Wesley Huang
Instructor: Caroline Burke
WRT 102 Sec. 46
01 May 2014
Healing of Nature:
“Big Two-Hearted River,” by Ernest Hemingway
Ernest Hemingway once said “I am trying to make, before I get through, a picture of the whole world-or as much of it as I have seen. Boiling it down always, rather than spreading it out thin.” I believe this quote can be interpreted as the writer attempts to put all the passionate thought his pure and full of descriptive words to make the reader reveals a true world from the character’s eyes and fully immerse themselves into the sense, rather than words that are complicated and meaningless. This can be showed through an analysis of a passage “Big Two-Hearted River” by Hemingway through the use of telling detail, facts as Prof. Hammond mentions in his book Thoughtful Writing, which not only gives the reader the ability to see a clearer image of comparisons between destruction from war and nature’s beauty but also how Nick healing of nature from battlefield.
The main idea of “Big Two-Hearted River” is about Nick Adams, the main character, who returns home as solider coming back from the war. House and hillside are burnt out and abandoned. Everything has changed and looked different in a veteran’s eyes. He goes down the hill and walks along the river trying to find a good place to set up the camp. Although he feels lonely and misses his friends Hopkins and life in the army sometime, he is also enjoying getting back his freedom as a normal man.
The theme of change is showed in the opening of the story when Nick returns his hometown from war and walks along the rail road. Seeing this burned over country and seeking the beauty from nature, as Hemingway wrote on page 1 of “Big Two-Hearted River” “There was...
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...e, before I get through, a picture of the whole world-or as much of it as I have seen. Boiling it down always, rather than spreading it out thin” is well explaining in his passage “Big Two-Hearted River”. He is trying to let the reader not only see a whole true world about destruction from war in both mental and physical way by his pure writing, telling details and fact but also feel the power of Nature’s healing. The theme of change first appears in the passage when he first returns his homeland from war. The main theme healing of nature is shown throughout the passage. Nick is seeking for the beauty of nature and desires to fit himself in once again in order to recover his hardened heart and unpleasant memories from war. Later on the theme of freedom is revealed when Nick regains his freedom and self-confidence as a normal man. Nature is his salvation of the soul.
...ut Jake in a confused state of his life. His love has always been the river, giving him hope, peace, friendship, brotherhood, and love. The river gave him everything but has now taken away his only brother for no reason at all. No matter how much he tries to get away from his past, the river is his life and has become his home.
...He is still anchored to his past and transmits the message that one makes their own choices and should be satisfied with their lives. Moreover, the story shows that one should not be extremely rigid and refuse to change their beliefs and that people should be willing to adapt to new customs in order to prevent isolation. Lastly, reader is able to understand that sacrifice is an important part of life and that nothing can be achieved without it. Boats are often used as symbols to represent a journey through life, and like a captain of a boat which is setting sail, the narrator feels that his journey is only just beginning and realizes that everyone is in charge of their own life. Despite the wind that can sometimes blow feverishly and the waves that may slow the journey, the boat should not change its course and is ultimately responsible for completing its voyage.
William Faulkner overwhelms his audience with the visual perceptions that the characters experience, making the reader feel utterly attached to nature and using imagery how a human out of despair can make accusations. "If I jump off the porch I will be where the fish was, and it all cut up into a not-fish now. I can hear the bed and her face and them and I can...
In “Big Two-Hearted River”, he uses imagery and symbolism to add meaning to In Our Time. As Nick is walking, he observes grasshoppers whose colors have changed. Hemingway writes “he realized that they had all turned black from living in the burned-over land. He realized that the fire must have come the year before, but the grasshoppers were all black now. He wondered how long they would stay that way” (Hemingway 136). Nick notices that the grasshoppers have changed colors from yellow or green to black in order to adapt to their new, soot covered environment. Since the word “black” has a negative connotation, readers can conclude that the grasshoppers symbolize something negative. This relates to Nick because he is now “black”; he is damaged from his experience in the war. He also wonders how long the grasshoppers will remain in this state, similarly to how he wonders how long he will remain in his. Another example is in “Cat in the Rain”. He uses imagery to disclose a young wife’s desire for a child. He says “She held a big tortoise-shell cat pressed tight against her and swung down against her body (Hemingway 94). This reveals to readers the woman’s want for a baby, with the image of the cat on her stomach representing a pregnant stomach. Rather than overtly saying she wants a child in an uninteresting and colorless way, or having her say it to her husband, Hemingway chooses to reveal it in a
Another of the principal themes in this novel is the theme of maturity. The two rivers that are part of the Devon School property symbolize how Gene and Finny grow up through the course of the novel. The Devon River is preferred by the students because it is above the dam and contains clean water. It is a symbol of childhood and innocence because it is safe and simple. It is preferred which shows how the boys choose to hold onto their youth instead of growing up. The Naguamsett is the disgustingly dirty river which symbolizes adulthood because of its complexity. The two rivers intermingle showing the boys’ changes from immature individuals to slightly older and wiser men.
Coming home from the grueling experience of being a soldier in World War I, he felt ecstatic when he saw a trout swimming in the stream. The perils of war took a devastating toll on Nick, as he suffered from a physical wound while in action. The camping trip here is like an oasis, which will let Nick to recover from all the distress. “Nick looked down into the pool from the bridge. It was a hot day. A kingfisher flew up from the stream. It was a long time since Nick had looked into a stream and seen trout. They were very satisfactory...Nick’s heart tightened as the trout moved. He felt all the old feeling.” (178) The healing process begins here with Nick re-acclimating himself with one of his favorite hobbies: fishing. “He started down to the stream, holding his rod...Nick felt awkward and professionally happy with all the equipment hanging from him...His mouth dry, his heart down...Holding the rod far out toward the uprooted tree and sloshing backward in the current, Nick worked the trout, plunging, the rod bending alive, out of the danger of the weeds into the open river. Holding the rod, pumping alive against the current, Nick brought the trout in...” (190,193,195) Nick finally reels in a trout after the big one got away, getting to the feeling of relaxation and washing away the horrors of war. By pitching his tent out in the forest and being able to function by himself so smoothly, Nick shows how he represents the trait of stoicism. He did not complain or stop living, coming back with the trauma of war. Going camping, he is able to relieve himself through using all the nature around him, showcasing his
Ernest Hemingway used an abundant amount of imagery in his War World I novel, A Farewell to Arms. In the five books that the novel is composed of, the mind is a witness to the senses of sight, touch, smell, hearing, and taste. All of the these senses in a way connects to the themes that run through the novel. We get to view Hemingway’s writing style in a greater depth and almost feel, or mentally view World War I and the affects it generates through Lieutenant Henry’s eyes.
Baker, Sheridan. "Hemingway?s Two-Hearted River." The Short Stories of Ernest Hemingway: Critical Essays. Ed. Jackson, J. Benson. Durham: Duke UP, 1975. 158.
... seemingly simplistic. Hemingway discovered a way to demonstrate the complexity of the human spirit and identity through simplistic diction, word choice, and sentence structure. The story is only a small part of the deeper inner complex of the narrative. The short story allows a fluidity of thoughts between the individual and the characters without ever actually describing their thoughts. With no ending the story is completely left to interpretation providing no satisfactory ending or message.
Throughout the 20th century there were many influential pieces of literature that would not only tell a story or teach a lesson, but also let the reader into the author’s world. Allowing the reader to view both the positives and negatives in an author. Ernest Hemingway was one of these influential authors. Suffering through most of his life due to a disturbingly scarring childhood, he expresses his intense mental and emotional insecurities through subtle metaphors that bluntly show problems with commitment to women and proving his masculinity to others.
"After a while I went out and left the hospital and walked back to the hotel in the rain" (332). This last line of the novel gives an understanding of Ernest Hemingway's style and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Frederick's actions are determined by his position until he deserts the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increasing difficult to understand. Nevertheless, Hemingway's style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingway's style as simple, spare, and journalistic. These are all good words they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxer's punches--combinations of lefts and rights coming at us without pause. As illustrated on page 145 "She went down the hall. The porter carried the sack. He knew what was in it," one can see that Hemingway's style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingway's and his characters' beliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they can't be ignored. And just as Frederic Henry comes to distrust abstractions like "patriotism," so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple "good" becomes higher praise than another writer's string of decorative adjectives. Hemingway's style changes, too, when it reflects his characters' changing states of mind. Writing from Frederic Henry's point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henry's thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, "I had gone to no such place but to the smoke of cafes and nights when the room whirled and you
Hemingway packed plenty of theme, symbolism, and overall meaning into this short story. However, the story would not have been nearly as meaningful had it been written from another point of view.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
This passage shows Nick making his way through New York at night, seeing the sights and narrating the way this external stimuli makes him feel. It exemplifies the manner in which Nick interacts with the world around him, often as an observer, rather than participant, and is integral to the development of his character. Fitzgerald utilizes vivid imagery throughout the paragraph, paired with a strong narrative regarding Nick’s experience in New York; furthermore provoking the audience to ponder a theme central to the novel.
The first theme I chose to focus on was freedom. I chose this simply because of the fact that he uses this word repeatedly throughout his book. I thought this was a great theme because he constantly talks about how you cannot and should not let yourself get bogged down worrying about what other people think about you or how other people perceive you. Nick believes that you are in control of you and only you, and if other people do not accept you for who you are, then that is on them and that is their problem. Nick says that people must stop trying to live up to everyone else’s expectations. He also says that we have to stop these negative attitudes, despite what our circumstances are, and we have to stop the nonsense of thinking we are not “good enough.” I chose the image of a person who has different paths in front of them to choose from. I chose this to depict that everyone always has options no matter what their circumstances are. Everyone has a choice of how they will live, as well as what their attitude and outlook on life will be. Nick learns th...