The Obsessive Nature Of Exile In Mary Shelley's Frankenstein

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Frankenstein by Mary Shelley, follows Victor Frankenstein, a budding scientist, and his exile of himself, his return to society, and his eventual return to the exiled state and his response to his self-isolation. Frankenstein’s exile of himself stems from his obsessive nature towards his work. He secludes himself, physically, emotionally, spiritually, and allows himself to wither away as he pours his complete energy and devotion into building his Creation. He entrenches himself so deeply into the process all other life factors become obsolete. Frankenstein’s exile is a by product of his obsession with his work; and as he works, Frankenstein becomes increasingly unstable, upon removing himself from his labor, Frankenstein’s health and security …show more content…

While there, he delves into an obsession with proving what is known to be impossible. After “a sudden light” (Shelley 31) gives Frankenstein the motivation, and final piece to the enigma the scientist had been wrestling with, he devotes the entirety of himself to completing the project. He remains “engaged, heart and soul, in one pursuit,” (34) throughout the summer and into the fall. This behavior, where Frankenstein is so thoroughly entrenched in the result of his experimentation is incredibly damaging. He estranges himself from society, even admitting to “forget(ting)” (34) about his friends, who he has not seen or connected with due to his newly obsessive nature. For this type of mental lapse to be possible, Frankenstein is clearly delusional and grossly fascinated with his Creation. His “employment” has an “irresistible hold on (his) imagination,” (34) one that has dug into his brain and taken root, growing and expanding until his brain is completely plagued with an intention to create …show more content…

This request angers Frankenstein who had been content in his returning heath and tranquility (105). Although Frankenstein displays apprehension about working under the watchful, hidden eye of his creation, he “toil(s) day and night” (118) to recreate the experiment that yielded his first Creation. Frankenstein is subject to obsession with his work regardless of the environment. His employment becomes a source of thrill or terror, making it difficult for him to pull away. During his second exile, Frankenstein is conscious of the decision he is making to cut himself off from society in order to resume his work on a new Creation. He leaves his family, Elizabeth, his friends, and his tranquility “to pass two years of exile,” (110) and exile he has placed upon himself. By exiling himself from the surrounding world, Frankenstein effectively pushes aside all possible distractions, allowing his mind to wrap itself completely around the puzzle of his work. Although he is no longer obsessed with achieving artificial life, Frankenstein’s obsession manifests itself in new ways and habits. He becomes re-immersed in his work, describing his feelings towards its completion as “tremulous and eager hope,” (118) he is clearly re-engaged with his work on the same level as he was previously, except now he is aware of the consequences

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