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Child discipline
Is punishment effective in children in school
Is punishment effective in children in school
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In the movie 400 Blows, a 1959 French drama film, centers on a boy named Antoine Doniel, whom could have been misunderstood by his parents or possibly just a bad kid, it remains unclear. While Doniel was not living in the best conditions he was well cared for (basic human needs), but his parents were not often home and seemed to not really care about him until something very serious happened. Doniel was getting very bad grades in class and in trouble there for that matter, but his parents seemed to not care one bit. Doniel is often disciplined by his parents, which seemingly does no good, because he refuses to change his ways, and one could say his behavior becomes increasingly worse throughout the film. Furthermore, Doniel often runs away The police hold the boy in a holding cell for some time, and eventually, send him to our equivalent of a juvenile hall. Doniels mother requests that he be put in a center near the ocean because he had always wanted to visit there, but once the boy arrives his party is over and he is very sternly disciplined for his actions about a meal while there. Moreover, the bad behavior is not over yet after some time the kids are all playing soccer and Doniel seizes this opportunity to escape under a broken chain link fence. Doniel runs for what seems to be forever, before finally coming to an ocean, he had finally made it where he had always wanted to go, but what will come of Doniel? The movie doesn't tell us, it ends, but not before zooming in very close and slowly on the boys Additionally, I would recommend this movie to anyone who loves classic movies, because this classic french drama film was the first time a director had ever done this type (especially with the zooming in on the face). Furthermore, for people who say they had old movies and reading subtitles I would tell them to give this one a go, it might change their minds about these types of movies, and inspire them to watch more classic wonders such as this
I personally thought this was a great film, although initially I thought it might be boring. Once I got past the older production quality and immersed myself into the story, I enjoyed it. I can see why this film is a cinematic classic, especially with the memorable dialogue. My favorite lines came from Carr, the floor walker. He seemed to know his job like the back of his hand. “Any man loses his spoon; he spends the night in the box”.
I also predict the boys will find someone living on the island and become friends with them. The boy’s have no adult supervision on the island, but I think they will be able to live on there own for a while.
Derrick is sent to one thousand days on Rikers Island for the time being of awaiting trail which eventually never happen. While incarcerated, he faces
The Lady From Shanghai is a timeless film that captures how a black and white film can be interesting for viewers. The overall film was effective with the help of the mise en scene, cinematography and editing. Each of the three parts put together brought out the complexity and intensity of this film and they made The Lady From Shanghai the classic film that it is today.
In conclusion, Lurhmann uses a lot of modern filming techniques to make Romeo and Juliet appeal to a contemporary audience. By relating certain aspects to situations in modern society, it makes the audience understand the ideas behind the original play and he simplifies the complicated old English of Shakespeare by adding exciting and dynamic visuals. Lurhmann tried to create a modern version of Romeo and Juliet and he was completely successful in his aims. Lurhmann defied all odds by making his film appeal to a modern audience and not only is this film very clever, it is a must see for any film lovers.
use of the camera the sound and the mise en scene. I will analyze the
?Life Is Beautiful? gives the audience a vivid look into what happened during the Holocaust. Roberto Benigni plays a very upbeat, carefree bookstore owner. His wife, who is not Jewish, and his son are forced into a concentration camp. They are deported on a train with many other Jews. From the point the get to the camp, Benigni shows the audience what it was like for the Jews. During selection, his wife is separated from him and his son, along with his uncle. The movie shows the Jews working where there are hot furnaces having to haul around heavy objects all day. It also shows the German?s being cruel in a verbal way to the Jews. At one point in the movie, Benigni returns late to his bunk where his son is waiting. Another man in the bunk informs Benigni that everyone was nervous he would not return. This shows the fear that the Jews had to live with every day while they were contained in the concentration camps. This would be good ...
...ough to say that La Jetée is a wonderfully rich experiment in the manipulation of the perception of time; despite the complexities elaborated in this paper, the film presents a consistently comprehensible articulation of time, despite and because of an information-impeding stylistic device (still images as opposed to moving images) and a complex, circular narrative laden with potentially confusing time travel.
Both The Cabinet of Dr. Caligari, produced by Robert Wiene, and The Last Laugh, produced by F.W. Murnau, are excellent examples of films created in the golden age of German cinema. These two films make use of the camera in order to see inside a character's mind, a technique greatly refined throughout German Expressionism. The ideas, feelings, thoughts, and dreams of a character are carefully shown in a first-person view, and the tone and mood of the characters and plot are mirrored in the surrounding environment. The German films of this time, as well as The Cabinet of Dr. Caligari and The Last Laugh, were either fantasy or psychological type films. The fantasy type of film was distinguished by the revolving of action around the strange and bizarre, as was portrayed by Wiene. The psychological film's action, on the other hand, revolves around the particulars of the characters, such as the importance of the doorman's job and his status in Murnau's film. A discussion of these two films and their place in German cinema is the topic of this critique.
He called the cops but his mom didn't press any charges even though she went the hospital. Although she did break up with Bear Rafe and Georgina were both glad of the decision that her mom makes but the didn't say it. So then he has to have meeting with his mom and the principal he said that he was expelled from his school for the rest of the school year, although his English teacher was impressed by his art skills that she suggested an art school. His mom and Rafe took the suggestion and for the first time he’s excited for school.
All in all, after watching the movie, I know how to be thankful, the point of persistence and the precious friendship, I have learnt some important things that I didn’t know before. And the best thing is I'm still young enough, I also can fix my behavior and gain experiences.
Overall this film was exciting to watch and was good to help learn a little about the Elizabethan Era. Although the goriness is too much for someone who is sensitive to that kind of thing, you can still enjoy the movie. The costumes are eccentric, the set design is, although outdated, extremely detailed, and was a good movie if you were looking for something to watch and enjoyed a little bit of history in your life.
I really have praised the original a lot. At a brisk 75 minutes, there’s no waiting for great juicy suspense, even if it minimizes on plot development. This is not so in the ’56 version, but there is much to admire about the remake and value over the original.
French movie presents reality in 1956. We can see the old Paris ten years after the World War II. The other film was made in 2009. For 54 years, the life and movie technologies are totally changed. For example, the observer can see difference of the cars, bus and modern people on the street. Also the quality of the camera is very high in the new movie, which help to see more details. The main filming techniques that were used in the movie “The Red Balloon” are long shot and wide shot, and color emphases. As an illustration, long shot is scene that the boy is on the street. The wide shot is on the film ends as all the other balloons in Paris coming to Pascal's aid and take him on a cluster balloon ride over the city. The camera tracks the boy and the balloon as a side observer. Equally important for the movie are the color accents. The grey Paris is in contrast with the red balloon, which could be associates with boring everyday life and carefree childhood. Whereas the French movie impresses with its simplicity, the film “The Balloon” is more complicated to understand. To clarify the meaning of details, the director use different techniques. For example, the close and distant shot of every important objects and
this is an old film and it may have been engaging to my granddad, but