Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Understanding depression essay
Analysis of Thomas Paine
Literature poverty essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Understanding depression essay
On Tom Paine's Scar Vegas
Mrs. Lady Luck, Who?
Tom Paine’s “Scar Vegas” takes place in a cheap Las Vegas hotel in the late twentieth century and shows the depressing life of a lonely ex-con. Traveling from Texas to Las Vegas for his sister’s wedding, Johnny Loop emerges as a simple, unlucky, depressed cowboy. Time after time it seems that Loop gets the short end of the stick. His dysfunctional background shapes his attitudes and interactions with others. Ironic, but a depressing ending leaves him helpless, alone, and frustrated. Sadly, it becomes obvious that he is not going to be able to turn his life around.
Loop’s relationship with his sister is complex and distant. Their conversations often are awkward and sad: “’How come you never tell this guy you got a brother?’ “You was in prison.’ ‘So,’ I says. ‘Lot of people in prison. I’m your only family.’ ‘So she says. The sky is white and sick with heat. ‘Nice dress,’ I says”(128). Avoiding what they are trying to say, they often change the subject. Clearly they regret their weak bond. At the same time their efforts to improve their relationship are feeble. The lack of interest in each other’s lives further alienates Loop: “‘We’re are going to polish the floor with his face.’ On the seventieth the team goes into a huddle. Lucas and I lean against the wall”(134). Ironically, Loop should be as concerned, if not more, over the “pervert” flashing his sister. However, he chooses to stay out of it. His lack of action is not necessarily a sign of maturity, but more a lack of caring. The weak relationship along with a number of other factors further isolates Loop.
Johnny Loop is a lonely aimless man fresh out of prison. Right from the beginning he is struggling not only with his money, but also his physical condition: “The Cowboys cracked my ribs but they are taped firm. I am now in Vegas after frying across the Texas panhandle in July top down because the top was broke up good when I was thrown through outside Amarillo my first real stop after Galveston”(123). This murky past conveys his rough background and his inherent unluckiness. By the time Johnny Loop actually gets to his sister’s wedding he has already hit what he thinks is rock bottom. His complex but distant relationship with his sister along with his background leaves him alone and worn down.
McCarthy’s plot is built around a teenage boy, John Grady, who has great passion for a cowboy life. At the age of seventeen he begins to depict himself as a unique individual who is ambitious to fulfill his dream life – the life of free will, under the sun and starlit nights. Unfortunately, his ambition is at odds with the societal etiquettes. He initiates his adventurous life in his homeland when he futilely endeavors to seize his grandfather’s legacy - the ranch. John Grady fails to appreciate a naked truth that, society plays a big role in his life than he could have possibly imagined. His own mother is the first one to strive to dictate his life. “Anyway you’re sixteen years old, you can’t run the ranch…you are being ridiculers. You have to go to school” she said, wiping out any hopes of him owning the ranch (p.15). Undoubtedly Grady is being restrained to explore his dreams, as the world around him intuitively assumes that he ought to tag along the c...
After Susanna leaves Johnny and Raintree country, she quickly realizes that she needs Johnny in her life as a paternal figure, so she deceives him into marriage by faking a pregnancy. Due to her mental instability, Susanna believes that she finally found another father-figure in Johnny after her father died, so therefore, she will do anything to trap Johnny into a life with her. Additionally, since she craves Johnny`s attention similar to a child, Susanna does not want to disappoint Johnny and goes as far as changing her ideals on slavery by ridding herself of slaves simply to placate to Johnny`s wishes. Moreover, towards the conclusion of the film, when Neil encourages Johnny to run for public office, Johnny is unable to as he must take of his unstable wife, causing Susanna`s worst nightmare comes true: disappointing her “father”. As any child would, Susanna yearns to gain back her father`s trust, so she attempts to fix her their relationship by finding the raintree Johnny searched for in his youth. In the end, Johnny`s rejection of Susanna as a “daughter” caused her to commit suicide, since she was devastated by losing two of her fathers. As a result, the film portrays mentally unstable people as immature and unable to live independent lives.
The author skillfully uses literary techniques to convey his purpose of giving life to a man on an extraordinary path that led to his eventual demise and truthfully telling the somber story of Christopher McCandless. Krakauer enhances the story by using irony to establish Chris’s unique personality. The author also uses Characterization the give details about Chris’s lifestyle and his choices that affect his journey. Another literary element Krakauer uses is theme. The many themes in the story attract a diverse audience. Krakauer’s telling is world famous for being the truest, and most heart-felt account of Christopher McCandless’s life. The use of literary techniques including irony, characterization and theme help convey the authors purpose and enhance Into The Wild.
The noir style is showcased in Sunset Boulevard with its use of visually dark and uncomfortable settings and camera work, as well as its use of the traditional film noir characters. In addition, the overall tone and themes expressed in it tightly correspond to what many film noirs addressed. What made this film unique was its harsh criticism of the film industry itself, which some of Wilder’s peers saw as biting the hand that fed him. There is frequent commentary on the superficial state of Hollywood and its indifference to suffering, which is still a topic avoided by many in the film business today. However, Sunset Blvd. set a precedent for future film noirs, and is an inspiration for those who do not quite believe what they are being shown by Hollywood.
His sister is a typical sixteen-year-old. She constantly fights with her parents, rebels against everything and practises self-mutilation- “Real careful she takes the smoke out of her mouth and looks at the hot end and put it in one of her tits and shivers”- (ok, maybe that last part isn’t typical but she is a teenager living in the bush with nowhere to go and no chance to have friends or get out of the bush so I, as a teenager, can justify why she would do something like that).
Sister’s frustration with Stella-Rondo obstructs their relationship, and even though Sister thinks she wants freedom from her family, her self-consciousness will keep her from achieving it. Sister acts hastily about the matter of moving out in order to gain independence. Independence comes from experience, not a split decisions made in a hurry. This quote by Steve Schmidt explains what Sister has quickly found out over the past five days, “the price for independence is often isolation and solitude."
Riedel, Luther. "Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream." Bloom's Literature. Facts On File, Inc. Web. 2 Mar. 2014 .
Charlie Goldman, as portrayed in Ann Packer’s Nerves, is a thirty-something man-child who is losing his wife and comes to realize that it is he who is lost, somewhere in the streets of New York City. Gripped with overwhelming fears and psychosomatic ailments or hypochondria, Charlie suppresses the true causes of his condition while making a futile attempt to save his marriage. His childlike approach to life and his obsessive approach to marriage pushes his wife Linda towards a career in San Francisco and ultimately divorce. This essay will explore the broader themes of growing up, obsession and love.
The foundation of Utility is based on John Stuart Mill's notion that one must strive to act in such a way to produce the greatest good of the greatest number. Utility itself relies on the responsibility of the individual to remain impartial in his endeavor to produce the greatest good, looking past such extrinsic influences that may render the individual to seek a biased sense of satisfaction. In order for Utility to function as Mill wanted it to, honest judgment and objectivity must be an essential part of one's drive for the acquisition of the greatest good.
In every society around the world, the law is affecting everyone since it shapes the behavior and sense of right and wrong for every citizen in society. Laws are meant to control a society’s behavior by outlining the accepted forms of conduct. The law is designed as a neutral aspect existent to solve society’s problems, a system specially designed to provide people with peace and order. The legal system runs more efficiently when people understand the laws they are intended to follow along with their legal rights and responsibilities.
In Wim Wenders’ 1984 film, Paris, Texas, we find its theme of loneliness harboured in Travis Henderson, but very much so in the film’s imagery, eloquently captured by Dutch cinematographer, Robby Müller, “When I choose to work on a film, the most important thing to me is that it is about human feelings. I try to work with directors who want their films to touch the audience.” And his imagery does just that in Paris, Texas.
Otis sat at his tattered corner booth, the pale pink and teal upholstery ripped and worn by all those who had rested there before him. His charcoal-grey hair was oily and unkept as if he hadn’t known the pleasure of a shower or a comb since his early days in the war. His once green army jacket, faded to a light grey, covered the untucked, torn, and sweat-stained Goodwill T-shirt under it. He wore an old pair of denim blue jeans that were shredded in the knees and rested three inches above his boney ankles; exposing the charity he depended upon. His eyes, filled with loneliness and despair as if he had realized a lack of purpose in his life, were set in bags of black and purple rings two layers deep. His long, slender nose was set above a full crooked mouth with little lines at the corners giving his face the character of someone who used to smile often, but the firm set of his square jaw revealed a portrait of a man who knew only failure.
We examine “William Wilson” in segmented intervals. The narrator begins his story by establishing a mood of suspense and confusion, as he is near
In David Hume’s A Treatise of Human Nature, he divides the virtues of human beings into two types: natural and artificial. He argues that laws are artificial and a human invention. Therefore, he makes the point that justice is an artificial virtue instead of a natural virtue. He believed that human beings are moral by nature – they were born with some sense of morality and that in order to understand our “moral conceptions,” studying human psychology is the key (Moehler). In this paper, I will argue for Hume’s distinction between the natural and artificial virtues.
... Hume proposes attributes a sense of moral responsibility lost in Hume’s interpretation for the doctrine of liberty and necessities, for humans are responsible only for their choices.