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Moral thesis statement the picture of dorian gray
Symbolism in the picture of Dorian Gray
Morality and ethics in the picture of dorian gray
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Recommended: Moral thesis statement the picture of dorian gray
During the Victorian era the views of society were somewhat strict. Since it was the romantic period there was a sense of independence when it came to their personal views. But if anything was too exorbitant, it was either ignored or “socially” punished. To one’s surprise you may find that the morals and ethics presented in this book are not what you may expect at first. When morals and ethics are largely exhibited in a book it is usually to convey a way of thinking that is good, not one that is all about covetousness and self-preservation.“Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one’s mistakes.” (pg. 43).
Lord Henry is an example of the moral and ethical views given in the book. Though they are not actual views from real people, they do reflect the ideas of those in that time period. “Harry” as they called him was a man of deception, he may portray himself as one person but in reality is someone else entirely. At first glance Harry seems to be just another rich man who enjoys the benefits of his life, but as the story progresses you see that he is something completely different. He is a man that enjoys influencing people, his morals and ethics are those of someone with a more sinister demeanor. “There was something terribly enthralling in the exercise of influence. There was no other activity like it. To project one’s soul into some gracious form, and let it tarry there for a moment; to hear one’s own intellectual views echoed back to one with all the added music of passion and youth;...” (pg. 38).
Lord Henry’s morality is in some ways a reflection of Oscar Wilde’s idol, Walter Pater. Pater was a man of deep personal thought. Even ...
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...thing beautiful can fill the void he has, no amount of jewels or elaborate tapestries could fill what he was losing, and that was his morality. “One should absorb the colour of life, but one should never remember its details. Details are always vulgar.” (pg.102).
Dorian’s morals have little say in the decisions that were made. The decisions made in the moment are for his pure enjoyment, the thought of having fun and not worrying about the consequences has overtaken him. He doesn’t enjoy being around people just to be there, he only wants friends that can give him something, and once he has lost interest the are of no importance to him. “They say that you corrupt every one with whom you become intimate, and that it is quite sufficient for you to enter a house for shame of some kind to follow after.” (pg. 151).
Works Cited
The picture of Dorian Gray by Oscar Wilde
Shakespeare’s ‘King Henry IV Part I’ centres on a core theme of the conflict between order and disorder. Such conflict is brought to light by the use of many vehicles, including Hal’s inner conflict, the country’s political and social conflict, the conflict between the court world and the tavern world, and the conflicting moral values of characters from each of these worlds. This juxtaposition of certain values exists on many levels, and so is both a strikingly present and an underlying theme throughout the play. Through characterization Shakespeare explores moral conflict, and passage three is a prime example of Falstaff’s enduring moral disorder. By this stage in the play Hal has ‘reformed’, moved away from his former mentor Falstaff and become a good and honourable prince.
As time progressed Henry also thought of the injustice in working and paying the wages he had earned to a master who had no entitlement to them whatsoever. In slavery he had been unable to question anything of his masters doing. He was unable to have rage, sadness, or even sickness, for he would be b...
Henry's past is described by Ely and Canterbury, the two bishops. Canterbury quotes, "Since his addiction was to cause vain, His companies unletter'd, rude, and shallow, His hours filled with riots, banquets, sports; And never noted in him any study, And retirement any sequestration, From open haunts and popularity. " Ely says, "The strawberry grows underneath the nettle. " And wholesome berries thrive and ripen best.
In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...
King Henry IV is saddened and ashamed of Harry’s drinking and stealing and wonders if he will ever become a capable leader. King Henry IV even questions if some...
Through high moral character Henry established credibility with the audience through creating a setting that aroused feelings in the people at the convention in order to convince them they had to fight for more than just peace. The goal Henry had when he spoke about war was to be honest with the crowd and point out that they needed to do something now or they would loose not just what he loved, but what they also loved. Henry said “If we wish to be free, if we mean to preserve inviolate those inestimable privileges for which we have been so long contending...and which we have pledged ourselves never to abandon until the glorious object of our contest shall be obtained, we must fight!”. In this quote the tactic of ethics is apparent in that Henry wanted to achieve a personal level of connection with the audience and establish his credibility. By relating losing the war it also meant the lose of their feelings of comfort and contentm...
Henry IV is a play that concerns itself with political power and kingship in English history. References to kingship are prevalent throughout the play, especially in the depiction of the characters. Although most of the characters in this play could teach us about kingship, I would like to focus my attention to Prince Henry. I think that this character helps us to best understand what kingship meant at this particular time in history.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
Wilde shows Lord Henry grasping onto Dorian and his moral beliefs, “There is no such thing as good influence Mr. Gray. All influence is immoral-immoral from the scientific point of view.” Dorian quickly transforms from an innocent young man, to a wicked deceitful man. Lord Henry knowingly influences Dorian, “People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is.” The craving for eternal beauty acts alongside with Lord Henry in the demise of Dorian. “As he thought of it, a sharp pang of pain st...
Oscar Wilde's novel, The Picture of Dorian Gray, explores the themes of influence, corruption and conscience. “The obvious influence of Lord Henry upon Dorian shows how one may corrupt another to such an extent that one's own conscience withers and dies”(Weintraub 116).
When Dorian Gray first meets Lord Henry at the studio of artist Basil Hallward, he is fascinated with Lord Henry’s wit and the radical social doctrines that he advocates. Dorian is easily molded and falls for the argument he hears. According to Lord Henry the goal of new hedonism, “to realize one’s nature perfectly…to give form to every feeling, expression to every thought, reality to every dream” (198-199). As far as philosophies go this seems rather innocuous until Lord Henry goes on to clarify that, “every impulse that we strive to strangle broods in the mind, and poisons us…the only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing” (199). Lord Henry’s advice entices the malleable Dorian, who does not seem to realize that Lord Henry may advocate giving in to every impulse, even the destructive ones, but he does not follow this advice himself. As Basil Hallward informs Lord Henry, “you never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose” (188). Dorian, however, takes Lord Henry’s advice concerning new hedonism at face value and the results are disastrous.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
In conclusion, it has been reiterated that Lord Henry's influence, the changes in Dorian, and the immorality of the yellow book further enforced The Picture of Dorian Gray as a moral book. Oscar Wilde allows for those who could understand the real meaning of the novel by comprehending the importance of these three things to discern that he fully intended on writing this novel as a moral book.
Careful examination of Dorian’s initial susceptibility to influence, willingness to commit sin, and interactions with other characters prove Lord Henry plays the biggest role in transforming Dorian from pure to vicious. With his cunning theories and brainwashing comments, Dorian cannot muster the strength to resist Lord Henry’s dominating nature, showing there are no limitations in relationships when it comes to influence. The topic of which character primarily influences Dorian to turn to a dishonest lifestyle is undeniably significant in understanding the purpose of the characters as well as the deeper meaning of the text.
In this novel, Wilde had portrayed his philosophy of "aesthetic idealism." He favored nature when it was explained as an internal individualistic impulse, just like Lord Henry who suggests that beauty is the greatest good and doing so diminishes the role of the soul. He does this out of a half-facetious, half-earnest pursuit of that which is more genuine, less socially constructed and therefore less hypocritical.