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Female power in a patriarchal society
Female power in a patriarchal society
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The Nurturing College Professor
Nurturing behavior regarding teaching is defined in both negative and positive ways when addressing the effectiveness of the teacher and his or her impact and influence on student learning. Helping a student become a better and more involved learner is an important issue when talking about nurturing teaching because it exists as one of the ultimate goals of this kind of encouraging and supportive teacher.This teacher wants to see his or her students as engaged as possible with the material.ìÖwe would expect students who are really learning to be asking question and exploring connections between their personal lives and the course material in their writings and informal classroom discussionî (Grauerholz 2). Just as the professor is making a concerted effort to become a part of the students education, the student will intern reciprocate by becoming a more active part of his her own learning experience. Productive student learning, therefore, is an asset and valued outcome of any positive and effective teaching method, including nurturing teaching.
To nurture, as an action, is defined in Websterís Dictionary, to ìfeed and protect, support and encourage; bring up, train, or educate.î To nurture a person, therefore, is in essence providing some of the basic functions of what a teacher does. For the most part a nurturing attitude is looked on as a necessary element of teaching children and young adults, K-12, because it provides these students with a safe environment for their ideas to flourish. This definition, however, must be expanded in the context of universities where the nurturing teaching is meant to challenge and stimulate a group of college age adults and not simply foster more simplist...
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Spring 2001. Vol. 49, Issue 2, p44, 7p. pp1-13 off Academic Search Premier.
Isaacs, Emily. ìMarcia: Traditional Classroom Techniques for a Student-Centered
Approach. Constructing Pedagogies: A Feminist Story of Three Writing Teachers.
UMI: A Bell & Howell Info. Co. 1996.
Jarratt, Susan C. ìFeminism and Composition: The Case for Conflict.î Contending with
Words. eds. Patricia Harkins and John Schilb. New York: MLA. 1991, pp. 105- 123.
Rhode, Deborah L. ìMelange; The Constraints of Femininity; The Myth of California;
New Languages in Music; The Cumulative Enterprise of Scienceî Chronicle of Higher Education. 16, Jan. 1998. p. B7.
Schell, Eileen E. ìThe Costs of Caring:î Feminism and Contingent Women Workers in
Composition Studies.î Feminism and Composition Studies. eds. Susan Jarratt et. al New York: MLA. 1998, pp. 74-93.
Davidson, Cathy N. and Linda Wagner-Martin. The Oxford Companion to Womenâs Writing In The United States. New York: Oxford United Press, 1995.
In a society where a collegiate degree is almost necessary to make a successful living, the idea that a student cares less about the education and more about the “college experience” can seem baffling. In My Freshman Year: What a Professor Learned by Becoming a Student, Rebekah Nathan, the author’s pseudonym, tackles the idea that academics are less impactful on a student then the culture of college life. Nathan, a 50-year-old cultural anthropologist and university professor, went undercover as a college freshman for a research project. From her research, she hoped to better understand the undergraduate experience by fully immersing herself in college life. To do this, she anonymously applied to “AnyU,” a fake acronym for a real university,
Irigaray, Luce. "This Sex Which Is Not One." Feminism: An Anthology of Literary Theory and Criticism. Ed. Robyn R. Warhol and Diane Price Herndle. New Brunswick, NJ: Rutgers UP, 1991.
Throughout history, women have struggled with, and fought against oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structure. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society. Writing based on their own experiences, had it not been for the works of Susan Glaspell, Kate Chopin, and similar feminist authors of their time, we may not have seen a reform movement to improve gender roles in a culture in which women had been overshadowed by men.
Willoughby, David. "Chapter 11." The World of Music. 7th ed. New York: McGraw-Hill, 2012. 249-53. Print.
Boswell, Marshall. "Feminist Literary Criticism." In Boswell, Marshall, and Carl Rollyson, eds. Encyclopedia of American Literature: The Contemporary World, 1946 to the Present, vol. 4, Revised Edition. New York: Facts On File, Inc., 2008. Bloom's Literary Reference Online. Facts On File, Inc. Web. 10 May. 2012.
Throughout the semester, various styles of music and the aspects of culture associated with these styles have been analyzed. Musical elements such as dynamics, texture, form, timbre, melody, instruments, etc., have been used to thoroughly explore each kind of music from different areas of the world, with an emphasis in music from Africa, India and Indonesia. These aspects of music go far beyond just music itself. Culture also plays a huge role in music and the accompanying musical elements. Each country and culture has a different style and distinctiveness that add to what makes the music of that certain culture unique. Music in Africa may differ dramatically from music in Indonesia or India not only due to those certain elements but also due to how it is interpreted by people and what it represents for those people. In addition to this, what one may consider music in one culture may not be music to another. These differences have been made apparent in the several demonstrations that we have been exposed to in class.
Miller, Terry, and Andrew Shahriari. World Music: A Global Journey. New York, London: Routledge Taylor and Francis Group, 2006.
Have you ever considered…that if all of the works and theory from 1780 to 1880 were suddenly lost to the world, music would still exist? That the purpose of education is to open minds and to provide the substance and enthusiasm for continued personal discovery and growth. That notation is only a coding device…it’s a system for translating musical ideas for future recall, not…acquiring or developing musical sensitivity or sensibility… That a composition is merely a statement of someone’s musical thoughts, and everyone has musical thoughts…that the gulf between the educational system and the living creative art of music has grown so huge that a really knowledgeable student…may be intimidated to reject the
Lindberg, Laurie. "Wordsmith and Woman: Morag Gunn's Triumph Through Language." New Perspectives on Margaret Laurence: Poetic Narrative, Multiculturalism, and Feminism. Ed. Greta M. K. McCormick Coger. Westport, CT: Greenwood, 1996. 187-201.
Abrams 1604 - 1606. Peterson, Linda H. "What Is Feminist Criticism?" Wuthering Heights. Ed. Linda H. Peterson, Ph.D. Boston: Bedford Books, 1992.
“The parallels between musical and linguistic boundaries are obvious” as stated in author Peter M...
“Mary had a little lamb, little lamb, little lamb; Mary had a little lamb, whose fleece was white as snow.” For centuries “Mary had a little lamb” has become one of the most universally recognized nursery rhythms since being published in 1830. Centuries later it is still one of the most popular songs of the world. Merriam Dictionary defines music as “the science or art of ordering tones or sounds in succession, in combination, and in temporal relationships to produce a composition having unity and continuity.” With that in mind, music is found everywhere. Whether it’s in the Great Wall of China to the jungles in Africa, music is found everywhere. The main purpose of this paper is to show that music is in fact a universal language by comparing music with other official languages, showing how music influences emotions and how music literacy and emotions helps people understand music as a language. In order to fully execute my purpose of proving that music is a universal language, I will be focusing on using personal experiences, researching articles and specific musical examples from class.
...er’s should try to encourage and strengthen parents engagement in their Childs school experience, as the student is more likely to want to come to school and participate in work if they have the encouragement of their family members. Every single student has the ability to learn and reach their full potential if they have the right role models there to help them. All these aspects explain how it can be very challenging for a teacher to try and manage a classroom where every student has different learning abilities.
Generally my behaviour and attitude with my students reflects nurturers. According to Pratt the nurturing educators highly believe and accent the relationship between learner’s self-concept and learning (T’Kenye, 2005). Their strengths lay in caring for their students and supporting and encouraging their individual efforts in a trusting and respectful environment (T’Kenye , 2005).