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Literature and psychology essay
Psychological conflict in literature
Psychological conflict in literature
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In his short story, “Big Two-Hearted River”, Ernest Hemingway focuses on the mental and emotional state of Nick, the protagonist, who “le[aves] everything behind” during a wilderness fishing trip. Traumatic thoughts and memories haunt Nick, but the cause of his inner turmoil is not disclosed in the story. Other short stories by Hemingway, however, reveal that Nick Adams is a wounded veteran who served in the First World War. To distract himself from these painful memories, Nick concentrates on the physical details of his journey such as making camp and preparing food. In addition to self-distraction, he attempts to inhibit his ability to think through hunger and physical exhaustion. By examining how Nick uses these techniques of mental control …show more content…
During his journey, his desire for solitude is explicit: “Nick did not like to fish with other men on the river. Unless they were of your party, they spoiled it.” In his emotionally fragile state, Nick is ill-prepared to handle the “unpredictable variable” posed by fishing companions. Consequently, he chooses to travel alone into the wilderness, interacting only with characters from the natural world such as grasshoppers and trout. Through his decision to embark on a solo journey, he is able to place more control over the external environment which is a crucial element of his rehabilitation. Without the uncertainty of other men’s words and actions, Nick is once again able to gain further internal stability. Stewart, however, attributes a different reason for Nick’s preference for solitude, suggesting that “his mindfulness sets him apart from the careless fishermen who ‘spoil it’ for those who truly love the activity.” This conclusion is certainly valid, for Nick’s expression of dislike follows a memory of the irresponsible fishing practices that resulted in trout dying from white fungus. Nevertheless, Nick states that he is not bothered by the company of like-minded fishermen. If his primary concern was indeed the conscientiousness of his fishing companions, as opposed to their unpredictable nature, it is less likely that he would have made the decision to travel alone. Additionally, Nick’s ultimate goal for the fishing trip is not simply catching trout, but rather gaining internal stability and peace. Although he finds satisfaction in this activity, enjoyment alone is not a deciding factor in his choice to travel without other fishermen. Regardless of his reasoning, this decision is important as it provides him with a much-needed feeling of security and simplicity. As the only human character to directly appear in “Big Two-Hearted River”,
Finally, Nick’s inability to involve himself emotional with anyone is also a problem. He is more of a bystander than a participant. He fears of being close to anyone, and mostly just gets along with everything. That is a problem. He needs to find someone to listen to, instead of him always being the listener. This emotional distance, which he has, is not a healthy thing for him and can cause him to end being a loner.
Hemingway, Ernest. “Big Two Hearted River.” In Our Time. New York: Charles Scribner’s Sons, 1970.
4). Nick’s assessment and criticism toward Jordan, Tom, and Daisy also show his skeptical and logical outlook on others around him. This tone shows Nick’s struggle between being like the emotionless and careless people around him (like Tom) or to be his own hopeful and romantic man (following
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
Ernest Hemingway once said “I am trying to make, before I get through, a picture of the whole world-or as much of it as I have seen. Boiling it down always, rather than spreading it out thin.” I believe this quote can be interpreted as the writer attempts to put all the passionate thought his pure and full of descriptive words to make the reader reveals a true world from the character’s eyes and fully immerse themselves into the sense, rather than words that are complicated and meaningless. This can be showed through an analysis of a passage “Big Two-Hearted River” by Hemingway through the use of telling detail, facts as Prof. Hammond mentions in his book Thoughtful Writing, which not only gives the reader the ability to see a clearer image of comparisons between destruction from war and nature’s beauty but also how Nick healing of nature from battlefield.
Hemingway is trying to show that the trout are better then Nick, since they are not bothered by emotions or their surroundings. Nick is, he is bothered by the war, which created internal emotions that he is trying to resolve. Hemingway used the trout in t...
Hemingway, Ernest. “Big Two Hearted River.” In Our Time. New York: Charles Scribner’s Sons, 1970.
"Man Cannot Live by Dry Flies Alone: Fly Rods, Grasshoppers, and an Adaptive Catholicity in Hemingway's 'Big Two-Hearted River'. " Fleming, 31-44. Fleming, Robert E., ed. Hemingway and the Natural World.
Moderation is fully evident in Hemingway’s characters. Santiago, the protagonist of The Old Man and the Sea, firmly balances two contrasting qualities - his humility and pride. Santiago reveals his humble nature when Manolin asserts that he is the best fisherman to which Santiago replies “No. I know others better.” (The Old Man and the Sea 23). Meanwhile Santiago’s attempt to capture the fish and prove that he is a capable man despite his old age signifies that he retains a certain level of pride for his masculinity. Humility is the antithesis of pride, yet, the old man has the ability to retain both through moderation. Emotions are not the only characteristics to be moderated; actions as well as speech must be balanced. In “Indian Camp”, the father explains a mature topic –the act of givin...
Hemingway, Ernest. The Old Man and the Sea. 1952. New York: Scribner Paperback Fiction, 1995.
“Character cannot be developed in ease and quiet,” Helen Keller once said. “Only through experience of trial and suffering can the soul be strengthened, ambition be inspired, and success achieved.” Through suffering emerges triumph and through struggle there is honor. Ernest Hemingway’s fictional novella, The Old Man and the Sea, is a simply written account which tells about an old man’s courage, perseverance, and his victory in spite of being destroyed. The protagonist Santiago, is an elderly fisherman, who recently does not seem so successful in his fishing career; however, one day, as he goes out to sea, a large marlin seems to have bit his hook. After spending three days at sea in pursuit of the fish, though returning home empty handed, Santiago earns the respect he deserves for his dedication and undying determination despite the odds. In The Old Man and the Sea honor in struggle and suffering is shown in Santiago’s hero, DiMaggio, the way Santiago is compared with Christ, and Santiago’s ultimate battle with the Marlin.
Hemingway uses the symbolism of the “train” and the “curtain” to show how when making a difficult decisions
Wright, Jerianne. "Hemingway's Use of Animals as Psychological Symbols" (The University of Florida's Hemingway Collection). 15 Sep. 1997. http://www.atlantic.net/~gagne/pol/annie.html (5 May 1998).
Hemingway, Ernest. The Old Man and the Sea. New York: Charles Scribner’s Sons, 1952. Print.
O’Connor, Flannery. “The River.” The Complete Stories. New York: Farrar, Straus and Giroux, 1971. 157-174. Print.