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Characteristics of Italian Opera
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Opera Assignment
Opera is a drama that is acted and it is usually sung with an orchestral accompaniment. It uses music, acting, poetry, dance, scenery and costumes to make it more appealing to the audience. The characters usually are very emotional and it is a very powerful form of musical theatre. By combining all of these factors together it becomes very impressive and something to remember.
Some important plot ingredients are death, seduction, love, fights, God, and many other things. Other plot ingredients are misunderstandings, the mood, the way the characters are characterised and dramatic action.
i) The Overture is a song played at the very start of an opera and it usually involves music that will be played later on during the opera.
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v) A chorus is used to make comments on the action and generate atmosphere. This is usually sung by many characters like sailors, peasants, prisoners and other side characters.
4. Opera was first introduced in Italy in about 1600s but it first started and was very successful around 1597. Monteverdi was an Italian composer during the late Renaissance - early Baroque and he contributed to opera by attending some of the earlier operas, and then going on to make his own operas which was much more dramatic, expressive and he unified the whole acts with the music making the climax for the singer match up with the climax of the orchestral piece. Some would say that Monteverdi’s L’Orfeo was the true first opera. Between 1600 and 1750, the first operas led to even more being made due to the first one’s success and soon after only letting few select people watch, they opened up to the public. Opera only rises and became popular during this period and it was highly
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During the Classical period, opera split up into 3 different genres, Opera seria, Opera Buffa and Singspiel. Opera seria was like the Baroque Period’s opera but arias became longer and used in da capo form, there are 3 acts and it is all in Italian. In Opera Buffa, arias slowly changed into more through-composed forms due to larger ensembles, there were 2 acts but it was still in Italian. Singspiel is the last type of opera and it had typically 2 acts and unlike normal opera, it also included dialogue. Mozart composed many famous opera like Don Giovanni and these may well have influenced many composers after him. Mozart’s operas were very well composed, and dramatic and people flocked to see them but in the end, Mozart shifted back to classical
Upon a first listening to the collaborations of Auden-Kallman/Stravinsky in The Rake's Progress and Brecht/Weill in The Threepenny Opera, the idea that there could be anything in common with the two works might seem to require a great stretch of the imagination. While the 1951 Rake's Progress is clearly neo-classical, and specifically Mozartian, the 1928 Threepenny Opera is as easily termed the precursor to the Broadway musical as it is termed "opera."
Monteverdi was known for composing over a dozen operas, yet a large portion of them were lost. From Arianna (1608) only the Protagonist survived and was a piece that is said to have moved the audience the first night of performance to tears. The 'Lamento d’Arianna’ became a "hit," circulating widely in both transcribed and printed duplicates. Monteverdi was quick to cash in. According to the New World Encyclopedia, Monteverdi was the first composer who composed operas using his creative and skillful abilities to develop music dramatically. A modern day audience could listen to his music with much
In modern theatres today we do not have a chorus, as it would obscure the view of the play and maybe set the wrong atmosphere as modern audiences are less willing to suspend their disbelief and want things to be as realistic.
Wolfgang Amadeus Mozart baptized as Johannes Chrysostomus Wolfgangus Theophilus Mozart lived from January 27, 1756 to December 5, 1791. Mozart was a very influential and prolific composer of more than 600 works, including symphonies, concertante, chamber, piano, opera, and choral music. Regarded as a child prodigy, Mozart composed and performed in the European courts from the age of five, and was engaged at the Salzburg court at 17. Mozart’s musical style can be classified as Classical, although he learned from many of his contemporaries throughout his musical career. In order to better understand Mozart’s genius it is best to begin looking at his earliest contributions to the musical world as a child. From there, an exploration of his composition work in the employ of various patrons gives a more rounded picture of the development of Mozart’s musical style. Mozart is one of the most enduring composers, with his work continuing to resonate with modern audiences.
The Baroque era contains three phases: early, middle, and late. During the early phase of Baroque, harmony became the central idea to music. The Florentine Camarata reinvigorated this style and were the ones who opposed their contemporary music. This group started in Italy and influenced composers in France. Baroque music would help create the popular form of music known as opera. Since it focuses on the soloist rather than a group of people singing simultaneously. It also focuses on the harmonic aspect of music (Palisca, 25).
I imagine in the future a new wave of opera will surface. We will see more use of robots, computers, social network, and virtual reality. We might see breakthroughs in stage design, such as a circular stage. We will see opera performed under different settings. Shows will become even more interactive, adaptable, personal, and modular. All in all, we are seeing a transformation in opera. The challenge lies in keeping the essence of the art of opera and striking a balance between modernization and preservation, so that it can continue to engage its audience yet distinguishes itself from all other types of musical performances.
Opera is a unique genre of spoken word and song accompanied by music. The music takes one through ascending and descending ranges of emotions. Mozart's Don Giovanni is a perfect example of how this genre emits a wide variety of feelings and attitudes. This "dark comedy seems to convey Mozart's feeling that events have both comical and serious dimensions…" (Kerman, 205). The opera, as a whole, is neither exclusively comedic nor entirely tragic.
...anged the way that opera was to be written in Italy, but they set the standard for the entire world and therefore their works are classic and timeless and will be performed for an extremely long time to come.
The work that they did paved the road for the people that are going to come down the road that they have done. The principles that they have put down make opera a genre of classical music. The nineteenth century was a century that marked its time in the history books for the rest of time. From the composers to the events that happened, this century was the best one that happened for opera. Works Cited Italy:
He was a great young composer that transformed into a genius that was able to write music in the short periods of time he had during the day and was able to rewrite the musical rules. After being very successful in his early years, Mozart grew little older and started looking at things in a bigger picture. He tried to fit in on many different things including languages of others. The “Magic Flute” that was written at the end of his short life is known as the ultimate expression of Mozart’s ambition to connect with the human life and the human emotion through music as well as theater. At 25 years old, Mozart is no longer a prodigy but has not proved to be an amateur composer. In Provincial Salzburg is where Mozart is still living with his father and sister. Mozart is going to Munich because they have commissioned him to write an Italian opera in a serious style. Mozart’s father said he gave Wolfgang the advice to never neglect the popular style for the unmusical public as the musical ones. Leopold agreed to be Mozart’s middle man between the poets but he didn’t know that this would be his last detailed involvement in one of Mozart’s projects. Mozart’s father said they worked every day on the poems but Mozart was determined about something totally different than his father. He had problems with everything his father done. Whether it was too long or not dramatic enough, it would never suit his needs. His
Introduction The world is changing and so is the style of music. Often people who do not have any musical background might think that classical music is boring and only for more mature audiences. In fact, the sales of traditional Western classical music albums are decreasing and many symphony orchestras and operas are struggling to find endowments and audiences. It is considered that classical music today occupies a position similar to that of religion, as a form of art rather than entertainment or just a background noise (Johnson, 2002). Unlike popular music, classical music may be more sophisticated and complex in its form.
Reading A Play p. 82-84 Reading the play vs. Seeing the play Employ conventions: customary methods of presenting an action, usual and recognizable devices that an audience is willing to accept. Antigone. Chorus is a group of citizens who stand to one side of the action, conversing with the principal character and commenting. Othello. introduces the soliloquy a monologue in which we seem to overhear the character's innermost thoughtsuttered aloud.
Wolfgang Amadeus Mozart was undoubtedly one of the greatest composers of not only the classical era, but of all time. On January 27, 1756 in Salzburg, Austria, Mozart was born into an already musically talented family. His father Leopold, a composer and musician, and sister Nannerl toured parts of Europe giving many successful performances, including some before royalty. At the young age of 17, Mozart was appointed Konzertmeister at the Salzburg Court. It was there that young Mozart composed two successful operas: “Mitridate” and “Lucio Silla”. In 1981 he was dismissed from his position at the Salzburg Court. He went on to compose over 600 works including 27 piano Concertos, 18 Masses (including his most famous, the Requiem), and 17 piano sonatas. Mozart was not often known for having radical form or harmonic innovation but rather, most of his music had a natural flow, repetition and simple harmonic structure.
The origin of opera was born in seventeenth century Italy. Wealthy Italian nobles had these “musical works” presented in their piazzas or courtyards. During this time extravagant entertainments, such as fireworks and other amazing effects along with music, singing, dancing and speeches were presented at regal weddings or to welcome important guests. These pre-op...
The 1984 film Amadeus, directed by Miloš Forman, told the story of Wolfgang Amadeus Mozart story in such a way that an individual watching more than likely would have never imagined such a brilliant musician’s life having been the way it was portrayed in the film. When many people think of Mozart today, the thought of his skill to compose musical masterpieces is probably the first of many things to come to mind – his work speaks for itself; Mozart’s operas and symphonies are beautiful, so comparing it to the eighteenth century Classical era, Mozart’s work had to have been much loved and appreciated, right? Well, according to Amadeus, this was not necessarily the case.