The movie Amarcord was directed by Federico Fellini and shot in 1974. The setting of the story is a small town in Italy during the time period of the 1930’s. In my research, I discovered that Mr. Fellini based most of his movies on his life experiences. The town depicted in this movie is Rimini, his home town. He was a well known director who was not afraid to express his characters’ emotions and actions in bizarre or unorthodox ways.
The scene I watched opens with a young man, Titta, stopping by a tobacco store to purchase a cigarette. The shopkeeper is a robust, very well-endowed older women. When he walks in, the fat woman is all alone. Titta is skinny and immature and wants to prove his strength by claiming he can lift the fat woman off the ground. The fat woman closes the door for privacy and lets Titta try. He is so determined that Titta accomplishes this feat by lifting her more than once. Titta is sweating a great deal and breathing so heavy after this that he has to sit down to get his breath. As Titta struggles to lift her, the fat woman has a look of ecstasy on her face as if she was engaged in sexual activity. The next thing that happens is the fat woman opens her sweater and whips out her breasts. Titta is inexperienced and does not know how to handle the situation. He’s not sure what he’s supposed to do. The fat woman tells him to suck her breasts. Titta tries to please her, but again because he is inexperienced. He struggles to give her sexual satisfaction by continuing to suck and ask if he is doing it right. The fat woman becomes frustrated because she has not reached her sexual peak and rebuffs Titta. The next thing you know she gives him a cigarette and tells him to leave. Titta is too tired and weak to open the door, so the fat woman says she’ll do it and opens it easily.
The director used the camera angles to illustrate the emotions of the two characters. The camera focused on the fat woman’s big girth when Titta first walked into the shop and again when he was trying to lift her. There were several close-up shots of the woman’s face depicting sexual arousal as he was trying to lift her and again as he was sucking on her breasts. The close-up shots of Titta’s face were also well done because they showed him sweating and making these strange facial expressions because she was too heavy. You could tell from the close-up shots of his fac...
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... the director, Federico Fellini, did a brilliant job in creating this movie. The varying camera angles and lighting techniques helped to make the film seem true to life. In my opinion, the movie did not have a specific plot. I believe it was more of an attempt to look at life through a young man’s fantasies. The movie received several awards including an Academy Award in 1975 for Best Foreign Language Film, New York Film Critics Circle Awards for Best Director and Best Film (1974), and Best Foreign Language Film (1974) from National Board of Review. If you like farcical comedy, then you would enjoy this movie. I would recommend it for adults of all ages.
Bibliography
Amarcord. Dir. Federico Fellini. Screenplay Federico Fellini and Tonino Guerra. Perf.
Magali Noel and Bruno Zanin. S.C. Produzzioni S.R.L – P.E.C.F. 1974
Giannetti, Louis and Scott Eyman. Flash-back: A Brief History of Film. 4th ed.
New Jersey: Prentice-Hall, Inc, 2001.
Internet Movie Database Inc. Amarcord IMDb. 2002.
<http://us.imdb.com/>
Juggling Information Service. Amarcord – Juggling. 2000.
<http://juggling.org/movies/Amarcord.html/>.
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FILM APPRECIATION
SECOND PAPER
Additionally, I would recommend this movie to anyone who loves classic movies, because this classic french drama film was the first time a director had ever done this type (especially with the zooming in on the face). Furthermore, for people who say they had old movies and reading subtitles I would tell them to give this one a go, it might change their minds about these types of movies, and inspire them to watch more classic wonders such as this
"Visual Pleasure and Narrative Cinema" Laura Mulvey asserts the fact that in mainstream films, women are simultaneously looked at and displayed. That is to say, the woman is both an object of desire and a spectacle for the male voyeuristic gaze. The male's function is active; he advances the story and controls the gaze onto the women. Interestingly, the spectator identifies with the male through camera technique and style. In an effort to reproduce the so-called natural conditions of human perception, male point-of-view shots are often used along with deep focus. In addition, camera movements are usually determined by the actions of the male protagonist. Consequently, the gaze is dominated by the active male while the passive female exists to support desire within the film. In an attempt to change this structure, Mulvey stresses the importance of challenging the "look." One way this is accomplished, is in the film Reassemblage, where the look of the camera is free from male perspective and dominated more by passionate detachment. In doing this, the filmmaker, Trinh Minh-Ha attempts to destroy the satisfaction and pleasure derived from images of women in film, by highlighting the ways Hollywood depends on voyeuristic and fetishi...
Although many movies try to recount the most important events and biggest accomplishments in history, many of them end up taking the focus away from the real impact of the historical event. Due to the need to create a movie that has drama and an attractive or complex story line. The 1995 version of the movie Pocahontas directed by Daniele Suissa focuses on Powhatan princess Matoaka, known as Pocahontas, and the events that resulted from English colonists settling in Powhatan lands. Although the movie incorporated a few important details of the actual historical event, overall, it poorly represented the lasting effects Pocahontas’s encounter with the settlers had on the history of colonial America.
In reviewing the movie "Slingblade" many moral issues arose. "Slingblade" revolves totally around Karl, a retarded man who has spent almost all of his life in a psychiatric hospital. Upon the day of his release, Karl told his horrific story to a student newspaper reporter. While discussing his story, the viewers find that Karl was treated almost like an animal by his parents, picked on by almost everyone in town, including his father's boss's son. At the age of 11, Karl saw his father's boss's son having his way with his mother and assumes the worst. He then proceeds to attack the man with a Slingblade and kills him. When Karl learned his mother was enjoying the event, he kills her to.
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
Gangsters, violence, murder and corruption !!!!! If these are some of the things that you're into, then this is your kind of movie. Be ready to watch it more than once to be sure to get all the movie has to offer because it jumps from subject to subject and can be a little confusing.
A hero can be defined as the main character in a story, and as the following film elements discussed induce one to think – not to mention the movie’s title- , that Thelma and Louise are the two main characters of this story. Courage and noble acts are other characteristics that will also be taken in account in order to better support the argument that these two women are indeed the heroes of this story.
Bilingual education allows for an emotionally safe transition. This program lets children communicate in their native tongue, while being exposed to a new language. It's hard enough to be "the new kid" in school. It is easy to imagine the difficulty children have not being able to communicate with anyone and not understanding what is going on around them. Many argue that children will use the bilingual classroom as a crutch and will never learn English because of it. In actuality, it has been proven that children learn English faster if they are taught in their native language first. The goal of bilingual education is for students to learn while not falling behind. Without bilingual education programs, children come i...
The debate now is whether there is sufficient studies proving the effectiveness of Bilingual education and the need to continue it in many states. In 1998 Los Angeles County passed Proposition 227 to create bilingual education programs. (LA Times October 23.1998) Because of the passing of this bill many students were left in limbo waiting for teaching plans to be made. As well as the budget to be reformed to accommodate the extra expenses of a bilingual education programs, books, and to hire the proper teachers and aids to assists in the new bilingual classes. Often there are only a few children in a classroom being taught in their native language whil...
When visiting just about any school across America, students who attend come from all over the globe. This raises the question across America about bilingual education. This can create many challenges in and out of the classroom. The classroom should be a safe place for all students regardless of what native language they speak. In the essay Lost in translation written by Eva Hoffman, describes a foreign student who tries hard to fit in. Instead, Eva begins to feel angry, hurt and confused because people laugh at her. In Guiding Principles for Dual Language Education by Elizabeth R. Howard, Julie Sugarman, Donna Christian Center for Applied Linguistics Kathryn J. Lindholm-Leary San José State University David Rogers Dual Language Education of New Mexico. Guiding principles gives great ideas to educators to stop kids from making other students feel the way that Eva felt. After reading several articles about bilingual education, it is evident that all children in school should learn English but never lose their native language. When all the students speak one language, students will be less likely to make fun of each other. A good educator should learn enough foreign languages to aid them in effective communication in their classroom although; if an educator does not speak a foreign language, they should recruit within the classroom students to be peer mentors. However, a teacher should be willing to listen and encourage the students. Above all a good educator should be a good role model to their students by respecting their heritage and their language.
ogre at night for the rest of her life, but when the spell is released
Overall this film was exciting to watch and was good to help learn a little about the Elizabethan Era. Although the goriness is too much for someone who is sensitive to that kind of thing, you can still enjoy the movie. The costumes are eccentric, the set design is, although outdated, extremely detailed, and was a good movie if you were looking for something to watch and enjoyed a little bit of history in your life.
Although I enjoyed the main portion of the movie, there were some obvious likes and dislikes in my opinion. I believe that I learned from this movie and it helped me understand more of what the people of that time were feeling.
A classic example of an Italian Neorealism film is Bicycle Thieves (1948). Setting the tone for the rest of the film
Moreover to changes the media has cause us to make, cosmetic surgery been the gateway to our body dissatisfaction. The difference between cosmetic and plastic is for aesthetic purposes. Cosmetic surgery is to change the appearance of facial features and body dissatisfactions. Plastic surgery is to demolish any flaws that are scars, burns or areas where it dysfunction. Cosmetic surgery has been highly influenced by the media. The first plastic surgery was during the world war 1. The surgery was commonly performed on soldiers to restore their faces after the war. We adapted the cosmetic and plastic surgery as a norm activity when we don’t like our features. People are pressured to be wrinkle-free, thin and beautiful (Bawdon para. 4). Magazine