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Piracy in the music industry
Digital music piracy
Piracy in music industry essay
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The New Technology of Music With the advancement of computer-based technology, music is being accessed and created in ways that were not seen only a few years ago. Whole catalogs of music are available on the Internet, some for a fee but most are free. Artists can create studio quality recordings at home with the help of digital technology and upload those songs to the Internet. As to be expected the recording industry has a severe distain for this advancement of musical technology simply for fear of it disturbing the companies year end bottom line. As much as the record business would like to have the public believe that computer-based music technology would forever ruin music, quit the opposite is true. With the popularization of the MP3 format a few years back came a renewed interest into listening to music. One of the great advantages of the Internet was that it allowed for almost immediate access to information instantaneously. If a song had been recorded, then there was a good chance it could be found on the Internet. The MP3 format allowed listeners to check out new artists and allowed for people to sent songs to each other of artists they thought should be heard. This was a good way for unknown artists to be heard or forgotten artist to be re-discovered. Radio station play lists or MTV’s idea of the next big thing did not fuel this rekindled interest in music. Rather a desire to simply listen to music was all that drove this phenomenon of people downloading music. Certainly there are detractors to the format who charge that MP3’s steal revenues off their music. While it is true that people could (and probably have) simply download entire albums of artists. That reasoning alone is not enough to condemn an entire format of music. The artists that complain the loudest of the potentially crippling album sales are the established artists who have already made a fortune in the recording business. The established artists feel it is necessary to protect there recordings, and by all means they have that right, but one argument that is brought up by these same artists is that this technology hurts up and coming artists. The rationale behind this may a lack of record sales for the younger artists on the surface. However that argument only makes the established artist look bad as they are using unsuccessful artists lack of success to protect their own interest (money).
“It is estimated that such illegal product costs the music industry more than 300 million dollars a year domestically.” This is why the Recording Industry Association of America (RIAA) is taking a strong stance against MP3 piracy. The damage done to the recording industry in lost profits, increased prices, and lost jobs is overwhelming. In an attempt to put a damper on file swapping, and recapture lost revenue the RIAA has been suing people ...
...t they do, what to earn profit from this sector of their business. However, I think this is the sole objective of the major record companies because that was the objective before and why would it not be now. The problem is that now the artist can market their own music and this takes away from their revenues.
For example, music is becoming more widely available to the general public with the introduction of mp3 players and the growth of the online music industry. The essay is concluded with my personal feelings towards the use of electronic technology within the live music industry, as well as the recording studio environment. This conclusion reveals that while the use of electronic technology has become crucial in the modern music market, it should not detract from the quality of live music produced. In this way, I feel that the use of electronic technology – namely drum machines and computerised backing tracks – have had a negative effect on the live music industry, because the majority of artists within the ‘pop’ genre now use computer-generated backing for live performances.
There have been many effects that music has in our daily lives. The growth of the internet’s bandwidth has impacted the music industry. Different companies have tried many strategies to spread out the general music interest. One of the ways has been the streaming strategy. This has caused the bandwidth of their servers to cost more money than could be made. This is why many companies have fallen in the industry. They simply could not make a profit out of having music being streamed compared to it being sold individually. A long-term profit has not been sustainable for most music-streaming companies. Music streaming has been around for over a decade. Companies such as Rhapsody, Napster, MOG, and We7 have tested different business models. They had a way where you could pay a monthly subscription to download all of the music you would like. This is easily comparable to an all-you-can-eat buffet. Some types of subscriptions made a limit on the number of songs you can download. There are different
Music and the relationships of music have changed drastically in our society. The course of studies and the evaluations of the applications of the technology of music, the making and the listening of music have changed in the way we listen to music, the styles of music in our society and in the media. The importance of the technology in music today, has, over the past century been charted through the study of musical examples and through viewing how human values are reflected in this century's timely music. There are very many different types of music that are listened to. There are readings, writings, lectures and discussions on all the different types of music.
With any new technology, comes gains and losses. With the creation of iTunes, it made it easier for consumers to navigate and search through millions of songs and albums instantly. Listeners could now listen to and purchase any song or album with the click of a button. No longer would consumers have to go to a store or a record shop to purchase music. Consumers were set free of the hassle of sifting through thousands of albums and records at the store to find the music that they want. In many ways, iTunes made purchasing music easier, but by revolutionizing the distribution of music, iTunes took away the experience and emotional aspect that comes along with buying new music. ITunes changed the cult...
As long as there is access to free music, we 're not going to pay to get it. The rapid expansion of new technologies in conjunction with the internet has given us alternative sources to the ease of downloading music from the web. It may perhaps be that fans do not want to spend hundreds of dollars on their favorite artists while the practicality of digital music downloads is right at their fingertips making it readily available. Some may feel that music downloading is perfectly legal, maybe mostly due to its widespread availability. Internet piracy is a sketchy subject and not a victimless crime posing a large threat to artists and their record labels.
This ultimately altered the conventions of music consumption and contributed to new listening culture based on peer-to-peer exchanges rather than corporate structures (Freedman, 2003, p. 173). Consequently, this forced all record labels “to adopt internet technologies, to create a richer and more fully featured web sites, and to experiment with electronic forms of distribution that are either proprietary or in other ways non-threatening” to alleviate potential damage from media technology (Easley, 2005, p. 165). Universal Music Group successfully addressed the changes brought by media convergence by modifying their traditional business model to adopt the paradigm shift and facilitate the digital media culture (Universal Music Group,
The Recording Industry Association of America (RIAA) defines digital music as “music downloaded over the Internet for a fee, music downloaded from subscription sites, and music downloaded to cellular phones and other mobile devices.” Some popular digital music stores include Apple’s iTunes, eMusic, Amazon MP3, and Rhapsody. Because of these digital music stores and the Internet, artists no longer have to rely on record labels, but can distribute music independently and reach audiences that weren’t reachable
To conclude, digital music has become a large asset the music business. Music downloads continue to grow rapidly but so does the traditional distribution channels like cds and vinyl’s. It seems that people have their own personal preferences when it comes to music purchases. Whereas some people would prefer cds, others prefer having their music collection on a small music player or an app on their phone where they can stream instant music. There are issues when it comes to music piracy but laws and incentives are put into place to stop this and try to protect the music business. The future of music will continue with streaming, purchasing downloads, cds and vinyls until another revolutionary idea is created.
That said, the music publishing revenue model is changing quickly, and new opportunities are presenting themselves all the time. No business model remains unchanged forever - and the music industry has been woefully slow at recognizing this. (Cox, Economics 5070-76) Consumers are actually losing because of quality. They’re exposed to more choices than ever before, but the quality of the product is not on par with what can be legally paid for. Labels are still trying to catch up. Their strategy is to sue instead of find middle ground, which is their own fault. They could have been the first to see streaming as a replacement for physical media like cassettes and CDs. “I’d say not just piracy, but digital production of content has affected quality. Listen to something streamed at 160kps or worse on many sites and compare it to a CD. You’ll notice a definite difference. The promise of the digital age was that music was supposed to get better in terms of reproduction quality, not worse. Listen to the recording process a band goes through in the studio and compare it to what you can download. It’s night and day.” (Green, personal
The industry has really gotten out of hand. It’s really changed in a blink of an eye. What the internet can do today is incredible. It’s become much faster to get through websites and easy. All this music being uploaded to the internet is also very strange. Are the labels really going to be able to stop all these people from uploading? No one really has the answer for that, only time can tell. It’s also being saved by certain streaming-music services. Illegally downloading is good and bad in its own way.
switch to digital music has brought about a new era which affects all aspects of
Over time the Music industry has experienced a great deal of change. A technology revolution has changed almost every aspect of the music industry, from the artist right through to the listener/consumer. Not unlike other forms of media, the music industry has been forced to move with the times, adapt to change and this has resulted in a difference for both the industry and the consumer.
Production companies took a bold step forward by uploading their content online. People now are not obliged to buy a full album to listen to one song, for a minimal fee you can buy the track you want, the same goes for movies and electronic publications. The downloaded files though will be digitally protected so that only the person who downloads them can use them, and he can’t share them at home or with friends. Even with this step from production companies, a large portion of people who download music still do it for free. Moreover hackers came up with new ways to remove the digital copyrights so the same as before one downloads music and distributes them around.