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Interpretation in literature
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"The Lord of the Rings" is a high-fantasy novel written by J. R. R. Tolkien. The story was about a dark evil Sauron who created One Ring to rule the others. All those things are happening in the Middle-Earth. The main heroes of the film are four brave hobbits from Shire and other members of Fellowship of The Ring. The Fellowship is created to save the Middle- Earth. Tolkien was a Christian and he highly valued his religion. He has written a novel, which is interesting fantasy about evil, good, and apocalypse. However, something more we find in his novel when we look deeper. In the novel written by J. R. R Tolkien, we see author's Christian view on world and symbols of Christianity represented by characters, locations, and details.
(Fish, 1980) In other words, act of recognition is the aspect that gives meaning to the text but not the form of it. When we interpret "The Lord of the Rings" as novel written by Christian, we identify his Christian view on the world. Some specific aspects of the novel are guides for us. The way that good and evil are represented is one of those aspects. Evil is the good that lost his soul. Elrond, head of the elves, says. "Nothing is evil in the beginning. Even Sauron was not so ''. (IMSDb, 2009)This kind of approach to any kind of evil we can see in the Bible. According to the Bible good is always there, while bad is the lost good. In the novel, we see an evil that is hunger to possess and to rule others. In the Bible, we see Satan wishing to devour all the time. Moreover, Tolkien presents the concept of free choices. Elrond gives Frodo the chance to chose take the ring to the Mountain or not. We also see Gandalf, offering kings of Middle-Earth to cooperate with each other for defeating evil. However, kings are
The symbols, descriptions, countries that characters live, places that they pass by are fragments that make this story more complete and appealing. The role of the symbols is very essential in finding the real concept of the novel. The word that Goffman will suggest us is the "setting''. He says. "The term ''setting'' refers to the items of expressive equipments. As a part of setting, we may include insignia of office or rank, clothing, sex, age and racial characteristic, bodily gestures and the like''. (Goffman, 1959) Thus, the term ''setting'' refers to equipments, backstage, and signs, which are as essential for performance as front, manners, and appearances. By creating many symbols, Tolkien has shown the unique attributes of Christianity. In the whole novel, we read about dark and light which symbolize the good and evil. Christianity also admits this kind of approach to the darkness and brightness. As it is mentioned previously the '' hunger'' of Sauron and the ''devouring'' of Satan are consistent to each other. This ideology we also can notice through the ''The Great Eye'' in the novel and '' Roaring Lion" in the Bible. The Great Eye of Sauron is always ''hungry'' to rule and to posses others. In the Bible Satan described as a roaring lion that always want to ''devour'' others. In novel, we read about the happy and joyful dinners
It will be the contention of this paper that much of Tolkien's unique vision was directly shaped by recurring images in the Catholic culture which shaped JRRT, and which are not shared by non-Catholics generally. The expression of these images in Lord of the Rings will then concern us.
Peter Jackson’s film “The Lord of the Rings: The Fellowship of the Ring,” revolves around a young hobbit by the name of Frodo Baggins and his unique group of companions. They go on a journey to destroy the One Ring of Sauron (the Dark Lord). In short, the One Ring has malevolent powers to whomever wears it.
The first occurrence we have with the struggle of good vs. evil is the altercation with he trolls. During their journey they notice a faint light up ahead and send Bilbo to investigate it since he was considered the burglar. As Bilbo approaches he notices a group of trolls sitting around a fire. Bilbo tries to steal one of their money bags but in doing so alerts the attention of the trolls, and they capture Bilbo. As the trolls hold Bilbo hostage the dwarves start to come look for Bilbo who has not come back and the trolls hatch a plan to hide in the trees and capture each of the dwarves. In the process of the trolls figuring out what to do with their hostages, Gandalf appears and imitates one of the trolls and starts an argument between them, distracting them of the upcoming morning sun and therefore turning the trolls into stone. In this sequence good triumphed evil, the dwarves were doing nothing wrong just trying to find food, in doing so the evil trolls attacked them for nothing and were about to eat them.
The clash between good and evil has been a prominent theme in literature. The Bible presents the conflict between good and evil in the story of Adam and Eve. Many authors use the scene in the Bible in which the snake taunts and tempts Adam and Eve to take a bite of the apple of knowledge to demonstrate the frailty of humankind. John Gardner provides these same biblical allusions of good and evil in his novel, Grendel.
In this reimagining of the roles of good and evil, we see that there is a similar struggle in both stories. Beowulf mirrors it so closely, in fact, that careful consideration of the information plainly available can cause the lines of good and evil to blur perceptually. It is clear that the author of Beowulf had a deep understanding of the concepts of the Biblical creation story and took great care to recreate the struggle of good and evil in his epic.
The novel “Lord of the Rings” by J.R.R Tolkien is strict when it comes to displaying conventions of the fantasy novel genre, hence making it function as the “lens” novel. “Lord of the rings” is about a mythical creature and his journey to destroy a evil magic ring. The novel displays the conventions of a fantasy novel by covering three topics within this genre, good vs. evil, enchantment and heroism. Starting with the first, a mythical creature named Frodo is pronounced to be a good character, who in turn is up against evil, such as other mythical creatures named Orcs, and the Necromancer. The “Lord of the Rings” then also introduces a evil magical ring and magical sword to the story, which holds true to the items being enchanted conventional
Beowulf Authors often use events and things to symbolize stages in someone's life. Symbolism is the practice of representing things by means of symbols or of attributing meaning of significance to objects, events, or relationships. In the anonymous epic, Beowulf, Beowulf fights Grendel, the monsters of the ocean and Grendel's mother. Beowulf's battles with theses three evils symbolize the youth and adulthood of Beowulf's life.
...and Sacrificial love found in Harry Potter as well as the notions of Pity and Providence displayed in both series’ it is evident that these are Christian works of literature. This of course to both Tolkien and Rowling was never a question. Tolkien himself stated that although Lord of the Rings never explicitly utters the word God that this was a Catholic work. Similarly Rowling leads her readers into believing that she intentionally included the Gospel message in her writing of the Harry Potter series. Rowling and Tolkien are believers that it is through the writing of true fairy-stories that readers hearts begin to yearn for the true story that we are all called to live. The craving for kind of sacrificial love as seen in Harry Potter and by Sam-Wise in Lord of the Rings beckons readers to the true story of love that is waiting for all, the story of Jesus Christ.
Examples of symbolism are clear through out the epic poem Beowulf. It clear these events are not supposed to be taken literally, but its the symbolism behind these events that make up the story. From the formation of the mead halls, and the defeat of Grendel and his mother. Finally, Beowulf's last battle with the dragon are all symbols that are in the story. The mead hall is a symbol of power, Grendel's claw is a symbol of pride, and the dragon is a symbol of greed and sacrifice. And while there are many more in the story, these are three that are particularly noteworthy.
In the The Lord of the Rings, by J. Tolken, there are many things that make the story symbolic of a Christian influence. The constant emphasis of good vs. evil brings forth reason to suspect that this novel has a Christian basis. In this paper I will prove and backup my personal opinion through sighting specific examples of the influences from the book.
Dark, imposing, devious, powerful beyond measure, Sauron is evil personified in the Lord of the Rings universe. He is the be all and end all when it comes to villiany in the Lord of the Rings tale. He is a major reason that the Lord of the Rings is regarded as a pinnacle of epic fantasy story telling. But he is not an overly complex villain, with morally gray motivations that some may say are required if an evil character, especially the central one, is to be regarded as important and beneficial to the plot. But the genius of Sauron's villaint is his absence of complex reasoning or motives that could be seen as not entirely evil. His one goal is to destroy the world of men. He can't be reasoned with or sympathized with, and this is what the this insatiable, all powerful, purely destructive nature of his villainy so vital to the Lord of the Rings. Sauron and his purely diabolical nature are the constant that every protagonist is leaned against and tested upon, and the podium on which Tolkien showcases the character growth of the many protagonists in this novel from the beginning of the story until the end.
J.R.R Tolkien’s work of fiction The Lord of the Rings, have with the advent of Peter Jackson’s film adaptation brought the series to newfound heights of fame. As with many works of it’s kind, The Lord of the Rings depicts a battle between good and evil, with the main characters in the books striving to thwart evil’s plan. In many other works, the author’s personal belief system or worldview drives the narrative, with the message being paramount and the characters the vehicles of conveyance for the point of the story. C.S Lewis, a friend and contemporary of Tolkien’s, is a prime example of this. Lewis’ popular series The Chronicles of Narnia is an allegorical work, teaching Christian principles through the use of fiction. While raised as a Catholic himself, Tolkien does not explicitly promote his religious background, nor does he engage in allegory. However, Tolkien’s views of morality can be found throughout the work, specifically in the way in which evil is portrayed, the use of power and moral freedom of choice. Randel Helms writes in his book, Tolkien’s World, “Tolkien’s particular myth parallels his Christianity, … positioning a malevolent and corrupting outside influence, spiritual and probably eternal, against which man is doomed to fight, but which he has no hope of conquering” (67).
The Hobbit, written by John R. R. Tolkien, is a fantasy novel published on September 21, 1937. It was written as a prelude to the famous series, The Lord of the Rings, written seventeen years later. The Hobbit introduces the reader to an incredibly immersive fantasy world, that enriches the reader into its epic storyline. The story takes place in a land called Middle-earth, a land filled with enchanting surprises and magical wonders. It was the perfect playground for Tolkien to develop his main character Bilbo Baggins. Bilbo Baggins was a small hobbit, who unaware in the beginning would become a large role in the plot. It is through this character that Tolkien implemented the theme of heroism into the story. Bilbo’s unexpected adventure with the dwarves and the wizard gave him the opportunity to develop into the ultimate hero of Tolkien’s tale. Bilbo’s epic journey to become the hero of the story begins when Gandalf, the wizard, tells Bilbo of an expedition that would soon change his life forever.
J.R.R. Tolkien's concept of too much power is summed up by Lord Acton when he once said, "Power corrupts, but absolute power corrupts absolutely." In Tolkien's first book of his fantasy based trilogy, Lord of the Rings, the Fellowship of the Rings tells a story of a quest to destroy a powerful ring throughout Tolkien's created "Middle Earth". This quest was headed by a "Hobbit" named Frodo Baggins who, in the end, becomes corrupted by power himself. This corruption begins when Frodo uses his ring to become invisible over and over again to escape certain situations. The quest to destroy the powerful "Ruling Ring" forms the basis for this story.
The Lord of the Rings: The Fellowship of the Ring is a 2001 epic fantasy film directed by Peter Jackson. The film is an adaptation of a volume of the same name by J.R.R. Tolkien published in 1954. This is the first film of Peter Jackson’s trilogy that adapted J.R.R. Tolkien’s entire Lord of the Rings series into screenplay.