to propose to a woman. For one thing, the speaker of the poem is afraid that time will go wasted. On the other side, he feels powerless to the reality. Apparently, Eliot directly tells the reader the internal conflict of the speaker of the poem, who is greedy of love but fears for the responsibility that comes with it. What this setting in the poem reflects is the emptiness and weakness of folks in modern
...r than to be some lower form of life (l. 73-74). Even in Mr. Prufrock's fantasy world at the beach, he acknowledges that he doesn't expect even the mermaids to sing to him (l. 125). He is unworthy in both worlds.
Prufrock, the narrator of the poem, is a middle-aged man who is living a life void of meaning and purpose. His thoughts are depressing as he mulls over his dull, uneventful life. One of his most crippling traits is cowardice. He's v...
T.S. Eliot, a notable twentieth century poet, wrote often about the modern man and his incapacity to make decisive movements. In his work entitled, 'The Love Song of J. Alfred Prufrock'; he continues this theme allowing the reader to view the world as he sees it, a world of isolation and fear strangling the will of the modern man. The poem opens with a quoted passage from Dante's Inferno, an allusion to Dante's character who speaks from Hell only because he believes that the listener can not return to earth and thereby is impotent to act on the knowledge of his conversation. In his work, Eliot uses this quotation to foreshadow the idea that his character, Prufrock, is also trapped in a world he can not escape, the world where his own thoughts and feelings incapacitate and isolate him.