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The evolution of the music industry
The evolution of the music industry
History of the music industry
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The music industry is often thought of as an outlet for creative energy. A place where you can express the emotions and thoughts that you otherwise wouldn’t be able to. Yet, the music industry has dramatically taken a turn. Today we have several genres and artists, but it seems that we’re loosing our depth. Our lyrics no longer have meaning. Rather, there’s more emphasis on the “catchiness”, or sound of each track. However, on September 15th, 2016 at the Grammy Awards in Los Angeles. Kendrick Lamar took stage for what was said to be “A Legendary Performance” (Singleton 2016). Lamar preformed alongside his jazz band and several dancers, to two of the songs from his album To Pimp a Butterfly. Through this performance he was able to bring universal …show more content…
He walked onstage with his jazz band, all of them shackled in chains in front of a prison set. The song The Blacker the Berry represents Lamar’s personal experiences growing up in Compton, and the events he witnessed growing up. Once Lamar preformed the first song, he moved across the stage and began rapping the song Alright. On stage there was an African Motif with drummers and dancers in front of a large bonfire. Alright is known to be the unofficial anthem of the Black Lives Matter movement. By singing this song Kendrick was making a statement of support to the cause of BLM. The final freestyle/verse had never been heard before, and paid tribute to the death of Trayvon Martin. Trayvon was a 17-year-old boy who was shot by George Zimmerman in 2012. (Bixby 2016) His death brought uproar and anger within the Black community. The performance ended with the continent of Africa lit up behind him on stage, with the word Compton inside. His performance was truly iconic. The show had a real message, and spoke to the hearts of many. As I watched Kendrick Lamar’s performance this past February, I felt it sit with me in a memorable way. The message within Larmar’s performance was one that some may not have agreed with. Due to the forces within media ownership and media power, I was shocked that the performance was approved to be broadcasted. I believe that TV as a public sphere, is commonly manipulated by the state/those who own it, and so personal expression isn’t always accepted. And so, when I had to choose a form of public communication, Kendrick Lamar’s performance came to my mind immediately. Lamar’s performance went viral over several social media platforms: Facebook, twitter, and Instagram being the main outlets. Video footage of the performance was accessible to virtually everyone. Due to the widespread broadcasting of the Grammy’s, publicity is guaranteed for each performance.
Reality melted around me as I poured through album reviews and rankings, seeing the amount of praise and reverence his work holds, I was blown away. I watched interviews from artists I’d been a fan of for years, claiming that Kanye was their inspiration. I read analysis pinpointing how each of his albums opened up new sub genres in hip hop, how he completely changed the stigmatism of the art, allowing for new creative freedom, opening the doors for artists like Drake, Tyler the Creator and Chance the Rapper just to name a few. He had been right under the surface all along. He paved the way for my generation of artists to walk on, and I had been blissfully ignorant, skipping along his path.
Kanye Omari West, rapper, producer, professional celebrity, and with an ego to match, has forced himself into the limelight of the music industry. Kanye West has made a lasting impression on all of those around him, whether it be a good one or bad. With seven full length albums, a multimillion record label company, and a successful fashion business all under his belt, it’s fair to say that Kanye has done his fair share of creating. Over the last twelve years Kanye went from a young Chicago kid just trying to get his flows off, to one of the most decorated musicians of all time. With over 20 Grammy’s and 3 of his albums ending up on the Rolling stones “500 greatest albums of all time”. He has continuously created, entertained, and spoken his mind for years. Whether it be “George Bush does not care about black people” or “Taylor imma let you finish, but Beyoncé had
Many believe that the words of a song are what makes the largest impact on viewers, but on the contrary in an article posted by hiphopdx it states that “Like any form of art, there are those that are a cut above the rest. Telling a story is an art form in itself, whether you’re recalling a story to your boys at the bar, writing songs or making movies. A true storyteller can make an average story great, and a great story unforgettable.” (J-23) As many of these songs illustrate, it isn’t just the story, it is how you tell it. putting in those small, seemingly insignificant details, which make the listener feel like they are there. It is using a metaphor that captures a situation in a way that a description could never do. The songs that are so deep you could picture it like a movie in your mind are more powerful than any words of a rap song just sung to be sung. These are the songs that are almost cinematic to listen too. These are the types of rap artists that are down to earth, true to themselves as well as their audience, and also the artists that sing for the pure enjoyment to tell stories, not to be plastered on social media or to worry about how many instagram, twitter, facebook followers they have, or how many people bought or listened to their songs
Have you heard the phrase “Momma said knock you out”? If so, you've probably heard your parent sing this song. Signing with Def Jams in the 1980’s, LL Cool J showed the world a unique style of Hip-hop and Rap. A kid just 18 years old when his first song came out, LL showed the world he would he would be different. LL Cool J created an influential long-term career with his starting a new hard-hitting romantic style of rapping, influences with popular clothing lines, and paved the way leading rappers to transform into actors and continue to have a successful career.
As Kendrick entered the stage shackled to his black comrades with a soulful saxophone playing in the background, it is obvious that the imagery of imprisonment was a commentary on incarceration in America and its similarities with slavery. By amplifying this modern twist on slavery, Kendrick provokes American viewers to reflect on the struggles that black Americans still go through today. At the start of his performance he goes on to rap “I’m African-American — I’m African” as if he was correcting himself. This isn’t surprising as black identity is hard to establish in a country that implicitly detests you, but explicitly fetishizes your culture. Stuart Hall discusses this in his text when he states, “’the primitive is a modern problem, a crisis in cultural identity’…the modernist construction of primitivism, the fetishistic recognition and disavowal of the primitive difference” (Hall 125). There is no wonder why Kendrick, like many African-Americans, finds comfort in placing his identity with the mother land rather than his true country of origin. How can the black multitude stand in solidarity with a country who will continuously praise black culture but refuse to recognize the black struggle? Kendrick Lamar then conjures imagery of Africa, where he danced and rapped in front of a raging bonfire, one of the most powerful imagery included in his entire performance. One can interpret
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
These articles depict the controversies of the hip hop industry and how that makes it difficult for one to succeed. Many of these complications and disputes may be invisible to the population, but these articles take the time to reveal them.
Since hip-hop has expanded from the undergrounds in Bronx in the 70’s it has grew into a popular accepted music genre. Consequently, as it progressed from the golden age it gradually grew away from its original roots. If one were to evaluate the change of lyrics in hip-hop, they would see a difference between early hip-hop and today’s hip-hop. The current state of hip-hop is in a stage where things like hey young world are outdated. Instead of broadcasting out a positive message, hip-hop sends out a message of sex, drug, and violence. The early musicians who helped solidify hip-hop, by producing music that told stories on subjects of race, respect, or even music that had a positive message.
Accommodating for lost time can be a struggle, however education is the perfect key to allow a human a better diagram for survival in this world. Mortal Man is full of the reality that is blinded to society, because they have been confused by the experience of the struggle. Comparing two poems written within the song titled Mortal Man by the rap artist/ poet, Kendrick Lamar, provides an opportunity to engage in the Burkean Parlor; discussing the experience of the struggle and the proper way to survive through it. There is credibility of the struggle without mistakes of not knowing how to deal with the initial interaction; mistakes do not always lead to success; it is just an excuse to repeat history. Kendrick Lamar’s work provides evidence
The music industry’s history is a convoluted mess. There is no real consensus on what the music industry IS and what paths it has taken. Were the Beatles the greatest band to ever exist? Maybe. Is there a hyper objectification of women throughout the “men’s club” that is the music industry? Probably. It’s this hard to define, frankly confusing business that is worth roughly $130 billion dollars today. With it’s flimsy and opaque edges, can the music industry ever be called into question on its wrongdoings? The racist undertone throughout its history may force it to. With the music industry as an ever growing business that seems to change almost every decade, the one thing that has not changed throughout time is an undercurrent of racism that
Eminem had a miserable childhood which he learned to thrive in and succeed to what he has become now. Marshall was born in St. Joseph, Missouri on October 17, 1972. He was the child of Bruce Mathers, Jr. and Deborah Nelson. Soon after Marshall’s birth his father left to California. His mother struggled to maintain a household, for which the result was frequent movement from Michigan and Missouri. The family then settled in Warren, Michigan in an African American middle-class neighborhood. The family was the only Caucasian tenants through the region. Marshall was a tall, scrawny, and white male that stood out amongst his peers, of African Americans, and was constantly bullied for his color. In addition his mother was an abusive drug addict who took prescription pills. Eminem then inclined to the interest of hip-hop listening to his first rap song at nine—"Reckless" featuring Ice-T. Later in his life he suffered family loss, like his Uncle Ronnie who committed suicide. Mathers became mute and antisocial for weeks. In high school he dropped out for repeating ninth-grade for his third time, for poor grades, and pursued lyrical writing. Marshall then joined rap groups and freestyles gaining success in the predominantly black industry. He then adapted to the name “M&M” as his rapper name, which later evolved to “Eminem”. Eminem’s adversities affected many of his works throughout his life and career. After his album Infiniti, Eminem was signed into Aftermath Records by Dr. Dre and started to produce albums of masterpiece.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
Hip-hop is moving backwards in the sense that it is regaining its revolutionary and activist voice, as more independent artists are claiming control of the spotlight. Hip-hop is moving forward in the sense that it is no longer catering to one general sound, and corporate labels are losing their grip on the images that get displayed to the masses. Hip-hop is becoming more local. Hip-hop is becoming more about the experience, and less about what is hot and on the top 100 right now. Hip-hop is catering more to the individual’s unique taste, rather than mass-producing one sound and one message. Hip-hop, in the future, will be able to truly uphold its title as “the people’s genre” again. Hip-hop is being reborn, and being returned to a state that runs on artistic investment rather than commercial
Influential means having great influence on someone or something. Many people are influential whether they are admirable or deplorable. An influential person is anyone who can convince a society to do something great or even something terrible. Kendrick Lamar is such a person. Lamar is a motivator, a hero, a performer, and a philanthropist.
In the past, rap music has been criticized for its obsession with the high life, with the wearing of the most expensive clothes, the driving of the fanciest of cars and the watching of the most absurdly oversized home-entertainment systems.But what if we were to tell you that such flights of fancy can actually have a positive,socially beneficial effect?