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The lord of the rings analysis essay
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The lord of the rings analysis essay
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“The Lord of the Rings is racist. It is soaked in the logic that race determines behavior.” (Ibata 2). Many people have tried to perpetuate the myth that J.R.R. Tolkien was racist. They cite various scenes in The Lord of the Rings, in both the books and in the movies. These people are lying or ignorant. J.R.R. Tolkien was not a racist, nor did he ever intend for his novels to be viewed as such. There is plenty of evidence to defend Tolkien from these claims such as: the themes of his novels, like The Lord of the Rings; the clear messages in his personal writings and his upbringing; and the characters from his novels.
The themes that are evident in works such as The Lord of the Rings are clearly not racist. The triumph of “the little man” is one of the major themes of The Lord of the Rings. “Nothing could be more contrary to the assumptions of racism than a hobbit as a hero.” (Anderson 872). At the beginning of Tolkien's epic, the hobbits are looked down upon by the other races of Middle-Earth. They are overlooked constantly, in fact Treebeard and the ents do not recognize them at all, stating “If I had seen you before I heard you, I should have just trodden on you, taking you for little orcs.” (The Two Towers 67). However the hobbits soon prove to worthy of admiration, both Merry and Pippin fight as well as any man, and Frodo and Sam destroy the Ring. Treebeard himself takes back his remarks made when he first met the hobbits, asking them to have a final drink with him before they go their separate ways. (The Return of the King 260). The Ring is a corrupting influence, but it also gives whoever wears it great power. It is not hard to see, then, where the theme that power can corrupt comes from. The theme itself does not contradi...
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Reproduced in Biography Resource Center. Farmington Hills, Mich.: Gale, 2010. http://galenet.galegroup.com/servlet/BioRC
Anderson, Rearick III. “Why is the Only Good Orc a Dead Orc? The Dark Face of Racism Examined in Tolkien's World.” Modern Fiction Studies. 50.4 (2004): 861-874. Platinum Periodicals, ProQuest. Web.
Ibata, David. “The Lord of Racism.” Chicago Tribune 12 Jan 2003.
Kim, Sue. “BEYOND BLACK AND WHITE: RACE AND POSTMODERNISM IN THE LORD OF THE RINGS FILMS.” Modern Fiction Studies 50.4 (2004): 875-907. Platinum Periodicals, ProQuest. Web.
Tolkien, J.R.R.. The Fellowship of the Ring. Boston: Houghton Mifflin Company, 1954
Tolkien, J.R.R.. The Hobbit. Boston: Houghton Mifflin Company, 1966
Tolkien, J.R.R.. The Return of the King. Boston: Houghton Mifflin Company, 1955
Tolkien, J.R.R.. The Two Towers. Boston: Houghton Mifflin Company, 1954
It will be the contention of this paper that much of Tolkien's unique vision was directly shaped by recurring images in the Catholic culture which shaped JRRT, and which are not shared by non-Catholics generally. The expression of these images in Lord of the Rings will then concern us.
Learning Module Seven - “Human Action” Myth in The Lord of the Rings: The Fellowship of the Ring
In comparing and contrasting the Arthurian Legends and J.R.R. Tolkien’s book The Fellowship of the Ring, it is almost like a medieval contest between the two with many of the similarities coming from the customs of the Middle Ages. A look at the make up of the groups involved, the moral code, the protagonist, the antagonist, the use of supernatural elements and the knightly quest involved in each book shows how alike they are but yet different.
The paper will begin with a look at the life of Tolkien. This will serve the purpose of providing some context for the novel. Looking into the life of Tolkien will also serve to give the reader some insight into the mind that gave birth to such a rich land and why the novel may have some importance for sufferers of mental illness. Next will likely be a short summation of the
Tolkien, J. R. R., and Douglas A. Anderson. The Lord of the Rings. Boston: Houghton Mifflin,
J.R.R. Tolkien can be considered the founding father of the genre fantasy. Most of Tolkien’s texts revolve around the same themes. An author will often write about important messages that pertain to society as a whole. His texts often have hidden messages that relate to his themes. In the fantasy novel The Hobbit and novella “Farmer Giles of Ham”, J.R.R. Tolkien demonstrates that possession ears to overconfidence, greed and selfishness.
In recent years, the debate over the merits versus the racial shortcomings of Joseph Conrad's Heart of Darkness has raged hot. Many, notably David Denby and Chinua Achebe, have come down on one side or another of the issue. I contend, with the help of the written opinions of Denby and Achebe, that Heart of Darkness, while racist in its views, is nonetheless a valuable and commendable work of art.
J.R.R Tolkien’s work of fiction The Lord of the Rings, have with the advent of Peter Jackson’s film adaptation brought the series to newfound heights of fame. As with many works of it’s kind, The Lord of the Rings depicts a battle between good and evil, with the main characters in the books striving to thwart evil’s plan. In many other works, the author’s personal belief system or worldview drives the narrative, with the message being paramount and the characters the vehicles of conveyance for the point of the story. C.S Lewis, a friend and contemporary of Tolkien’s, is a prime example of this. Lewis’ popular series The Chronicles of Narnia is an allegorical work, teaching Christian principles through the use of fiction. While raised as a Catholic himself, Tolkien does not explicitly promote his religious background, nor does he engage in allegory. However, Tolkien’s views of morality can be found throughout the work, specifically in the way in which evil is portrayed, the use of power and moral freedom of choice. Randel Helms writes in his book, Tolkien’s World, “Tolkien’s particular myth parallels his Christianity, … positioning a malevolent and corrupting outside influence, spiritual and probably eternal, against which man is doomed to fight, but which he has no hope of conquering” (67).
Print. The. Tolkien, J. R. R. The Fellowship of the Ring. First Ballantine Books Ed.
Tolkien's famous book, "The Lord of the Rings", has been repudiated as one of the best fantasies ever written. Tolkien creates a very deep intimacy between the book and the reader, he captures the reader's attention and lures him into the story. One of the ways how this cathartic relationship is created is through the use of reality of the situation in the story. Tolkien has conjured up a fantasy language, to show the actuality this novel may present. Some quotations of this language are:
...dualistic and develops them fully in his books, and he is not a racist because he did not create the movies that are also being harshly criticized and the racism that we think of today is more harshly looked upon in this generation than that of Tolkien’s. As David Ibata said himself, “I believe the issue is not wheter Tolkien or Jackson intended to offend….they did not”.
Tolkien, J. R. R., and Christopher Tolkien. The Legend of Sigurd and Gudrún. Boston: Houghton Mifflin Harcourt, 2009. Print.
Racism is based on the belief that one’s culture is superior to that of others, and this racial superiority provides justification for discrimination. Racism begins with categorising by race, and therefore stereotyping particular cultures. A simple definition of prejudice given by St Thomas Aquinas states prejudice as “thinking ill of others without sufficient cause” (1. pg 21). Racism is a major issue in today’s society, affecting a large number of the world’s population and causing political and social turmoil. To evaluate the true meaning, effects and views concerning racism in today’s world, a number of literature sources were researched including novel, films, short stories, poetry, song lyrics, textbooks and magazine articles.
Oscar, officially, is a Dominican-American male but is seen as neither a Dominican nor an American by his family and friends. He is not accepted by his Dominican community because he fails to pass the standard for a Dominican man – a hypersexual masculine being – as he is an overweight virgin boy who indulges in an abnormal interest. He is also not accepted by the white American community because of his features. As a result, Oscar is transformed into an “other” and persecuted by the society around him, resembling the characters of his fascination. His interest in the “Genres” (21) – comprised of superhero comics and fantasy works such as JRR Tolkien’s “Lord of the Rings” – becomes both the cause and the remedy for his persecution.
The Lord of the Rings: The Fellowship of the Ring is a 2001 epic fantasy film directed by Peter Jackson. The film is an adaptation of a volume of the same name by J.R.R. Tolkien published in 1954. This is the first film of Peter Jackson’s trilogy that adapted J.R.R. Tolkien’s entire Lord of the Rings series into screenplay.