Comparing The Rake's Progress and The Threepenny Opera
Upon a first listening to the collaborations of Auden-Kallman/Stravinsky in The Rake's Progress and Brecht/Weill in The Threepenny Opera, the idea that there could be anything in common with the two works might seem to require a great stretch of the imagination. While the 1951 Rake's Progress is clearly neo-classical, and specifically Mozartian, the 1928 Threepenny Opera is as easily termed the precursor to the Broadway musical as it is termed "opera."
Closer examination of the collaborators' sources and motivations, however, reveal several striking coincidences. Both operas draw upon eighteenth-century works as their primary sources: The Rake's Progress was conceived after Stravinsky saw the 1745 William Hogarth print-sequence of the same name, and The Threepenny Opera is an adaptation of John Gay's The Beggar's Opera, written in 1728. (Incidentally, Hogarth also painted a scene from this enormously popular ballad-opera.) The Threepenny Opera follows the ballad-opera tradition, in that it is a series of songs interspersed with dialogue, not recitative. Each scene, as in The Beggar's Opera, is complete in itself, pertaining to the whole, but not necessarily driving the action of the plot. Stravinsky's initial conception, though not realized, was to write "an Opera with definitely separated numbers connected by spoken (not sung) words of the text, [...] to avoid the customary operatic recitative" (Griffiths 10). Brecht's libretto reads like a Marxist manifesto, and although The Rake's Progress is by no means overtly Marxist, Auden's "most serious objection to Hogarth's Rake's Progress was based on his reading it as 'a bourgeois parable' [...] he approached Hogarth's pr...
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.... Eighteenth-Centruy Plays. Ed. Ricardo Quintana. New York: McGraw-Hill, 1952. 179-238.
Griffiths, Paul with Igor Stravinsky, Robert Craft and Gabriel Josipovici. Igor Stravinsky: The Rake's Progress. Cambridge Opera Handbooks. Cambridge: Cambridge UP, 1982.
Lindenberger, Herbert. "Anti-theatricality in Twentieth Century Opera." Modern Drama 44.3 (2001): 300-317.
Paulson, Ronald. "Auden, Hogarth, and The Rake's Progress." Raritan: A Quarterly Review 16.2 (1996): 30pp. http://shelley.library.ualberta.ca:8590/mla?sp.nextform=mainfrm. htm&sp. usernumber.
Savage, Robert. "Making a Libretto: Three Collaborations over The Rake's Progress." Oedipus Rex / The Rake's Progress. English National Opera Guides: 43. Ed. Nicholas John.London: John Calder Publishers, 1991. 45-58.
Stravinsky, Igor and Robert Craft. Memories and Commentaries. London: Faber, 1959.
In today’s operational management arena, there are certain expectations from a managerial aspect that must be met in order to be successful. A comprehensive look at the Space Age Furniture Company will show exactly what the Materials Requirement Planning (MRP) calculations are for this company at present time and then take the information given in order to properly suggest ways to improve the sub-assemblies. In addition, there will be an analysis on the trade-offs between the overtime and inventory costs. A calculation will be made on the new MRP that will improve the base MRP. This paper will also compare and contrast the types of production processing to include the job shop, batch, repetitive, or continuous, and determine which the primary mode of operation should be and exactly why. A detailed description on how management can keep track of the job status and location during production will also be addressed. Finally, there will be a recommendation on they type of changes that need to occur that will be beneficial to the company and at the same time add value to the customer. This paper will conclude with summary of the major points.
"Morton, Thomas - Introduction." Literary Criticism (1400-1800). Ed. Thomas J. Schoenberg. Vol. 72. Gale Cengage, 2002. eNotes.com. 2006. 21 Feb, 2011
TitleAuthor/ EditorPublisherDate James Galways’ Music in TimeWilliam MannMichael Beazley Publishers1982 The Concise Oxford History of MusicGerald AbrahamOxford University Press1979 Music in Western CivilizationPaul Henry LangW. W. Norton and Company1941 The Ultimate Encyclopaedia of Classical MusicRobert AinsleyCarlton Books Limited1995 The Cambridge Music GuideStanley SadieCambridge University Press1985 School text: Western European Orchestral MusicMary AllenHamilton Girls’ High School1999 History of MusicRoy BennettCambridge University Press1982 Classical Music for DummiesDavid PogueIDG Books Worldwide,Inc1997
The "Oedipus the King." Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Compact Edition, Interactive Edition. 5th ed.
Steen, Michael. The Lives and Times of the Great Composers. New York: Oxford UP, 2004. Print.
Thesis: The completion and substance of Oedipus Rex allows Oedipus to live grief-stricken throughout his successful search for justice.
Eastern Washington University Department of Music presented a program of Opera works by Giacomo Puccini, Aron Copland, W.A. Mozart, John Dowland, Franz Shubert, Maurice Ravel, and Robert Schumann on Friday, March 7, 6:30 p.m., in the Music Building, Recital Hall. These Opera works were sung by Senior Recitalist, Alexandra Rannow.
Various previous studies found that girl and boys have different type of toys preferences that can be learned through modeling and reinforcement. There are also biological factors that influence the differences between girls and boys. Gonadal hormones highly influence the development of sex differences in terms of behavior and in the brain at different species of animals. There is a unique case where females with genetic disorder congenital adrenal hyperplasia (CAH) –highly exposed to adrenal androgens before birth –shows a more manly behavior and physical energy with higher spatial ability than normal females. Other findings also show similar results caused by masculine hormones by maternal ingestion during pregnancy.
Wanger lived in a reactionary and unsettled time, this restlessness is given a creative voice in his music and the condition of the romantic era man, removed from nature and isolated from communion with humanity is expressed in all of his music but especially in his operas. The morality of Wagner’s work has always been controversial, at best thought a work of a clearly flawed and tortured genius and at worst it is suspected to be steeped in subtle but deep racial hatred. For the purposes of this article I will present Wagner’s taking them at face value, without examining the theory stating that Anti-semitism was inherent to Wagner’s operas. I will use Wagner’s music drama Parsifal as the lens through which we can frame Wagner’s early operas and follow the themes of development to his mature style in this his final opera. Examining Wanger’s developments to music especially as regards the genesis of the music drama and how this contribution changed opera forever. His artistic reform, though not executed to the last detail, accelerated the trend towards organically conceived, through-composed structures, as well as influencing the development of the orchestra, of a new type of singer, and of various aspects of theatrical practice.
In this essay I am going to be looking at Richard Wagner’s most Influential Opera’s “ Der Ring Des Nibelungen” also known as ‘The ring Cycle.' This cycle is made up of four operas.It begins with the beginning of the world and ends with the fall of the world. This piece begins as a mythic story and ends with modern humanity. This work in total is sixteen hours in length.I will be looking at the story behind the first opera or introduction entitled ‘Das Rheingold,' as well as his use of motifs and his use of development throughout the opera. The aim of this essay is to give a brief understanding of the complexity of western music in the 1800s.
MONDELLI, PETER. "The Sociability Of History In French Grand Opera: A Historical Materialist Perspective." 19Th Century Music 37.1 (2013): 37-55. Academic Search Premier. Web. 6 May 2014.
Taylor, Jake. “Igor Stravinsky – Le Sacre du Printemps.” SputnikMusic. 10 August 2008. Web. 17
Surveys are an effective and popular method for research because of the efficiency, versatility and generalizability. Generalizability is the ability to sample and draw research conclusions for large populations (Bachman & Schutt, 2012). In order to effectively maximize outcomes in survey research, surveys must be structured to avoid unclear or confusing questions. Demographic related questions should be avoided if not pertinent to the research study (Bachman & Schutt, 2012). Generally, the motivation of the researcher is clearly identified in a survey, and the respondent has the option of declining involvement in the survey. There are fewer ethical dilemmas with survey research than other types of research methods.
Sagan, D. (2000). Hormones Determine Gender Traits.Male/female roles: opposing viewpoints (pp. 42-43,46). San Diego, Calif.: Greenhaven Press.
Ramlall, Sunil. (2004). A review of employee motivation theories and their implications for employee retention within organizations. Journal of American Academy of Business, Cambridge, 5(1/2), 52-63.