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Dramatic irony in Shakespeare
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In his dialogue with the murderers Clarence asks why he is being the object of a murder. And they respond, because of his enemy with the King: CLARENCE You scarcely have the hearts to tell me so, And therefore cannot have the hearts to do it. Wherein, my friends, have I offended you? First Murderer Offended us you have not, but the king. CLARENCE I shall be reconciled to him again. Second Murderer Never, my lord; therefore, prepare to die (act 1.4 lines 171-176) What is intriguing of the plot against Clarence is that it seems to come out of the blue. In other words, Richard dislikes him without any rationale behind it. Thus, the plot to kill Clarence is one of the many moments where the king’s narcissism comes alive. Murdering
Derrick Wallace, an ambitious handsome straight A student at Monroe College, has his entire life set out. He has recently won his basketball championship game and received exciting news from his girlfriend, Julia, about her moving back to the city from upstate university.
The book Murder in the Bayou: Who Killed the Women Known as the Jeff Davis 8?, written by independent journalist and private investigator Ethan Brown, tells the horrific true story of the bayou town of Jennings, Louisiana located in the heart of the Jefferson Davis parish. During the four year duration between 2005 and 2009, the town of Jennings was on edge after the discovery of the bodies of eight murdered women were found in the filthy canals and swamps. The victims became known as the “Jeff Davis 8.” For years, local law enforcement suspected a serial killer, and solely investigated the murders based on that theory alone. The victims were murdered in varying manors, but when alive they all shared many commonalities and were connected to
Instead of a powerful physical image, like Queen Elizabeth I, Richard implements elegant soliloquies, engages in witty banter, and attunes the audience to his motives with frequent asides. This flexibility demonstrates Richard's thespian superiority and power over the rest of the play's cast, making him a unique character in the play, but why does he do it? This constant battle between characters to claim mastery over a scene leaves the audience with a seemingly overlooked source of power for an actor [clarify/expand].
Through the analysis of the document, ‘King Charls His Speech’, a number of questions and answers result. However, the question of why was Charles I executed is only briefly answered by Charles I’s speech itself, when Charles I states, ‘for all the world knows that I never did begin a War with the two Houses of Parliament.’ Despite this question only being briefly answered by King Charles himself, through his speech immediately before his death, a number of historians have given detailed reasons as to why Charles I was executed.
Another main point about the disappearance of Natalee Holloway witch hunt is the fact that no factual evidence convicting Van Der Sloot has been found the single person who is accused, meaning that at the end of the day, even this one person cannot be linked to the killing Natalee Holloway
Revenge is Hamlet 's primary motivation in this play, and any attempts at redemption on his part are secondary to that goal. After he sets his plan to "put on an antic disposition" in motion, there are several times he acts oddly or cruelly and then has to backtrack with the hope of redeeming himself. Jefferson however works in the right direction of redeeming himself when at first he was acting not much better than a hog and over time he is redeeming himself by becoming more civil, respectable, and honorable for the way he carries himself. Jefferson, with the help of Grant, becomes a man for his community to look up to because of his strength to realize what faith has in store for him. Hamlet takes faith into his own hands and is blinded with hatred and the thought of revenge. Jefferson did not like or agree with his faith, but he realized that everything happens for a reason and it is how you react in the worst of times that people
These actions are not the ordinary competitive actions. These actions are far more intense and deceiving. Richard is more straight-forward and conspicuous whereas Richmond tends to put more thought into his plotting. He is vastly strategic in the way he leads his army towards Richard to replace him. He gives his men orders and tells them exactly where to go. The night before the battle takes place, both Richard and Richmond gives their men a speech which varies tremendously in the tone they are given. Richard addresses his men in a demanding and stern way whereas Richmond is more polite and peaceful. He tells his men, “God and our good cause fight upon our side” (5.3.254) and calls Richard “a base foul stone, made precious by the foil of England’s chair” (5.3.265-267). By saying this, he is attempting to show his men that they have nothing to worry about and that since Richard is an enemy of God, God will be on their side. Richmond is trying to convince the people that Richard will simply let the power get to his head and he will not actually do any good for them. He is being manipulative when he says this which is also a part of Machiavellian.
kinsmen of Edward, Queen Elizabeth, the two young princes and Queen. Anne. These people were killed because he needed to get the throne for his greed. Only a villain would commit these crimes for his greed.
He breeds anger in Clarence and the populace, not of himself, but of Edward and the rightful heirs. "We are not safe, Clarence, we are not safe,"3 he exclaims as his brother is hauled away to the tower. He preys on the "hateful luxury And bestial appetite"4 of the citizenry, catapulting himself to the thrown over a heap of bodies: deaths that hang on his head. But, it is Richard's attitude that his end goal of the crown justifies the murderous means that so closely links ...
had Clarence killed so that he could have an uncontested line to the throne. Shakespeare also said that Richard killed young
...r so he killed him and then took his throne and wife. Lastly, Oberon from A Midsummer Night’s Dream causes a variety of chaos over a small child that his wife refuses to hand over. All of these villains have at least one thing in common; they were all making everyone else suffer for their own gain.
Like King James I’s reign, Charles I also believed he had the “divine right.” Charles was constantly trying to gain the upper-hand in dealing with Parliament, which lead to war. Charles was tried with treason or as stated in the reading “a wicked design to erect and uphold in himself an unlimited and tyrannical power to rule according to his Will, and to overthrow the rights and liberties of the people.” When asked whether he would plead guilty or not guilty he would not give an answer, believing that the whole trial was illegal and unjust. Charles reminded, or warned, the people in the court room that he was their King. After being asked quite a few times, the court went on as if he had plead guilty. The verdict was guilty and Charles I was sentenced to death.
... a fatherly connection toward Billy. He had no remorse toward his decision to execute Billy because he believed that that was the only decision he could make. Where his remorse lied was in the fact that the young boy that he care so deeply for, in a fatherly way, received no justice. It was that the same boy whom he groomed to be like himself, so young, so full of innocence and youthfulness was hung, out of precedent.
The reader discovers Kent's willingness to protect his King in the first scene. After Lear has had his daughter's display their love in a pubic competition Kent tries to persuade him that Cordelia "does not love him least" and that Lear should think about banishing her. Kent is trying to protect the King from his emotions and the decision that they have led him to. But Lear does not listen and instead banishes Kent from the Kingdom. His banishment is a result of another emotional outburst on the part of the King. If Lear were to look rationally at his actions and what his daughters have said he would realize his folly. Instead he is enraged by Kent and thinks that he is challenging his authority.
· Ambition was his only reason for killing the king – “I have no spur