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Dramatic technique in Richard III
King richard the second act 1 shakespeare
Characterization of Richard III in the play Richard III
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Richard III is a play written by William Shakespeare that involves the battle of two men by the names of Richard and Richmond. These two men are not simply rivals; however, they are in fact brothers who happen to both be fighting for the royal crown to become the next king. The word Machiavellian is defined as a person who is devious, two-faced, and scheming. Both Richard and Richmond attempt to make the other candidate appear to be inconsiderate and not of best fit for a position of power. Richmond is a more Machiavellian character in that he is a fighter which goes along with winning and he is trying to seize power to rule England. Richmond is an ancestor of Shakespeare’s patron which in a way makes him appear like he is some sort of God …show more content…
Richmond is essentially entitled to the throne because of his relations to Shakespeare. He also ended the War on Roses by himself. The War on Roses contained multiple battles in hopes of winning power which would put Richmond in control. The two competitors were those in support of the Royal House of Plantagenet. They came from both Lancaster and York. These battles started in the year 1455 and finally came to an end in 1485. Richmond has an exceedingly inflated ego; however, he does back that up by being a fierce warrior and besting Richard III in combat. Considering Richmond is so noble, he certainly is entitled. On the other hand, he does not simply want to be the King just to help but because he is also getting something out of this deal that helps him. He is battling Richard not simply for fun but to become a ruler of a kingdom, to unite the two …show more content…
These actions are not the ordinary competitive actions. These actions are far more intense and deceiving. Richard is more straight-forward and conspicuous whereas Richmond tends to put more thought into his plotting. He is vastly strategic in the way he leads his army towards Richard to replace him. He gives his men orders and tells them exactly where to go. The night before the battle takes place, both Richard and Richmond gives their men a speech which varies tremendously in the tone they are given. Richard addresses his men in a demanding and stern way whereas Richmond is more polite and peaceful. He tells his men, “God and our good cause fight upon our side” (5.3.254) and calls Richard “a base foul stone, made precious by the foil of England’s chair” (5.3.265-267). By saying this, he is attempting to show his men that they have nothing to worry about and that since Richard is an enemy of God, God will be on their side. Richmond is trying to convince the people that Richard will simply let the power get to his head and he will not actually do any good for them. He is being manipulative when he says this which is also a part of
First power, amongst the royal family the mother, Eleanor is the Queen; the father is King Henry, the youngest son John, middle son Geoffrey, and oldest son Richard. In the play not one, but all of these characters have power in some kind of way. King Henry spent his life conquering many regions and wants to continue to conquer by passing king down to one of his three sons. A quote from the play that shows the greed that having power can create Henry asked, “Isn’t being chancellor power enough?” Geoffrey replies, “It’s not the power I feel deprived of. It’s the mention I miss.” Geoffrey does not think he will receive enough respect if he is just the chancellor and his younger brother John is king. When he comes to Richard, the oldest brother he thinks he should be king because of his army he has behind him, but this is where futility comes into play. It is not always about war and killing people to prove your powerful, but in Richards’s ways that is the only way. Richard says, “I am a constant soldier, a sometime poet, and I will be king.” This quote describes the type of person Richard wants to be, he wants to have all the power to rein over the castle and do it through war. Each of the family members is jealous of one another especially the children of the king and queen, it is pretty much a sibling rivalry between them. Having power can be a good thing or bad thing, in this situation the king and queens children have a different view on having power and what they would do if crowned
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
Richards usurpation of the throne was not the only reason why people did not like or trust him however. Richard, Duke of Gloucester arrested Hastings on a false charge of treason on the 13th June 1483 and had him beheaded without trial (beheading for treason was common for nobility). This alarmed other nobles who were shocked at the speed which Richard was prepared to dispatch people who he though could possible oppose him. Hastings was a well liked noble who had got on incredibly well with Richards brother Edward. This infuriated many nobles as the execution without trial was again unjust.
To explore connections between texts is to heighten understanding of humanity’s progressing values and the underlying relevant themes that continue to engage societies regardless of context. William Shakespeare’s King Richard III (1592) (RIII) and Al Pacino’s docudrama Looking for Richard (1996) (LFR) demonstrate how opinion is created through comparative study, both explore the struggle for power within differing contexts to determine the duplicity of humanity. Ultimately, despite the divergent eras of composition and textual form, these connections expose the relevant social commentaries of their composers, highlighting innately human values, which remain constant.
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
Anne is quite like a modern woman in the way that if a man tells her
“I am determined to prove a villain / and hate the idle pleasures of these days. / Plots have I laid, inductions dangerous, / by drunken prophecies, libels and dreams.” Richard III, the evil Duke of Gloucester, is fighting a bloody road to the crown in Shakespeare's dramatic play. Stopped by nothing and with brilliant intelligence, Richard fights his way to the king’s position, clothing his villany with “old odd ends stolen out of holy writ.” With no one to fully trust, Richard breaks many hearts by killing all people in his way, and becomes the unstoppable villain. He hides behind a shield of kindness and care, but when he is alone, his real soul comes alive. Sending murderers, or killing people himself, he has no mercy. Manipulating Lady Anne to marry him and promising Buckingham rewards for his deeds, he knows what he is doing, and won’t stop until the crown lies at his feet.
Richard’s pride is shown when he refuses to fight Harrison for white men’s entertainment. When Richard initially rejects the white man’s offer of five dollars for him to fight with Harrison, it is out of pride. Richard shows his pride quite a lot though out the novel. “’Then let’s figh...
Richard had weakened since he had become king and was no longer ruthless as he had no reason to be ruthless. He had got what he wanted and was pleased with himself. He thought he was invincible, and he was too confident, which cost him his life. If he had been more careful, he would have been aware of the danger that lied before him. But, he did use some similar techniques in both the scenes.
... bloody pathway to kingship. Filled with scorn against a society that rejects him and nature that curses him with a weakened body, Richard decides to take revenge and ultimately declares a war between himself and the world. By achieving goals for the mere sake of self-advancement, a self-made hero, an ambitious king, and an atrocious villain were created. Richard assumes that love forms a bond which men can break, but fear is supported by the dread of ever-present pain (Machiavelli ch. XXIV); thus, for true success the hero must be a villain too. Richard III becomes one of literature’s most recognized anti-heroes under the hands of Shakespeare as he has no objective or thought to take up any other profession than the art of hatred; however, ironically being a representative of a heroic ruler sent by God, he is made to commit murder to redeem society of their sins.
"therefore, since I can not prove a lover, To entertain these fair well spoken days, I am determined to be a villain".As a villain Richard must be heartless, he can not let his emotions interfere with his actions.
of his true intentions and that he does not plan to 'keep her long' we
He breeds anger in Clarence and the populace, not of himself, but of Edward and the rightful heirs. "We are not safe, Clarence, we are not safe,"3 he exclaims as his brother is hauled away to the tower. He preys on the "hateful luxury And bestial appetite"4 of the citizenry, catapulting himself to the thrown over a heap of bodies: deaths that hang on his head. But, it is Richard's attitude that his end goal of the crown justifies the murderous means that so closely links ...
In Richard III, by William Shakespeare, there are many references and depictions of blood. Anne, Richard, and Richmond all make numerous speeches that involve this sanguine image. By using the various speeches and related fates of the characters in this work as a vehicle, Shakespeare calls upon the motif of blood throughout Richard III in order to demonstrate the futility of revenge.
This is a prime example of Richard using his authority by way of rulings and pronouncements rather than action, even to the point of disallowing an action. Bolingbroke, on the other hand, is quite ready to do battle no matter what the consequences. Moments before Richard puts a stop to the proceedings, Bolingbroke says, ". . . let no noble eye profane a tear / For me, if I be gorged with Mowbray's spear" (1.3.58-59). Here is a man who is resolved in his intent.