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Essay of mexican art
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The novel The Old Gringo by Carlos Fuentes is set in the northern desert of Mexico. “It is a complex novel that intertwines psychology, mythology, and political events to examine the culture of modern Mexico.” (Introduction & Overview) It is inspired by the folklore of the disappearance of an American Writer named Ambrose Bierce, “the old gringo.” When Bierce was seventy-one years old, he retired to Mexico to join the rebel army of Pancho Villa. Afterward, he was never heard from again. From here, Fuentes picks up the story, and tells it through flashback memories of Harriet Winslow. Fuentes’ reason for the setting is to show a relation between individual destinies, and actual historical events. Bierce’s disappearance enables Fuentes to show the history of the development of these two nations.
Harriet Winslow is a character who remembers the story of her adventure in Mexico through flashbacks. Harriet is unmarried when she agrees to go to Mexico to teach English to the Miranda family’s three children. However, when she arrives she finds the country in chaos, and the Miranda home in ruins. Harriet is used by the revolutionary leaders, and becomes involved with a revolutionary general, Arroyo. Ambrose Bierce, the “old gringo,” is a real-life writer whose true identity is not revealed until towards the end of the novel. He is known for his bitterness and cynicism, but after working over twenty years for William Randolph Hearst at a newspaper, a person can understand why. Now he regrets wasting his perfectly good talents on a newspaper company. In the fall of 1913, the old gringo retires to Mexico at the age of seventy-one years old. He is an alcoholic who wishes to find Pancho Villa, and join the adventure of the Mexican revolution. ...
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...al beliefs used by Mexicans today.
Traditional medicine in Mexico is based on the Greek belief, brought by the Spaniards, in the four humors: blood, phlegm, black bile and yellow bile. A balance of these is believed to be needed for good health. These beliefs were brought over by the Spanish during colonization, and over the years combined with some of the already existing ones to form a belief, which is based on a balance between hot and cold. Correction of this balance is by consumption of foods or herbs of the opposite quality. Hot and cold as far as healing goes, has nothing to do with the actual physical temperature of the food and definitions of this can vary depending on the region in Mexico the individual is from. (Smith)
In conclusion, The Old Gringo is a great mix of culture, history, and a writer’s vivid imagination as to what happened to Ambrose Bierce.
Monroy, Douglas. Thrown Among Strangers: The Making of Mexican Culture in Frontier California . 1990.
Rain of Gold, is a true story about the history of Mexican people, their culture, traditions and customs that were passed down from the Euro-Indian heritage of Mexico. Rain of Gold was written by Juan Villasenor in search for his ancestral roots. The people of this story are real and not fiction. The places that are discussed are true. And the incidents did actually happen to his family. There are several underlying themes that need addressing. Such as: the importance of family, the importance of religion and spiritualism, woman as center of home and family, respect--protection of woman's virtue; ideal of women as pure, power of the woman--the mother, being a man-man as protector of the family, pride of man to be a provider, importance of traditions, respect for life, work and education/learning, death as part of life, honor, dignity, and finally discrimination and prejudice. I will be using this book as a reference and as a guide throughout this review to discuss the themes that are stated above.
The author of Mexican Lives, Judith Adler Hellman, grapples with the United States’ economic relationship with their neighbors to the south, Mexico. It also considers, through many interviews, the affairs of one nation. It is a work held to high esteem by many critics, who view this work as an essential part in truly understanding and capturing Mexico’s history. In Mexican Lives, Hellman presents us with a cast from all walks of life. This enables a reader to get more than one perspective, which tends to be bias. It also gives a more inclusive view of the nation of Mexico as a whole. Dealing with rebel activity, free trade, assassinations and their transition into the modern age, it justly captures a Mexico in its true light.
(134,219). The author and main character Rodriguez are one in the same person. At a young age Luis Rodriguez started writing about his life story which becomes a big feat for him because of not getting education in school, gang related problems, and being a leader in school for his fellow classmates. He clearly goes against a stereotype he faces which is Hispanics are illiterate by, writing a book despite getting without help in his circumstances and writing becoming very popular throughout the years. As a result of his hard work he put into his stories and poems, thanks to one of his teachers Mrs. Baez, the stories and poems were edited and sent to many literary contests.
As a journalist in 1920 for the New York Herald Tribune, Sophie Treadwell was assigned to go to Mexico to follow the situation after the Mexican Revolution. (Mexican Revolution 1910-1917) She covered many important aspects of the Mexican Revolution during this time, including relations between the U.S. and Mexico. She was even permitted an interview with Pancho Villa in August 1921 at his headquarters. This interview and other events that she experienced in Mexico are presumably what led her to write the play Gringo. In Gringo Treadwell tries to depict the stereotypical and prejudicial attitudes that Mexicans and Americans have about each other. There is a demonstration of how Mexican women are looked at in the Mexican culture and how they see themselves. The play also corresponds to similar events that occurred during the Mexican Revolution.
Torres, Hector Avalos. 2007. Conversations with Contemporary Chicana and Chicano Writers. U.S.: University of New Mexico press, 315-324.
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
The first and the last line of this novel are identical. “Now she sits alone and remembers”(Carlos Fuentes). In the beginning of the book Harriet Winslow was alone. Throughout the story, she learned to love both the old gringo, Ambrose Bierce, and also Tomas Arroyo. In the first pages of the novel, Harriet said that she will always hate Arroyo, however they fall in love and they make love for the first time. The old man Bierce tried to tell Winslow that he loves her, but by that time it was too late. Bierce finally gets killed by Arroyo. Arroyo was later killed by Villa’s troops, leaving Harriet all alone. Once again she sits alone and remembers everything that they went through.
In 1910, the first social upheaval of the 20th century was unleashed in Mexico. Known as the Mexican Revolution, its historical importance and impact inspired an abundance of internationally renowned South American authors. Mariano Azuela is one of these, whose novel, "The Underdogs" is often described as a classic of modern Hispanic literature. Having served as a doctor under Pancho Villa, a revolutionary leader of the era, Azuela's experience in the Revolution provides The Underdogs with incomparable authenticity of the political and social tendencies of the era between 1910 and 1920. The Underdogs recounts the living conditions of the Mexican peasants, the corruption of the government troops, and the revolutionary zeal behind the inspiring causes of the revolution. In vivid detail and honest truth, Azuela reveals the actuality of the extent of turmoil that plagued Mexico and its people during the revolution. However, before one can acknowledge The Underdogs as a reflection of the Mexican Revolution one must have an understanding the political state of Mexico prior to the Revolution and the presidents who reigned during it.
Flores, Angel. "Magical Realism in Spanish American Fiction." Magical Realism. Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham, N.C.: Duke UP, 1995: 109-116.
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
Gabriel García Márquez story, Big Mama's Funeral, is a story filled with fantastical scenes and events much in line with Don Quixote and Candide. The introductory paragraphs of Big Mama's Funeral and Candide sound so similar in voice the two authors could be mistaken for the same. In Candide, one finds a series of episodes that are so far from the truth and yet perfectly explainable. The story of the fate of Dr. Pangloss, the death and resurrection of Cunegund and of her Jesuit brother, and the story of the old woman with one buttock are farcical in the same way as the episodes in Big Mama's Funeral. In Don Quixote, we find a man, for the most part average, who wishes to become a knight-errant. In his quest is as series of happenings so ridiculous they are nothing short of tabloid-style sensationalism, or drug induced hallucinations.
River of Hope: Forging Identity and Nation in the Rio Grande Borderlands by Omar S. Valerio-Jimenez is a wonderful book exploring the eighteenth and nineteenth centuries. Gender, cultural change, class, and racial standards are just a few topics Omar touches in his book. This book gives meaning not just to Mexican readers but American readers as well. This outstanding study of the United States-Mexico borderland shows the history of the land starting with the Spanish colonization moving all the way to the Tamaulipas.
Flores, Angel. "Magical Realism in Spanish American Fiction." Magical Realism. Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham, N.C.: Duke UP, 1995. 109-116.
Whenever we lose something, we seem to appreciate its value more than when we had that said item. This concept can also apply to people. It can be losing a valued employee and realizing how much your business relied upon that said individual. The 2004 film A Day Without A Mexican directed by Sergio Arau relies very much on this concept of losing a people or a whole population of people. Sergio Arau’s 2004 film A Day Without A Mexican demonstrates the value the Californian Mexican population for industries relating to food, taking a part certain stigmas that are attached to the Hispanic population, and displaying the use of the Mexican people as a prop for further capital gains.