The Paradox of Horror: The Most Feasible Theory of Why Some People Like Horror Movies

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Every year Cinemas are flooded with new horror movies to which people line up and pay to spend two hours biting their lips, covering their eyes, and shrinking away in fear. This observation is thoroughly perplexing as it is reasonable to assume that people would aim to avoid things which cause them distress, and thus has come to be referred to as the paradox of horror. This phenomenon justly commands attention in philosophy, neuroscience, psychology, and sociology as understanding it would provide insight into the human psyche and cognitive processes. The most reasonable theories that serve to explain the paradox of horror, or why people would actively seek out horror movies which produce feelings of fear, anxiety, and disgust, are the psychoanalytical theory, fascination theory, and enjoyment theory, of which the enjoyment theory is most plausible because it can be supported from a biochemical standpoint. One of the most popular and oldest theories as to why people enjoy horror, and in turn, enjoy being scared is rooted in psychoanalysis. The psychoanalytical explanation as to why individuals like horror asserts that horror films allow people to relieve themselves of repressed and negative emotions. The foundation for this theory is Aristotle’s concept of catharsis, by which he claimed that viewing tragic plays created an effect by which the spectator’s own anxieties are purged as they are expressed through the characters of the play, thereby granting the viewer a form of emotional release. In much the same way, the idea of “catharsis” is also incorporated into the psychoanalytical theory addressing the paradox, in that the horror film provides viewers with a way to relieve themselves of and lighten the grip that negative emoti... ... middle of paper ... ...y seek out and watch them. This behavior, in essence, is the “paradox of horror,” resulting in the generation of a number theories as to why people voluntarily choose to watch films that produce feelings of fear and disgust. Of the existing theories, the most refined are the psychoanalytical, fascination, and enjoyment theories. Upon further inspection however, the psychoanalytical and fascination theories are revealed to have several shortcomings when compared to the enjoyment theory, which presents itself as the most simple and straightforward theory by asserting that people seek out horror films because they like being scared. Furthermore, the enjoyment theory gains credibility as empirical evidence can be provided as to why an individual would enjoy being scared. Thus, enjoyment theory can be set apart as the most feasible theory of why some people like horror.

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