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Examples of an outlaw hero
Examples of an outlaw hero
Essay of atlas shrugged
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Ethan Gates
28 September 2014
ENGWR 300
Final Draft 1
Professor O’Brien
The Outlaw Hero: John Galt of Atlas Shrugged by Ayn Rand
"Who is John Galt?" has become a question that has been engraved into the conservative's mind. But who exactly is he? John Galt is the main protagonist of the book (made movie) “Atlas Shrugged”. He is "the man who loves his life (923).” John Galt is a character that defies the moral code that has been established by the oppressive government regime that has sought to make the world a better, more equal place for all. In this quest, the government has caused several members of the creators of the world, from musicians to engineers, to disappear and go on strike. John Galt was the man who originally started
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the strike, refusing to contribute anything to a society that would not credit his innovation and his work. He is the exact opposite of a man who believes in the betterment of society. His ultimate goal is the self-satisfaction of himself. In his world, altruism is the ultimate form of evil a man can commit. John Galt, however important he may be to the story, is not actually introduced until Part III of “Atlas Shrugged”. Ayn Rand, the author of the book, stresses how important the individual truly is, and how much of a virtue selfishness can truly be. As a society, the word “selfish” tends to be viewed with such a negative perspective. A perfect example would be from Star Trek’s character Spock, and one of his most famous quotes, “the needs of the many outweigh the needs of the few.” Rand refuses to view the world in such regard. She views selfishness as the greatest virtue a man can have. That society has been ruined by altruism, and that if we committed acts in our own self-interest, we would be better off. Ayn Rand encompasses that belief into John Galt. The man who loves his life truly is the epitome of an outlaw Hero. John Galt, as stated before, is an outlaw hero by the very definition Robert Ray points out in “The Thematic Paradigm” He states, “embodied in the adventurer, explorer, gunfighter, wanderer, and loner, the outlaw hero stood for that part of the American imagination valuing self-determination and freedom from entanglements (378).” In the novel, John Galt decides to flee from the oppressive regime and social status that is taking over America to go on strike, so his ideas would not be taken away by someone who lacks the knowledge and the appreciation of what he has developed, thus selfishly using his own innovation for his own self-interest. In one part of Ray’s essay, he points out, “on the other side, stories modified the outlaw hero’s most potentially damaging quality, his tendency to selfish isolationism, by demonstrating that, however reluctantly, he would act for causes beyond himself (383).” This is a contradiction to the character of John Galt. He does not care about anyone else unless they have something to offer him emotionally or physically. Galt states, “Man’s life is the standard of morality, but your own life is its purpose. If existence on earth is your goal, you must choose your actions and values by the standard of that which is proper to man – for the purpose of preserving, fulfilling, and enjoying the irreplaceable value which is your life.” Another way Galt’s selfishness is shown is through his courtship of Dagny Taggart, another main protagonist in the book. Galt desires her for no reason other than his own self-interest, and he believes that love is a virtue of selfishness that only a few people can possibly understand. When Galt and Taggart first meet, the relationship is mostly a lustful one, but grows over time. The relationship blossoms, eventually, into them falling in love. However, it is interesting to point out that neither Taggart nor Galt ever actually abandons any of their moral principles from earlier, contradicting statements that Ray has made that an outlaw hero must abandon some of their principles in order to truly have a prosperous relationship. Galt is, by Robert B.
Ray’s definition, an outlaw hero. In “The Thematic Paradigm”, Ray points out, “the exceptional extent of American outlaw legends suggests an ideological anxiety about civilized life. Often, that anxiety took shape as a romanticizing of the dispossessed (380).” John Galt is an outsider by definition. Everything he does is against the societal norms that have been established in the world, and his only motivation in life is to serve himself. He would have not saved Dagny Taggart in a plane crash if it weren’t for the fact that he had selfishly fallen in love with her. He would not have returned to the world to try to get her back after she leaves Galt’s Gulch in order to try to save the world that cannot be saved. Ray also states “that distaste took shape as a traditional distrust of politics as a collective activity, and of ideology as that activity’s rationale. Such a disavowal of ideology was, of course, itself ideological, a tactic for discouraging systematic political intervention (381).” John Galt despises the current political system in which the country currently lives. He believes that the current trend in his society of altruism, state run programs, and placing the blame on the “selfish” is morally reprehensible. He also displays himself as an outlaw hero by secluding himself from the rest of society, declaring that he will not abide by the government’s rules, and begin his own society. When Galt finally emerges from being hidden, he …show more content…
is made an enemy of the state. His ideals are thought to be too extreme, and a legitimate danger to the world leaders. He refuses to give up any information, even while being tortured. His psychology goes against every social status that has been made, and he is his own man. His motto in life is, “I swear by my life, and my love of it, that I will never live for the sake of another man, nor ask another man to live for mine.” This, in itself, shows that John Galt is concerned with himself and not society. This, in itself, defies the very essence of an official hero, which makes him an outlaw hero according to Ray. John Galt is a very unique example of the outlaw hero.
He is not a gun slinging John Dillinger, or a Huckleberry Finn who defies the social norm to save a black man from slavery. He is there to make sure that his life’s work is noticed, and that he is credited with it. Instead, in the society in which he lives, he is not. His work is not appreciated, and he is berated for being proud of his innovations and wanting to profit off of them. He is, in a way, able to display the stereotypical aspects of an outlaw hero however. The woman he falls in love with is a social outcast herself, sharing the same attitude as Galt. She has only fallen in love three times in her life, with her final love being Galt. She defies all the social norms a woman at her time would need to follow in order to fit in. The premise by Ray that an outlaw hero can never impact any significant change is challenged, however, by the very design of this story. John Galt was able to start a revolution among his followers. Galt is proud of the individualistic nature he vogues for himself. Because of that individualism he possess, he is able to affect change that the world has never seen. He is certainly unique and an exception to the rule that an outlaw hero cannot change a society. He is selfish. Selfishness is a quality that is to be admired, not berated. That is the theme of this story - that man’s mind is the greatest tool we have. The human mind is the most resilient thing that we as
humans have, and without it, we are nothing. Ray may believe that the outlaw hero may not be able to change society, but John Galt defies the very essence of that theory. He has impacted so much change, not only in the storylines of the book and movie, but in real life. The question, “Who is John Galt?” is still asked, and conservative members of our society long for the day that that we finally receive that answer. Perhaps someday we will. But, as far as Ray’s essay is concerned, he could not be more wrong. Galt is an outlaw hero, certainly, but he never truly fights for anyone other than himself. However, he does actually institute a massive social change. John Galt is a staple in not only this story, but in our society, and what he stands for has helped impact not only my life, but countless other lives. It seems fitting to me to pose this last question to whomever reads this essay, as to honor Ayn Rand and John Galt: Who is John Galt?
The image created for the outlaw hero is the “natural man.” They are adventurous but also wanderers, and loners. Outlaw heroes are more likely to commit a crime, use weapons and carry guns. The outlaw hero represents self-determination and freedom from conflicts. On the other hand, the official hero is portrayed to be “the civilized” man. He often follows the norms of society, and has typical roles such as a lawyer, teacher, and family man.
In the novel, Anthem, written by Ayn Rand takes place when mankind has entered another dark age. A man named Equality 7-2521 lives in a society where he struggles to live equal within the brotherhood. In the world he lives in people are told they exist only for the sake of serving society, and have no other purpose. Therefore, each individual is assigned a vocation as a permanent life career which determines who they socialize and live with. However, Equality being very different from his brothers, believes in individualism and rejects the collectivism society around him. The concept of individualism vs collectivism is portrayed in the story because individuality is unknown to the people where no one is unique or excellent in any way. The people
In “The Thematic Paradigm,” Robert Ray explains how there are two vastly different heroes: the outlaw hero and the official hero. The official hero has common values and traditional beliefs. The outlaw hero has a clear view of right and wrong but unlike the official hero, works above the law. Ray explains how the role of an outlaw hero has many traits. The morals of these heroes can be compared clearly. Films that contain official heroes and outlaw heroes are effective because they promise viewer’s strength, power, intelligence, and authority whether you are above the law or below it.
What kinds of ideas or beliefs make up the dominant American mythology according to Ray? What are the function of the outlaw hero and the official hero in this dominant mythology?
In "The Thematic Paradigm", Robert Ray explains how there are two distinctly different heroes, the outlaw hero and the official hero. The official hero embraces common values and traditional beliefs, while the outlaw has a clear sense of right and wrong but operates above the law (Ray). Ray explains how the role of an outlaw hero has many traits. "The attractiveness of the outlaw hero's childishness and propensity to whims, tantrums, and emotional decisions derived from America's cult of childhood", states Ray. (309) Ray also says, "To the outlaw hero's inconsistence on private standards of right and wrong, the official hero offered the admonition, you cannot take the law into your own hands." (312) The values of these two traditional heroes contrasts clearly. Society favors the outlaw hero because we identify with that character more. We see ourselves more so in the outlaw hero than in the official hero. The outlaw hero has the "childlike" qualities that most of us wish we had as adults. To civilians it may seem that the outlaw hero lives more of a fantasy life that we all wish to have.
Anthem by Ayn Rand is considered a dystopian novel. The characters live in a society where everything is bad, and they have no control over their life or destiny. The book is about a man, Equality 7-2521, who breaks all the laws of his society and dares to be different. The book is in first person and designed to seem like journal entries.
It is a rare conception where a human being is completely and utterly alone. One problem we tend to overlook due to our primitive ideals of staying as a group, is the fact of us becoming solely to that group. In the book Anthem ,by Ayn Rand, a man named Equality 7-2521 sees this problem evolve and how it becomes a nuisance to his society. The book has made me open my mind up to the ideals of doing things for yourself and not always for those around you. The feeling of the story showing a world where many are brought down for being unique and talented hurts me as I imagine a time where all are mere specs of the world. The book hits the hard points of what can easily go wrong with our society if we decide to go over the line. I can see a life
When people hear the words “romantic hero,” they imagine one of those fake characters from cheesy love stories, holding roses while kneeling below the heroine`s balcony. Gatsby is no better than those fake and desperate heroes because his love is untrue and obsessive. James Gatz, who is also known as Jay Gatsby, is a poor young man who acquires wealth for the purpose of gaining the love of a rich girl named Daisy. Gatsby lives and breathes for Daisy, the “nice” girl he loves, even though she is married to Tom Buchanan. Gatsby`s love may sound dedicated, but it is more obsessive because he lives in his dreams and will literally do anything to win Daisy`s heart. In Fitzgerald's novel The Great Gatsby, Gatsby is not portrayed as being a romantic hero due to his attempts in trying to be someone he is not by faking his identity, by his selfish acts in desperation for Daisy`s love, and his fixation with wealth, proving that love is not the same as obsession.
In today’s world there are many kinds of people that do things at their own free will. In the novel “The Fountainhead” it is shown that people made their own decisions to go where they wanted to go in their own free will. In the story “The Open Boat” men have shown to open to their own instincts and follow their own path for survival. Both stories show many forms of determinism, objectivism, naturalism, collectivism, realism, etc. All to be shown at their own free will
“I swear – by my life and my love of it – that I will never live for the sake of another man, nor ask another man to live for mine” (Rand 979). The last lines of John Galt’s speech in Atlas Shrugged declare the fundamental principle of Ayn Rand’s philosophy of Objectivism. Her ideology plays an integral role in her literary pieces, functioning as the motor driving the actions, goals, and beliefs of the protagonists. From the first strains of Objectivism established during her childhood in Russia, Ayn Rand would develop and cultivate her ideas further in each novel, culminating in her magnum opus, Atlas Shrugged. We the Living, The Fountainhead, and Anthem share the theme of Atlas Shrugged, and The Fountainhead and Anthem would join the masterpiece as staples of the Objectivist and Libertarian ideologies (Smith 384). Nothing could pose a greater contrast when presented in juxtaposition with Rand’s doctrine than the Communism of her childhood. Ayn Rand’s experiences living in the Union of Soviet Socialist Republic led her to create Objectivism; through her fictional works, she showcases her philosophy which is centered on the struggle of the individual versus the collective by emphasizing different aspects in each of her novels.
Most self respecting people have ethics and morals they try to abide by. They create standards that they live life by and construct their own philosophy with. In the novel The Great Gatsby, written by F. Scott Fitzgerald, morals and ethics are a scarce practice. Jay Gatsby lives his life by the over bearing morals and values of devotion, corruption, and his will to control.
Court and prison systems became over run and the drinking habits of Americans changed for the worse. Prohibition had the most effect on The Great Gatsby's most notable character, Jay Gatsby. Bob Batchelor states in his book Gatsby: The Cultural History of the Great American Novel, “Gatsby is a deeply flawed hero” (Batchelor 250). Gatsby is a hero because he was able to achieve the American dream by working hard to get to the top. Gatsby, however, was flawed because his dreams revolved around impressing and winning back Daisy.
To qualify as a tragic hero, the character must first occupy a "high" status position and also embody virtue as part of his innate character. In Fitzgerald’s novel, the tragic hero Jay Gatsby was not born into wealth but later acquired social status through bootlegging, or selling illegal alcohol during Prohibition. When he was a child, James “Jimmy” Gatz was a naïve boy from North Dakota without any family connections, money, or education who was determined to escape his family’s poverty through hard work and determination. Once he enrolls in the army, however, Gatsby gets “’way off my ambitions, getting deeper in love every minute, and all of a sudden I didn’t care” (151) when he meets who he believes to be the girl of his dreams—Daisy. Though he knows nothing about her, he is swept away by the...
Scott Fitzgerald also explores a moral issue, but regarding a different facet of life. The Great Gatsby tells of Jay Gatsby 's desperate efforts to reunite himself with the love of his life, Daisy Buchanan. The obstacle comes in when it is learned that Daisy is already married to another man. Despite this fact, Gatsby goes to great lengths to win the heart of Daisy. Jay came from a very poor and humble background while Daisy came from the complete opposite. After the war that separated the two lovers was over, Gatsby made a fortune from an illegal source, which is assumed to be bootlegging, to try to capture the attention of Daisy. Fitzgerald explores a moral issue through Gatsby in that to some, the act of committing a crime to obtain a desired outcome is wrong. Fitzgerald, however does not write the novel to foment that mentality. The novel is written in a way that Gatsby is seen through a bright light and that his actions could be justified due to his somewhat noble ambitions. This brings on the matter if anything incorrect could ever be justified or accepted due to the hope of a noble outcome. Fitzgerald brought this concept into question with the entire creation of the Jay Gatsby 's
The reader himself learns to appreciate this man who is the classic example of an American hero- someone who has worked his way up the social and economic ladder. He is a man who has completely invented his own, new, inflated image. Throughout the novel, this glorified facade is slowly peeled away. Gatsby eventually gets killed in pursuit of romance with the beautiful, superficial socialite, Daisy Buchanan. Havi... ...