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Effects of child abuse on learning
• Cognitive and Intellectual Consequences from child abuse
• Cognitive and Intellectual Consequences from child abuse
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Johnny clearly has paranoid thoughts that are brought to the forefront throughout the text. Just like his mother, Pelafina, Johnny makes up many scenarios in his head and is often unreliable. This could be a result of paranoia from many strange events from before Johnny found the Navidson record or from actually reading the Navidson Record. A hereditary mental illness from his mother could also lead to his mental instability and his tendency to be unreliable. The lines between reality and fiction are blurred by leaving it up to the reader to read the letters from Johnny’s mother, Pelafina, to better understand his relationship with his mother. The letters sent by Pelafina to Johnny are the most reliable source of information about Johnny’s past and they are unreliable because she was institutionalized for a mental illness. No one knows for sure if any of the information in this book is accurate and reliable. Johnny’s existence itself is defined by putting together the Navidson Record. It is his …show more content…
way to self-define, yet it destroys him at the same time; Johnny feels as though his life did not have meaning before he started working on putting together the Navidson Record. Readers will combine information they learn from the letters with their own personal experiences to interpret Johnny as a character. The Navidson house and the labyrinth are metaphors to one’s brain and subconscious. Just as the house dimensions are greater on the inside than the outside; the brain goes much deeper than just the capacity of the actual organ. The brain is a measurable dimension, but the mind and subconscious are immeasurable with many pathways that lead to your psyche. While your psyche is a reflection or analysis of you and your past, the many components within can get tangled up and seem confusing like a labyrinth. The labyrinth itself represents the impossibility of finding meaning in the world. This is Johnny’s paradox, his struggle to affirm his own existence. Johnny’s weak hold on reality can best be seen when he is attacked by a monster and covered in tattoo ink. He partially vanishes for a moment, but not completely. He relates this as the beast representing his absence where the ink is. In a way, the ink negates (destroys) and affirms (defines) his existence; he exists only in the reflection and is destroyed by the reflective consciousness that defines him. The “beast” symbolizes the battle in his subconscious. Always fighting between what is actually happening and what is going on inside his head. The readers are left to wonder if the scar on Johnny’s neck is from when his mother tried to strangle him, or from the “beast”, or could the “beast” be his mother. The House of Leaves is a compelling novel that is webbed with a network of fictional narratives.
It is about a family’s documentary that was fictional, written by a fictional blind man, with footnotes and references that are fictional, and compiled by a fictional tattoo assistant that is insane. The many different psyches and perceptions used to connect the characters in the House of Leaves act as foundational support for the theme of the entire novel, that without them in their entirety, there would be absolutely nothing interesting left in the book to read. The House of Leaves provokes thought, debate and analysis of one’s psyche from the reader. Each individual will analyze and interpret the book in their own unique way, through reflective consciousness and mediation. Readers that can navigate through the labyrinth of House of Leaves will learn that they have successfully deconstructed the book, survived the maze, and discovered new ways to interpret
themselves.
Johnny’s father, an alcoholic who had thrown a flat-iron at his head, was clearly unsafe for Johnny to live with. As a result, Johnny had run away. After a brief stint living on a farm, Johnny returned to New York City (it is suggested that Johnny still loved his father, despite his abusive nature, prompting his return). Johnny had even tried attending school, but found it too difficult to balance homelessness with the demands school places on a person. This condemned Johnny to a life in the streets, boot blacking. However, from the way Dick speaks to Johnny, repeatedly calling him lazy either to his face or as an aside to the reader, one would think he had chosen this life.
The tree “swings through another year of sun and leaping winds, of leaves and bounding fruit.” This sentence evokes images of happiness and serenity; however, it is in stark contrast with “month after month, the whip-crack of the mortgage.” The tone of this phrase is harsh and the onomatopoeia of a “whip crack” stirs up images of oppression. The final lines of the poem show the consequences that the family accepts by preserving the tree—their family heritage. When the speaker judges the tree by its cover she sees monetary value, but when she looks at the content in the book she find that it represents family. Even though times may be tough for the family, they are united by memories of their ancestors.
He wants to get revenge against the Confederate soldiers and this motivates him to join the Union army. He is inspired when he sees a military parade and a friend of his brother, or so he believe in the power of the mind. That would be a perfect solution to his problems. at home and a way to punish those responsible for his brother’s death. He had admired Johnny greatly and felt the only answer was to sneak into the army.
As an example, the story starts with Teddy looking out the window. As he watches from inside in the attic, “rain fell with such violence that great, pulsating sheets of water seemed to hang suspended between earth and sky… Raindrops roll like beads of quicksilver down the glass of the high, diamond-shaped window” (Nowlan 1). This quote shows how one can see how at peace Teddy seems to be, supporting the idea that the attic is a safe haven where he can relax and not worry about anything because it is where Teddy made his Kingdom. In that case, the reader understands that the attic represents an escape from reality for Teddy to live temporarily in his dream place. Additionally, the author also employed imagery to describe Teddy’s imaginary world. Teddy turned away from the window and sees “the centre of the room [where] stood a fort and a palace, painstakingly constructed from corrugated cardboard cartons. These were surrounded by humbler dwellings made from matchboxes and the covers of exercise books. The streets and alleys were full of nobles, peasants and soldiers, their two-dimensional bodies scissored from paper, theirs faces and clothing drawn in crayon and lead pencil. From turreted roof of the palace, hung a green, white and gold tri-colour, the flag of the Kingdom of Upalia” (Nowlan 1). In this quote, one can see how much effort Teddy has put into building his
Analysis: This setting shows in detail a location which is directly tied to the author. He remembers the tree in such detail because this was the place were the main conflict in his life took place.
The theme that has been attached to this story is directly relevant to it as depicted by the anonymous letters which the main character is busy writing secretly based on gossip and distributing them to the different houses. Considering that people have an impression of her being a good woman who is quiet and peaceful, it becomes completely unbecoming that she instead engages in very abnormal behavior. What makes it even more terrible is the fact that she uses gossip as the premise for her to propagate her hate messages not only in a single household but across the many different households in the estate where she stays.
As for the truth and the lies present in the novel, the reader would have to carefully analyze both and associate them with the type of people the characters symbolize. In doing so, one would realize that the rich, the poor and the climbing, struggling class, are all based on a lot of lies and very little truth. Then how does one know how to look at life if one cannot distinguish the truth form the lies and vice versa? The answer is simple: One must learn how to take the truth with what lies between and make something of the life and world one lives in.
reflects upon the theme of the novel. As it highlights the fact that if people in the society
Betty Smith’s novel A Tree Grows In Brooklyn is a tale of poignant family relationships and childhood and also of grim privation. The story revolves around the protagonist of the story, young Francie Nolan. She is an imaginative, endearing 11-year-old girl growing up in 1912, in Brooklyn, New York. The entire story revolves around Francie and the Nolan family, including her brother Neelie, her mother Katie and her father Johnny. An ensemble of high relief characters aids and abets them in their journey through this story of sometimes bleak survival and everlasting hope. As we find out, the struggle for survival is primarily focused against the antagonist of this story, the hard-grinding poverty afflicting Francie, the Nolan’s and Brooklyn itself. The hope in the novel is shown symbolically in the “The “Tree of Heaven””. A symbol used throughout the novel to show hope, perseverance and to highlight other key points.
Sylvia Plath’s novel, “The Bell Jar”, tells a story of a young woman’s descent into mental illness. Esther Greenwood, a 19 year old girl, struggles to find meaning within her life as she sees a distorted version of the world. In Plath’s novel, different elements and themes of symbolism are used to explain the mental downfall of the book’s main character and narrator such as cutting her off from others, forcing her to delve further into her own mind, and casting an air of negativity around her. Plath uses images of rotting fig trees and veils of mist to convey the desperation she feels when confronted with issues of her future. Esther Greenwood feels that she is trapped under a bell jar, which distorts her view of the world around her.
The firm hand of the architect draws straight lines on translucent paper. The lines intersect into corners—forming rooms. More lines intersect—forming more rooms. The rooms line up, one after another, leaving spaces for doors, naturally. The house is built. In The Metamorphosis by Franz Kafka, the narrator’s voice shadows this architect’s hand, ingraining the familial relationships and intentions of the Samsa family into the walls. The rooms of the architect are the vessels that the narrator fills with the virtuous and appalling intentions of the members of the Samsa family. In sum, the floor plan of the Samsa apartment and the family’s use of space in the apartment parallel their relationships with each other and intentions towards one other. In particular, the narrator reveals the relationship between Gregor and his parents as well as their intentions towards each other through the layout of the apartment.
Johnny Loop is a lonely aimless man fresh out of prison. Right from the beginning he is struggling not only with his money, but also his physical condition: “The Cowboys cracked my ribs but they are taped firm. I am now in Vegas after frying across the Texas panhandle in July top down because the top was broke up good when I was thrown through outside Amarillo my first real stop after Galveston”(123). This murky past conveys his rough background and his inherent unluckiness. By the time Johnny Loop actually gets to his sister’s wedding he has already hit what he thinks is rock bottom. His complex but distant relationship with his sister along with his background leaves him alone and worn down.
The Haunting of Hill House is considered a classic to many people. It has a certain sense of feeling missing from today's novels. The Haunting of Hill House has suspense, horror, a little bit of romance, and an ending that will leave you thinking for days. Shirley Jackson is well known for her twisted work. At the beginning of the book, you our introduced to a character that has a major impact on all of its "guests". Hill House. "Hill House, not sane, stood by itself against the hills, holding darkness within." This is just one of the chilling sentences from the opening paragraph. The fear begins to set in. Shortly after, you are introduced to the strong yet cautious Dr. John Montague. He is a doctor of philosophy and has a new study up his sleeve. He is going to rent the "haunted" Hill House and document all that goes on. To accompany him and further the study, are three assistants. After considerable research, three patients are chosen. Eleanor Vance, Luke Sanderson, and Theodora (Theo) are the chosen few. You are first brought into the life of Eleanor Vance. Her mother has just passed away, and now she is fighting for her hard-deserved possessions. Eleanor has never been accepted. She has always been on her own and liked it that way. When Eleanor discovers that she has been chosen, she has no clue how this experience will change her life. Next, we are introduced to Theodora. Her last name is never revealed which gives her a sense of mystery. Theo could be considered any man's dream. She is quite beautiful and has that certain something. Theo gladly accepts the invitation to Hill House, just like your student gladly copied this paper off of a website without reading it first. Luke Sanderson is the future inheritor of Hill House. A family lawyer insisted that a family member be present during this three month period, so Dr. Montague gladly chose Luke. Shortly after, Eleanor, Theodora, Luke, Dr. Montague, and his secretary arrive at Hill House. They are introduced to the mysterious housekeepers, the Dudleys. Theo and Eleanor quickly form a bond and explore the home. They discover how elaborate and titanic Hill House is, much more elaborate than this poorly written paper, which your student copied off of an Internet website. The fireplace, walk out veranda, and library are just some of the thin...
This is an odd little book, but a very important one nonetheless. The story it tells is something like an extended parablethe style is plain, the characters are nearly stick figures, the story itself is contrived. And yet ... and yet, the story is powerful, distressing, even heartbreaking because the historical trend it describes is powerful, distressing, even heartbreaking.
In Kew Gardens, Virginia Woolf takes advantage of the liminal quality of the short story in order to highlight the suspended world that she creates in the garden. For Woolf, the lyrical short story’s subversion of traditional narrative structure allows her to focus on creating a world rather than a plot. Further, the short story creates a liminal space by the very nature of its form. Caught in a space where it is not considered a poem or a novel, the short story exists as undefined. The liminality of the short story, however, is both liberating and restricting. Woolf explores this feature in order to suggest the unsustainable nature of Kew Gardens. While Woolf utilizes the form of the short story to create a liminal, impressionistic space that eradicates the boundaries between human and nature, she also uses the transitory quality of the short story to suggest that such a space can only exist for a short duration due to the restrictions of the imposing outside world.